Most of my art work could be called process art, coming from the physicality and energy of making and creating. However, as with most artists this is based around recurring themes and ideas, for me these are about wrapping, protection and memory. It is my fascination with the repetitive and ritualistic actions of folding and wrapping materials in my work, that seem to have a resonance with the idea of linking the physical and the sensory.

'Edwards is a sculptor who uses deceptively simple forms to evoke the elusive complexities of experience' (The Guardian 2008)