I'm from Portland, Oregon but have spent some years living overseas in Munich and then in the Surrey hills outside London. I've been living in Dublin, Ireland for the last nearly 7 years.
I have been shooting and developing film for a number of years now. I have a temporary dark room that I set up in my laundry room here in Ireland and I sometimes post scans of wet prints. I can usually be found shooting with one of these:
- 1958 Leica M2
---- Leica Summarit 2.5/35mm (modern)
---- Voigtlander Color-Skopar 2.5/35mm
---- Jupiter-8 2/50mm
---- Voigtlander Super Wide Heliar 4.5/15mm
---- Leica Summicron 2/50mm collapsible
- 1950's Balda Mess-Baldix rangefinder 120 folder
- 1973 Pentacon Six TL
---- Carl Zeiss Jena Biometar 2.8/80mm
---- Carl Zeiss Jena Flektogon 4/50mm
- 1972 Bronica S2A
---- Nikkor 2.8/75mm
- ~2009 Arsenal Kiev 88CM (CLA and new lens ring, all by Arax Photo)
---- Arsat C 2.8/80mm
---- Arsat C (Mir-26b) 3.5/45mm
- 1970's Rollei 35S with the Rollei-made Sonnar 2.8/40mm
- 1970's Pentax 6x7
---- SMC Takumar 3.5/75mm
---- Super Takumar 4/55mm
- Yashica Electro 35 GSN
- Arsenal Kiev-4a with Jupiter-8M 2/50mm
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- JoinedFebruary 2007
- HometownPortland, Oregon USA
- Current cityDublin
- CountryIreland
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I've spent many hours in the darkroom and online using and pondering reversal bleach. Your work and publishing is helpful and I will try some. I will quote you in an upcoming workshop and will fully credit and link you. Merci. PS. Beautiful photos here. The empty streetcar is particularly striking