I Arrived In New York in 1959! -After*(-..Two*Degrees/-..from..The*University/- ..

I*Felt/- .. ..-*Life*To*Be..At*It’s*Best/-..N’-..The*Street! -As*an*Artist /-I*..

-Have*Tryed*To*Transcend/-* *Mundanity*&- ..*It’s*Failings/-?..with*Life/--?-&*Bye*Paintings!! (?)/-..Bye*-*Go-ing To(-.. The*Street!)?..--To*Find(?)../-Rather- *Than/-..(-Produce*/-??*/-..A*Studio*Full/-*of*Intellectual-

ized/-..(?)..Dead**In- formation/-(!?)--of*Supposed*..(?)-ly..(!?)

-”Intellectual*Nature !”/- (?)-&*Not/-.(?)-..

**Reality!)? -AS*Is*-..&*Not/-(?)..-Nece-ssari*ly/- ?-N’..(THAT*ORDER!?)..-OR-AS-/..A*-(Pretty*Picture!?-..Nor*/-..A*Perfect*Picture!)??..--But*/-.. To*What*I*Believe..*(Life*Is!)?..-As*Truth(!)?-&-?..-- &*To/-..*Remain*True-..*AS*A*LIVING/-

ARTIST( ? )..

-&*AS*/-..A*VISUAL/-?-..-VISON*of*TRUTH(!)? -..I*Have*Tryed*(To*Paint*Honestly/-(lil’)-..-Store*Fronts/-..Of*-(!?) -..Of*Mom -&*Pop!)?..-AS*LIVING*SYMBOLS! ..Be*cause*(I*find/-..The*Colors/-..To*Represent/-.Their*/-..Individual*/-*Identity*/-*Clauses!)?-..”&*In*Ot-her*Words/-..”

-(!?)*Being*..An*Artist!)?..-”I*Just*Love*To*Paint&..? ?)(?)-./..&(-..Loving*To*Paint!)?-..Is*-I*Love/-?-..&/-*I*Do/-..*Paint!!”(?)

 

Copyright(C)artist

 

(ARTIST’s*RESIDENCE!)

41 West 24th Street (4th-fl.)

NEW YORK, NEW YORK 10010-3210

Tel: 1-(212)-989-3174

Email: art@philipsherrod.com

URL: PHILIPSHERROD.COM

oneartworld.com

www.myspace.com/psherrod35

Email:- info@artstudentsleague.org

oneartworld.com/index.php?activate=cdae86cf873f4495e9f0f5...

  

Sherrod, Philip, p. ANA 1993; NA 1994 - National Academy Museum ...

Born in 1935, painter Phillip Lawrence Sherrod earned a BS and BA from Oklahoma State University and studied at the Art Students League. ...

www.nationalacademy.org [Found on Google]

  

WHAT YOU SHOULD KNOW

 

NAME:

Philip Lawrence Sherrod

 

BORN:

October 12, 1935

EDUCATION:

B.S. in Zoology, Oklahoma State University, 1957

B.A. in Fine Art , Oklahoma State University, 1959

Painting, Art Students League, New York, 1961-63

 

AWARDS:

First Award in Graphics,Etching,Ceramics (1959)(OKLA.State UNV.)

Federation of Arts & Letters-Scholarship(ASL)1963

HASSAM, SPEICHER, BETTS,-& SYMONS PURCHASE FUND.1967

HASSAM, SPEICHER, BETTS,-& SYMONS PURCHASE FUND.1969

HASSAM, SPEICHER, BETTS,-& SYMONS PURCHASE FUND.1974

  

MAJOR GRANTS:

Creative Artist Public Service Grant, NYC, 1980

Adolph & Esther Gottlieb Foundation Grant, 1981

National Endowment for the Arts, Young Artists Grant, 1982

(American Academy in Rome, Prix de Roma Fellowship, *Painting* 1985-86)

