'By placing everyday objects out of place new aesthetics occur and new realms are entered'

Looking at Museology, especially in historical collections such as Cabinets of Curiosity and the Spirit Collection in the Darwin Centre at the Natural History Museum in London, I create work containing a range of collected artefacts, both found and contrived. Each has its own narrative, which is open to the interaction and interpretation of the viewer.

I explore various ways to use archiving, classification and association in my art work, as well as looking at the areas where art and science meet.

A recent article in the New York Times referred to this way of working as:

‘the new crossover art'