"How did you get into photography? Taking photographs suits my disposition. I’m over-perfectionistic and can’t stop working on a piece until it is ruined. A strict conceptualism wasn’t the way out. I destroy any painting by compulsively working it down. But photographs are (almost) ready at the moment of their generation. No opportunity to dis-improve them. To be honest, that’s the point why I came to the photographs. And I love it." (Taken from New Odor)

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