Adolph & Esther Gottlieb Foundation Grant, 1988

Pollock-Krasner Foundation Grant, 1989

Adolph & Esther Gottlieb Foundation Grant, 1996

Adolph & Esther Gottlieb Foundation Grant, 2006

 

TEACHING EXPERIENCE:

Morristown Art Association, NJ, 1973-74

New Jersey Center for Visual Arts, NJ, 1977-2003

Baird Center/-South Orange,NJ-

2004-2011

Art Students League, NYC, 1984-2009

National Academy of Design, NYC, 1993, 1994, 1997-2006

  

EXCERPTS: CUR’RIC’U’LUM VI’TAE

 

ACHIEVEMENTS:

  

COLLECTIVE EXHIBITIONS:

 

2005 National Academy Of Design Museum(-Disegno:-180th Annual*Exhibition)-

(48”Wide-*Exhibition!)-In*Catalogue/”Heidi..Stops*Traffic/..-n*Her(-Blue&

Red..*Psycho-delich’e*Dress)..Is-*From..*Virginia(!)?” -&*/In*Exhibition:

”Wendy*(V!) ..(-*Dom-inican!)”,NYC

2005 Griffin Gallery(National/-Juried Exhibition/-“Coexistence”)-Ptg:”6th*Ave/-

Red*Truck/-..&*25thSt.(!)”?=May 12-July10-’05/-..Madison, NJ

2005 Art Students League(57thSt.-Windows-*Exhibition),N.Y.C.

2005 ACA Galleries,(-130Years of Art Students League

*Instructors)-“CONTINUUM-EXHIBITION”-

-TwoPaintings/“Carol..(Hikes (!) ..Her*Dress*Up(!)?”&”Hiromi*Iuchi..

(Takes-7*Cityscapes/-Or(-..-The Farmer’s*Daughter(!)?”(October 15-November

26,’05),NYC

2005 Art Students League Exhibition (Instructors 2005)”Lonnie Gordon/-

Dancer(*Backdo-or(!)-*Moma(!)-(1971*Painting)”?-October,,NYC

2005-06 “Street Painters”-Exhibition,(Cork Gallery/Avery Fischer Hall), Lincoln

Center, (December 29th’05/-January10th ’06), NYC

2006 Federation Of Modern Painters & Sculptors/-“Subways*Exhibition”-

(Synagogue For The Arts)-(March). NYC

2006 Federation Of Modern Painters & Sculptors/-“IMAGES*Exhibition!”-Lincoln*

-Center/-Avery*Fisher*Hall-(Cork*Gallery)-(April),NYC

2005-06 National Academy School of FineArts-(“Master*Class/-Instructors*Exhibit-

ion”),-,NYC

2006 Federation Of Modern Painters & Sculptors/-(3*CitiScapes /April 3-May 1!)-

(Office-of Manhattan Borough President/-Scott M. Stringer)-NYC

2006 “Street Painters*Exhibition-(Bob Rogers Gallery 72)-(Aug.11-31’06),Omaha,

NE

2006 Art Students League/-(Annual*Instructors/-*Exhibition)-September’06, NYC

2006 Art Students League(“Why the Nude?”/-*Exhibition!/”Joann’s*Red*Nails!”-

Oct.’06, NYC

2006 The Educational*Alliance-(Painting the Metropolois: -Visions of Lower..-

Manhattan by (19-/ConTempory*Artists)-Ken*Ratner*Cur.-(5 paintings/-were..

