李文政 / Lee Wen-Cheng

致力於實驗臺灣動畫、數位影像、『台』文化之建設，參與藝術文化的創新與合作之藝術家，以『前衛台風』為目標，發展新的臺灣視覺語言，為日常都市環境與庶民生活，加上想像力，詮釋出新的生命力，讓觀者一同對生活有新的解讀與瞭解。

Lee Wen-Cheng is an artist dedicated in the innovation and collaboration of art and culture through experimental Taiwanese animation, digital imaging, and developments of unique Taiwanese cultures. He strives to achieve the target of “avant-garde Taiwanese style” and has created new visual lingo that is distinctive to this land. As imaginative interpretations are imparted on daily urban environments and everyday lives, a new surge of vitality is formed, and the audiences are granted with new analysis and understanding to life.

作品介紹

李文政作品中重組再現的景觀，是對應於真實城市的象徵式寓言，敘述了對自身所在城市的觀察與省思。他以各種變形、轉化、象徵、移置的手法來對對真實世界進行反諷與顛覆。台灣常見的城市景觀，如：高樓、公寓、窗戶、霓虹燈、廣告、紅綠燈、橋梁、摩天輪等等混雜的建築元素，在李文政的作品中彷彿是機械的模型組件，如同變形金剛般組合變身為各種巨大怪獸，由地景中湧現，再度降臨於原本的地貌；騷動著的是根植於本土市民們的生命能量，各種混雜並陳的城市景觀也正是台灣城市風貌的寫照。

Introduction

Lee Wen-Cheng’s reconstructed landscapes are symbolic allegories reflective of realistic cityscapes. His art originates from the observations and reflections from the city he dwells in, and through various shapes, transformations, symbolisms, and displacements, he deals with the real world with irony and subversion. Familiar cityscapes of Taiwan, such as high-rises, apartment buildings, windows, neon-lights, billboards, traffic lights, bridges, and Ferris wheel, are comprised of hybrid and complex architectural elements, and they appear like mechanical parts in Lee’s artwork. Like transformer robots that have turned into gigantic monsters, they emerge from the cityscape and lands once again. From which a sense of restlessness arises from the vital energies of the people within, and the various juxtaposed cityscapes also depict the distinct features of Taiwan’s urban setting.