Maximilliano Pagani
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創作活動
写真、服飾アクセサリ制作、絵画、クレー等。
研究
戦前戦後カメラ検証、戦国史江戸幕末史、焚書散策、明治以降戦史、近代、真現代戦史、GHQ文献、赤線青線史、遊郭、錦絵等。
2004/4回の写真ミニ個展(中野、西荻窪)、1回の写真グループ展(中野)出品。
2006/9月写真ミニ個展(中野)、写真グループ展(中野)出品。
12月~2007/1月写真グループ展(中野)出品。
2007/4/9~28ミニ個展(中野)
2008/7/13~27グループ展(半蔵門)
2008/10/14~29ミニ個展(中野)
2009/8/24~9/12ミニ個展(中野)
2010/2グループ展(半蔵門)
2011/2グループ展(半蔵門)
2011/11/21~27グループ展(半蔵門)
2014/2 グループ展(半蔵門)
2015/2 グループ展(半蔵門)
2016/2 グループ展(半蔵門)
2017/3 グループ展(半蔵門)
2018/3 グループ展(半蔵門)
2019/3/26~31 グループ展(半蔵門)
2019/10/17-23 グループ展 プロビアクラブ鉄道写真の魅力III(四谷)
2019/12 グループ展(中野)
銀塩、短焦点メイン、仕事ではDigitalを使用。
Silver gelatin, the main short focus, work, recorded using the Digital.
メイン使用カメラとレンズは下記の通り。
Using the main camera and lens
以下、
●Body
〇Lens
-----------------Single Lens Reflex----------------
M42
●Contax D (F)
●Consol
●PENTAX SP(#1000000)
YASHICA/CONTAX
●CONTAX 139 Quartz X3
CONTAX Aria
〇YASHICA/CONTAX/KYOCERA
YASHICA DS-M 50mm f1.7 (M42)
YASHICA DS-M 35mm f2.8 (M42)
YASHINON-DS 50mm f1.7 (M42)
YASHICA DSB 28mm f2.8 (Y/C)
YASHICA ML 35mm f2.8 (Y/C)
YASHICA ML 50mm f1.4 (Y/C)
Kino precision KIRON MC28/2(Y/C)
Carl Zeiss Distagon 25mm f2.8 AEG (Y/C)
Carl Zeiss Distagon 28mm f2.8 MMJ (Y/C)
Carl Zeiss Distagon 28mm f2.8 AEJ (Y/C)
Carl Zeiss Distagon 35mm f2.8 AEJ (Y/C)
Carl Zeiss Tessar 45mm f2.8 AEJ (Y/C)
Carl Zeiss Planar 50mm f1.4 MMJ (Y/C)
Carl Zeiss Planar 85mm f1.4 AEG (Y/C)
○Other M42
Admiral GMC 21/3.5 (M42)
Weltwinkel MC 24/3.5 (M42)
Mamiya Sekor SX 21/4 (M42)
Mamiya Sekor SX21/4 (M42)
Mamiya Sekor 50/2 (M42)
Mamiya Sekor 55/1.4 (M42)
SolIgor WIDE 28/2.5 (M42)
Argus Cintar 55mm f1.7 (M42)
Argus Cintar 28mm f2.8 (M42)
HANIMEX AUTOMTIC MC 28mm f2.8 (M42)
Revuenon 35mm f2.8 (M42)
Revuenon-Special 35/2.8 (M42)
CAZNON GMC 23/3.5 (M42)
Rubinar 300/4.5 (M42)
Nikon F Mount
●Nikon Nikomat FS
●Nikon F BLK Eyelevel (746)
●Nikon F SLV Eyelevel(67)
●Nikon F SLV Eyelevel (641)
●Nikon F SLV Eyelevel (646)
○Nikkor F Mount
Auto Nikkor 28mm f3.5 (SLV Rim)
Auto Nikkor 28mm f3.5 (BLK Rim Ai Modify)
Auto Nikkor N 28mm f2
PC Nikkor 35mm f2.8
Auto Nikkor S 50mm f2
Auto Nikkor S 50mm f2
Auto Nikkor S 50mm f1.4 (SLV Rim)
Auto Nikkor S 5.8cm f1.4
Auto Nikkor P 10.5cm f2.5
New 35/2.8
Ai Nikkor 20mm f4
Ai Nikkor 28mm f3.5
Aii Nikkor 55/1.2
Ai Nikkor 85mm f2
Ai-s Nikkor 28mm f3.5
Ai-s Nikkor 28mm f2.8