*Mine), NYC

2006 Art Students League (Prixe de Roma/-‘85/’86/-12*Ptgs &11*Costruziones!)-

Documentation*Exhibition /-League*Office -(Sept.5-..Oct.- 14th’06), NYC

2007 Federation Of Modern Painters & Sculptors, (WestBeth*Curated*Exhibition)-

NYC

2007 National Academy of Design Museum (182nd Annual*Exhibition), NYC

2007 Art Students League/-(Annual*Instructors/-*Exhibition)-Ptg:“Suzy*Q!”, NYC

2008 Saint Francis College/-(Federation of*Modern/-Ptgs.&*Sculpts.)-

Ptg:”6th*Ave./- ..&*24thSt.(Frank*furter*Stand!”-Feb.’08- Brooklyn, NYC

2008 Bowery Gallery/-..Federation of Modern Ptgs./&-Scptrs*Exhibition!/-Ptg: ”Lisa*-..

The-(GERMAN*DRAMA*QUEEN/-..LET*HER-(BOYFRIEND?-/..SHAVE*HER/-..

*HAIR(!)?”-NYC

2008 Art Students League/-(Annual*Instructors/-*Exhibition)-Ptg:..“Ashkenazi*/-(?) ..

....&*I*Would*Be-(?)..-*Honored!”(?)-NYC

2008 Art Students League/-..Window*Exhibition!)/-November’08..“Baby*Esquinca!/-..

-(As*N’*..*Mexican!)”?/-‘08..NYC

2009 National Academy of Design Museum (184th Annual*Exhibition),Ptg.”Evelyn/-..

*Hernandez/-..(SPREAD*EAGLED/-..On*6th*Ave./-)..&*CAMELS/-...Before*/-

The-(ULTIMATE*GAME!)“?, NYC

2009 ACA Galleries/-..HUMANITY: 100years of FIGURATIVE ART/-..2 ptgs.”P.A.E./-

..Mye*1st-..Reconstituted*Wife/-..A*-/..(Dark*Countenance!)”?..&“Maggie*Dream -

*Ing /- ..of-CAT*aloging /-..Sherrod’S*Work!”?, NYC

2009 Art Students League/-(Annual*Instructors*Exhib.)-Ptg.”HELENA/-(Land*Of*Lakes

*GODDESS!)-..&*(the*Band*AIDED*CHICKEN!)?”-NYC

2010 Federation of Modern Painters & Sculptors, (New York Mercantile*Exchange)-

OnePtg.-”MAGGIE*/-..DREAMS*/-..Uv’*CATA*Logging/-. .SHERROD’s

*Works!”(?) (March 1-April 29), NYC

2010 Federation of Modern Painters & Sculptors, (*Exhibition/..-Lafayette*Grill!),

-2ptgs-TITLE: "TOMPKINS SQ./-*DELI!..-(CANDY/-GROCERY/-..CIGARETTES/-..& BEER!)!"(?)-..& TITLE: "ATM/-

ATM/-?....-TOMPKINS SQ. DELI/-..AVE. A!"(?) (March 1-April 29), NYC

2010 Federation of Modern Painters & Sculptors, (Exhibition*/-..Educational*Alliance)

2ptgs-“Title: " AVE*A!./-FISH*MARKET(!)?-..14TH*ST(!)"?-&..Title: "LOWER*EAST*SIDE/-..*LIZ/-..&-...-

BUMBLE*BEE*/-..*BRA(!)"? (Oct-24-Nov-23), , NYC

2011 Federation of Modern Painters & Sculptors, (Broome St.Gallery*Exhibition*/-..!),

(Feb. 7-Feb.20), 2ptgs: "SHARI'S/-..*ROSEN'/-..&'*..-(WINTER*SWEATER!)"?..&-

"SWEET*MARVIN/-..&*FLOWER*ED/-..*WALL(!)"(?), NYC

2011 Federation of Modern Painters & Sculptors, (*Exhibition/..-Lafayette*Grill!),

2ptgs-.. "JASON!/-..THE-..(GENTLE*GIANT!)"?-&- “MEXICAN*SONIA*SALDANA/-..

