In Memoriam: Emanuel Schongut
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Emanuel (Manny) Schongut is a San Francisco based artist. In his New York City years, while represented by Push Pin Studios, he worked on projects with Milton Glaser and Walter Bernard at New York Magazine and Seymour Chwast at Push Pin. Working in watercolor, pencil, and pen and ink, his editorial and advertising illustrations have appeared in major publications from The New York Times to Harper's Bazaar. He has created book jackets and interior illustrations for many publishers in addition to posters for Masterpiece and Mystery Theater. He has illustrated over twenty children's books.
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- JoinedNovember 2007
- OccupationArtist
- Current citySan Francisco
- CountryUnited States
- Websitehttp://www.eschongut.com
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Testimonials
L'art d'Emanuel Schongut est merveilleux de poésie, de symbolisme, d'humour et d'optimisme. Un art du rêve tout à fait étranger à celui officiel de notre époque, mais qui est un rappel aux racines de l'art : la beauté et le sens partagés. Merci de nous offrir cette rareté. Emanuel Schongut's art is marvelous with … Read more
L'art d'Emanuel Schongut est merveilleux de poésie, de symbolisme, d'humour et d'optimisme. Un art du rêve tout à fait étranger à celui officiel de notre époque, mais qui est un rappel aux racines de l'art : la beauté et le sens partagés. Merci de nous offrir cette rareté. Emanuel Schongut's art is marvelous with poetry, symbolism, humor and optimism. An art of dream completely foreign to the official one of our time, but which is a reminder to the roots of art: shared beauty and meaning. Thank you for giving us this rarity.
Read lessMe encanta tu trabajo, gracias por compartir!! Un abrazo desde España
I'm blown away with the honesty, inspiration and freshness I get from Emanuel's work, done some 40 years prior. I feel like I should already know him (his work), and discovering his talent and having new access to it via his site and this Flickr pool feels like the equivalent of finding a Le Corbusier LC2 Petite Confor… Read more
I'm blown away with the honesty, inspiration and freshness I get from Emanuel's work, done some 40 years prior. I feel like I should already know him (his work), and discovering his talent and having new access to it via his site and this Flickr pool feels like the equivalent of finding a Le Corbusier LC2 Petite Confort chair, or Eames bentwood leg splint at a thrift store. A true rare gem. The combination of font choices used in conjunction with his hand illustration also feels very unique and interesting. Bravo.
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