Ai-s NIKKOR 85mm f1.4
Ai-s Nikkor 85mm f2
Ai-s NIKKOR 105mm f1.8
Cosina MC 20/3.8 (Ai-s)
Tokina RMC 24mm f2.8 (Ai)
Kino precision KIRON MC 24/2(Ai)
Vivitar Wide-Angle 24mm f2.8 (Ai)
Sankyo W-COMURA- 35mm f2.5 (N/F)
Sankyo KOMURA- 105mm f2 (N/F)
TOMIOKA TOMINON 100/2.8 (N/F)
SUN WIDE Auto MC 24/2.5 (Ai-s)
OM
●OLYMPUS OM-4 BLK
○OM LENSES
M 28mm f3.5
OM 35mm f2
OM 35mm f2
OM 50/1.4
OM 55mm f1.2
M 50mm f1.4
○三協 (uni mount、KOMURANON mount)
KOMURA W-Komura 24/3.5
KOMURA W-Komura 28/3.5
KOMURA Super-Komura 135mm f2.8
KOMURA Super-Komura 200mm f3.5
KOMURANON 28mm f2.5
KOMURA W-Komura- 35mm f2.5
KOMURA KOMURA 105mm f2
○Pentax
Tokina 28mm f2.8
○Miranda
Auto 25mm f2.8
Auto 35mm f2.8
○Minolta SR Mount
Rokkor SG 28mm f3.5 X2
Rokkor PF 58/1.4 X2
Rokkor QF 55/3.5 Macro
MC 50/1.4
○Sun
DF 28・35/f3.8・3.5 (FD)
○Exakta
Carl Zeiss Jena Flektgon 35/2.8
Carl Zeiss Jena Pancolar 50/2
Carl Zeiss Jena Sonnar 135/4
Meyer-optic Orestor 100/2.8
---------------------Range Finder---------------------
Nikon Contax Kiev Mount
●Contax II Some、Contax IIa Some
●Киев1948、1949、КиевII Some、Киев (No name)
●КиевIII、КиевIV Black、КиевV、КиевIV AM、M、A
●NIKON S3、S2、S
Leica IIF
Standard
○OPTON-Zeiss、Zeiss、Zeiss Jena (for Contax)
Zeiss Biogon 21/4.5
Jena Sonnar 50/1.5
Jena Sonnar 50/1.5 T
Jena Sonnar 50/2 T
Jena Sonnar 50/2
OPTON-Zeiss Sonnar 50/1.5T X6
Zeiss Sonner 50/1.5 X3
Jena Sonnar 135/4
Zeiss Sonnar 135/4
○Nikkor S
c 28/3.5 (SLV)
c 35/3.5 Tokyo (MIOJ)
c 35/3.5 Tokyo (MIOJ)
c 35/1.8
c 50/1.4 Tokyo 5005 (MIOJ)
c 50/1.4 (2nd. AL SLV)
c 50/1.4 (3rd. BLK)
c 50/2 (BLK)
c 85/2 Tokyo (MIOJ)
c 85/2 Tokyo (MIJ)
c 85/2 Tokyo (MIJ)
c 105/2.5 BLK X2
Nikkor c 135/3.5 (for Contax C) X2
Sankyo KOMURA- 105/2.8
○Russia (for Киев)
ВК 1950 35/2.8
Юпитер-12 35/2.8 ('52)
Юпитер-12 35/2.8 ('59)
Юпитер-12 35/2.8 ('87)
ЗΚ 1948 50/2
ЗΚ 1950 50/2
ЗΚ 1950 50/2
ЗΚ 1950 50/2
Юпитер-3 50/1.5 ('53)
Юпитер-8 50/2 ('52~56)
Юпитер-8 50/1.5 ('56)
Юпитер-9 85/2 (SLV '56~'59)
Юпитер-9 85/2 (BLK '87)
Юпитер-11 135/4('58)
○Nikonos
Nikkor 35/2.5
Nikkor 80/4
Leica L Mount
●Canon P (BLK)
●Canon VT
●Canon7
●Leningrad
○Leica
Elmar 50/3.5 (Nikkel)
Summar 50/2
Elmar 50/3.5 (Chrome)
Elmar 90/3.5 (Later)
TELE-Elmar 135/4(M)
○Russia (for Leica-ScrewMount)
руссар 20/5.6 (Black)
Orion-15 28/6
Юпитер-12 35/2.8 ('87)
Юпитер-3 50/1.5 ('56)
Юпитер-3 50/1.5