(WANTS*TO*KNOW?)-IF*I-...*WANT*HER/-..TO*TAKE*OFF/-?.. (*HER*-

-WHITE*PANT*IES!)”?-..April 19/-May 14, NYC

2011 Federation of Modern Painters & Sculptors, (Exhibition*/-..St. Francis College)

2* ETCHINGS-*TITLE: "EACH*MAN/-..HIS***-(OWN*CHRIST!)"?..-&-ETCHING-*TITLE:

"MR.*LUST/-..*OFFERS*/-..-(HIS*BREAST(!))"?-..-.. May 3-May 30, NYC

2011 Federation of Modern Painters & Sculptors, (Exhibition*/-..Westbeth!), NYC

   

ACKNOWLEDGEMENTS:

 

2006 AMERICAN BIOGRAPHICAL INSTITUTE/-Included in-(“500 GENIUS’S.. OF

THE..WORLD!”), Raleigh, N.C.

2006 AMERICAN BIOGRAPHICAL INSTITUTE/-Nominated*To*Receive/-(THE

WO-RLD MEDAL OF FREEDOM!)- ,Raleigh, N.C.

2006 AMERICAN BIOGRAPHICAL INSTITUTE/-The (2006 Man Of The Year/-

Com*mem*orative Medal!)- ,Raleigh, N.C.

2006 AMERICAN BIOGRAPHICAL INSTITUTE, INC.

(GREAT*MINDS*CALLED*-FOR*THEIR*EXPERTISE!)-, Raleigh, NC 2006 AMERICAN BIOGRAPHICAL INSTITUTE,(THE WORLD’S MOST-..

RESPECTED* EXPERTS!).Raleigh, N.C. 2006 AMERICAN BIOGRAPHICAL INSTITUTE,(AMERICAN MEDAL OF

HONOR!) ,Raleigh, N.C. 2006 ART NETWORK/-LIVING*ARTISTS/-14th Edition/-NEVADA CITY, CA 2006-07 MARQUIS WHO’S WHO in the WORLD, New Providence, NJ

2007 AMERICAN BIOGRAPHICAL INSTITUTE,(AMERICAN GOLD MEDAL OF HONOR !)

,Raleigh,N.C.

2007 MARQUIS WHO’S WHO-IN THE WORLD (SYMBOLS OF EXCELLENCE/-

25th*ANNIVERSARY)-New Providence, N.J.

2007 BAP-(BOOK ART PRESS)-NEW ART INTERNATIONAL*COMPETITION,-

-(Honorable*Mention/-Runner*Up!),Woodstock, NY

2007 ART NETWORK/-LIVING*ARTISTS/-15th Edition/-NEVADA CITY, CA

2007 AMERICAN BIOGRAPHICAL INSTITUTE,-WORLD ACADEMY OF

LETTERS-(MASTER DIPLOMA/-For Specialty-Honors/ -In LITERATURE),

Raleigh, N.C.

2008 “PORTRAITS/-..OF PLEN’AIRE/-..PEIN’TOURS(!)”-Jon Naiman/-

Author*Photographer/-(Publishing*Book)-Zurich, Switzerland

2007-08 AMERICAN BIOGRAPHICAL INSTITUTE/,-(GREAT MINDS OF 21st-..

*CENTURY),Raleigh, N.C.

2008 AMERICAN BIOGRAPHICAL INSTITUTE/-”500 GREAT LEADERS!”-

(HONORS*EDITION!), Raleigh, N.C.

2008 NEWS*INDIA*TIMES/-..(Manoj Vyas Exhibition)-*Photo/-(A J Marunouchi*-

Gallery), NYC

2008 AMERICAN BIOGRAPHICAL INSTITUTE/-THE WORLD OF LETTERS-

(MASTER*DIPLOMA/-SPECIALTY*HONORS/-IN*LITERATURE!),-

Raleigh,NC

2008 MARQUIS WHO’S WHO/-(SYMBOLS OF EXCELLENCE!)-New Providence,HJ

2008 AMERICAN BIOGRAPHICAL INSTITUTE/-(“50..MOST NOTABLE..-

INTELLECTUALS-2008!”)-Raleigh,NC

2009 AMERICAN BIOGRAPHICAL INSTITUTE/.-”ACADEMICIAN/-..AS A GREAT

-*MIND/-.. OF THE /-..21ST*CENTURY!” Raleigh, NC

2010 AMERICAN BIOGRAPHICAL INSTITUTE, (One of 25*People/-..To*Receive/-)..

(The- SEAT OF *WISDOM!)) ?..Raleigh, No. Carolina

2010 AMERICAN BIOGRAPHICAL INSTITUTE/,”ACADEMICIAN/-..AS-(GREAT

MINDS OF 21st-..*CENTURY),Raleigh, N.C.

2010 AMERICAN BIOGRAPHICAL INSTITUTE,..(-INTELLECTUAL OF THE

YEAR!)-..(From*GREAT*MINDS OF 21ST*CENTURY!)-Raleigh, No. Carolina

2010 REMINGTON REGISTRY (BIOGRAPHY) Ronkonkoma, NY

Remington Registry Biography Proof

www.remingtonregistry.com

 

Professional Information

First Name: Philip Middle: Lawrence Last Name: Sherrod

Job Title: Artist/ Teacher /Poet/ Painter/ Composer

Industry: Art/Poet

Name of Company:

Website: www.philipsherrod.com Email: art@philipsherrod.com

Business#: 212-989-3174 Fax#: none

Address:

Street: 41 West 24th Street 4th Floor

City: New York

State: NY Zip: 10010

University / Degree: B.S. in Zoology, Oklahoma State University; B.A. in Fine Art, Oklahoma State University; Painting, Art Students League

Affiliations: The Street Painters- founder, Arts Student League, Federation of Modern Painters and Sculptors, National Academy of Design Museum, Treasured Poems of America

Expertise: Art especially in raw and earthy forms of expressions including cityscapes, etchings, figure portraits, and also Poetry

Awards: First Award in Graphics, Etching, Ceramics- Oklahoma State University 1959, Federation of the Arts and Letters Scholarship 1963, Hassam, Speicher, Betts & Symons Purchase Awards 1967, 1969, 1974, Outstanding Achievement in Poetry Award- The International Society of Poets, 5th Place Winner Award- treasured Poems of America

Published Works: Works of art are in the Hirshhorn Museum & Sculpture Garden, Smithsonian Institution, the National Academy of Design Museum, Rhode Island School of Design Museum, the Newark Museum, the Springfield Museum of Fine Arts, the Everhart Museum, the Rose Art Museum, Brandeis University, the Worchester Fine Arts Museum, the Philips Exeter Academy, the Museum of the City of New York, the Herbert Johnson Gallery, Cornell University, the Alford House-Anderson Fine Arts Center, Anderson, Iowa and the Tulane University Museum. Poetry including: Footsteps, Holidays, Ages & Stages, Dusting Off Dreams, Special Moments, Cut to the Chase, Mirrors of the Mind, Journey Through Life, Freedom, Love Poems, Special Moments, Freedom and Sweetheart

Public Speaking: Speaker for numerous organizations and also seminars and lectures in universities and art institutions

Keys to Success: ...-Humility(!)

Hobbies: ...-Fishing(!)

Simply put Mr. Philip Lawrence Sherrod is a monumental figure and living legend in art and poetry. Philip has broken the mold and raised the bar here at Remington to new heights. He has worked with the largest names in the art, media and entertainment. His list of awards is staggering. His poetry and art is enjoyed today by millions of people and is used by millions of people and is used for a variety of purposes which include theatre, movies, scripts and much more. Philip has touched all of our lives and here at Remington we are very excited to announce his inclusion.