ИНДУСТАР-22 50/3.5('52 Rigid)
Юпитер-8 50/2 ('01 Rigid BLK)
Юпитер-8 50/2 ('04 Rigid SLV)
Юпитер-9 85/2 X4
Юпитер-11 135/4 X2
○Carl Zeiss (for Leica-ScrewMount)
Biogon 35/2.8 X2
○Nikon (for Leica-ScrewMount)
W-C 35/2.5
W-C 35/3.5 Tokyo (MIOJ)
C 50/2 Tokyo (Collapsible MIOJ)
C50/2 (Rigid MIJ)
C50/2 (Rigid BLK Rim)
C50/3.5
C 85/2 Tokyo (MIOJ)
C 85/2 Tokyo (MIOJ)
C 135/3.5
○Other for Leica-ScrewMount
Steinheil Olthostigmat 35/4.5
Steinheil Culminar 85/2.8 X2
Steinheil Culminar 135/4.5
SANKYO Komura- 100/3.5 X2
Tokyo Kogaku Topcor 50/3.5
Tokyo Kogaku TOPCOR 50/2.8
Tokyo Kogaku TOPCOR-S 50/2
Tokyo Kogaku TOPCOR-S 90/3.5
Canon 50/1.8
Canon 50/3.5
Serenar 50/1.8
○FOCA OPLAR 50/2.8
●Ires 35V X2、Ires 35IIIc、IIIs
○Ires
S Coral 45/1.5
H Coral 45/1.8
Compact Camera etc.
●Load SE、Ⅳb
●YASHICA 35 (2.8、1.9)
●YASHICA electro MC SLV
●Taron EYEMAX
●TOPCON 35-s
Medium Format
●Mine-6 IIIs
●Zenza BRONICA Mod.C X2
Nikkor 40/4
Nikkor 55/3.5
Nikkor 75/2.8DX
Nikkor 135/4
Nikkor 200/4
ZENZANON 100/3.5
●Pentax645D
Pentax FA645 45/2.8
Pentax A645 45/2.8
Pentax A645 55/2.8
Carl Zeiss Planar F80/2.8 (Hassel)
Carl Zeiss Jena Tessar 80/2.8 (PentaconSix)
--Digital Single Reflex Camera/For Digital Camera Lens--
●Nikon Z6 II
Z 24/1.8s
●Sony ILCEM3
僕の気持ちは写真が隅々までをも全て代弁します。
三次元を二次元に変換する時に自分の思いをひとつまみ入れたり入れなかったり。
そのさじ加減が大切なポイントと感じる今日この頃。外観からのイメージと内面の反映された写真にはギャップが有るかも知れません。しかしそれが僕自身なのです。
My feelings are all the photos speaking for every corner.
I can put a pinch or put your thoughts when you convert the two-dimensional three-dimensional.
today and feel it is an important point that ”Sajikagen”. Maybe there is a gap in the photo that has been reflected from the inner surface of the image and appearance. That's but myself.
I miei sentimenti sono tutte le foto che parlano per ogni angolo.
Posso mettere un pizzico o mettere i tuoi pensieri quando converti il bidimensionale tridimensionale.
Oggi e sento che è un punto importante che "Sajikagen". Forse c'è uno spazio vuoto nella foto che è stato riflesso dalla superficie interna dell'immagine e dall'aspetto. Questo è solo me stesso.
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- JoinedFebruary 2007
- HometownShinjyuku、Shibuya、Harajuku、Kichijyoji、Nakano、UENO、Mukoujima、Asakusa、Atami、Sendai
- Current cityTokyo
- CountryGiappone
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