 

DARK MATTERS - This Week In New York

Dec 31, 2010 ... Bowery Poetry Club 308 Bowery between Houston & Bleecker Sts. ... Jackie Sheeler , Phillip Sherrod, Sparrow, Angelo Verga, George Wallace, ...

twi-ny.com [Found on Google, Yahoo! Search, Bing]

 

Philip Lawrence Sherrod has been painting raw, earthy expressionist pictures for more than two decades. Now that expressionism is back in vogue, one would expect his work to be hailed by critics as a typical manifestation of the new spirit, but that hasn’t happened. It may be that his work is too authentically

expressionist and that the new fashion in expressionism calls for a self-conciousness and hip reference to sources that Sherrod’s painting doesn’t contain. It isn’t that his work is without sources:

Delacroix, Van Gogh, Ensor, Soutine come immediately to mind. And it isn’t that he is naive; like most artists he takes what is useful to him from imagery around him. But his paintings are direct

expressions of what is going on inside his mind. They are uncalculated, unedited, and some- times almost unbearably vulgar outpourings of his psyche, diametrically opposed to the contrived emotionalism of the more sophisticated” neo-expressionists.”

Sherrod’s paintings/- often embarrass us, for they allow us to peer more deeply into the churning mind of the artist than is comfortable. There are feelings and yearnings revealed that we would, perhaps, rather not know about. But isn’t that what authentic expressionism is really about? Expressionism is not a

particular style or manner of painting, but a spontaneous outpouring of the ideas, images, and emotions at the core of the artist’s life. That is what Philip Sherrod is giving us; whether we like it or not, whether the critics recognize him or not. It is the only way he can paint.

Excerpt from Foreword/-Sherrod Catalog- (61 Painting Exhibition)

Thomas W. Leavitt, Director,

Herbert F. Johnson Museum of Art, Cornell University, 1985

  

It is difficult to express the astonishment and awe one feels when

walking into the small area that constitutes Philip L. Sherrod’s studio. There are canvases piled on and leaning against everything stationary--the perfect image of the artist’s studio. That is the microenviroment of Philip Sherrod. His raw palette and heavy brushstroke capture his passionate approach to his subject matter, whether in form of cityscapes, nudes, portraits, or self-portraits.

The images pulse with a life force too strong to ignore, demanding a response from the viewer. In an artistic age dominated by ab- stract expressionism, in which content has been reduced to the dialectic tension between color and form, the powerful, descriptive

literalness of Sherrod’s images might be rejected as trite and out of date. Without a doubt, he maintains the significance of the sub-

ject matter throughout his work. Despite his rapture with the physical properities of paint on canvas, he refuses to allow color to upsurp the image. To understand the strength of Sherrod’s work and his significant contribution, one must penetrate the miasimic

contortion of color and see his subject matter, because each is equally integral to the whole. Whether labeled an absurdist, or colorist, or even a pornographic painter, Sherrod illustrates with his subject matter an individual approach to the world. “Sherrod is an artist of extreme individual eruption. He is both a supreme enviro- mentalist and a visulizer of the human condition. “1 It is an in-

stinctive, personal response that sees optimism and meaning in life, as well as the “ugliness, stalemate, horror and repression”2 of it. He utilizes images based on a universal visual and emotional experience. Often depicting the less-than-ideal facet of the experience, the primal energy of Sherrod’s canvases confronts the viewer with an intense visual challenge.

 

Excerpt from introduction/-Sherrod Catalog-(61 Painting Exhibition) Cynthia Wayne, Curator Herbert F. Johnson Museum of Art, Cornell University, 1985

  

-Prix de Romas’s-..(Roma*Construziones)-1985/-1986

 

Evincing a junk sensibilty to painterly three-dimensional works fashioned from urban detritus, Philip Lawrence Sherrod asserts

how things are--while in same instant, the present tense of this

assertion slips, by way of the redolence of his found object appropriations, and oscillates into the past. A woman’s boot, a wheel from a shopping cart, a mangled toy helicopter, a cross- section of a beer can are among the myriad, trash out of which,

Sherrod’s work is composed. The objects themselves lose their identity, or more exactly, lose the literalness of their identity, as they function within Sherrod’s collages. In fact, these things almost seem to dematerialize before the viewer’s eyes--an effect which

itself bears out the effectiveness of the artwork. Sherrod has taught at the Art Students League for many years and founded The

Street Painters in 1977. He said that he “took his work to the street to get free of the studio dilemma that most artists end up with.”

It might also be said, conversely, that Sherrod takes the street to his work--raising it up into his art in a swirl of particulars of which

are gleaned with an alert eye, a quick wit, and a markedly laissez- faire hand. In seemly inadvertent ways his pieces are stamped with historical relevance. Arcane connections are made. Primitive and technological meld without contradiction: the lunar and the numerical, the prehuman and the post apocalyptic. It is archaeology in reverse, an unearthing of the present.

As do Robert Rauschenberg’s ‘Combines’ of the 1950’s,

Sherrod’s work deals with the aesthetic problem that originally occured with the appearance of Duchamp’s Readymades early in the last century. Which is, to what degree does the realness--the “readymadeness’”-- of an object, such as a bicycle wheel or a plastic dinosaur, infringe upon and undermine its contextual de-

signation within a work of art? For Rauschenberg the answer was

fairly easy; “I think a painting is more like the real world if it is made out of the real world”. One would imagine that Sherrod shares this opinion, and its tempting to think of him as an urban realist in a frenzy of Neo-Dadist inspiration.

Oil paint, in any event, is his dominant medium, and representation

his dominant mode. Whether it is a thick textured cityscape or cloud formation or the wilderness of a human face, these small urgently rendered rectangles mediate and control, by brute poetic will, the energy of his found objects--which, though potent, are adjunct to the project of his painted images. This said however,

it must be stressed that the two work to--gether--cooperating to open a world of manifold visual layers; and one that manages never to feel offhanded, satirial, or clich’e.

 

Mark Dorrrity

New Art International Annual -2008

  

Philip Lawrence Sherrod is an artist who honors the nexuses and junctures where human life swells. His personal landscape and

great subject are the streets of New York. And accordingly, one

observes a panicked momentum to his work. It is almost as if his mission were beyond his--or for that matter anyone’s--power to properly accomplish, These paintings have a hasty, delirious , quasi-journalist quality, But at the same time , they strive to surpass the immediacy of their content, and to mirror with a jarring glance the city they celebrate.

Sherrod’s technique is impressionist, and his style is solidly his own. Nonetheless, as much as these paintings are products of an individual talent, one feels at the same time they are natural in-

evitable extrusions of the action they depict, by-products of urban frenzy. As colorful enviromental residue, they persist on the borderline between the organic and the inorganic, between purity

and pollution. His Marlborough Man is as human, perhaps, as Degas‘ absinthe drinker. Though the froth of pigment from which contemporary society is derived is garish. The yellow of Courbet’s parrot may seem the yellow of French’s mustard; the blue of Monet’s lily pond may look Windex.

 

Commentary (Free Lance Writer) -J. Sedley

New Art INternational Annual -2009

 

philip lawrence sherrod, NA

 

Sherrod, Philip, p. ANA 1993; NA 1994 - National Academy Museum ...

Born in 1935, painter Phillip Lawrence Sherrod earned a BS and BA from Oklahoma State University and studied at the Art Students League. ...

www.nationalacademy.org [Found on Google]

 

www.wix.com/

www.wix.com/create/my-account?

  

SEE: philiplawrencesherrodswebookcomblogs.blogspot.com/2010/08...

PHILIP LAWRENCE SHERROD'S WEBOOK.COM BLOGS

SHERROD (film) - Mike Fernandez. Photography. NYC 646 509 5990.

www.mikefernandez.net/portfolio4.html

Mike Fernandez. Photography. New York City. 646 509 5990

 

www.shutterfly.com/lightbox/view.sfly?fid=54f158205875b39...

 

NEW YORK ON CANVAS