First of all, Seeview9 is a forceful eye: an observer that knows to elevate from obscurity things that many of us can’t imagine their value or that these things can be objects of an artistic approach. In his “lines, shadows, and reflections” photo stream he wades in with simple things, which, other people snub them. … Read more

First of all, Seeview9 is a forceful eye: an observer that knows to elevate from obscurity things that many of us can’t imagine their value or that these things can be objects of an artistic approach. In his “lines, shadows, and reflections” photo stream he wades in with simple things, which, other people snub them. He runs after the details that occur on walls, on surfaces… and creates excellent compositions (feisty and discerning) with a geometric and chaste style. The same, also, happens with his collection “City Scapes”, where his interest is focused on walls or bridges. A different case is “Alaska”, in regard with the theme he works on, but not his style, while it remains chaste! Here, in “Alaska” collection he is giving us some skilful landscapes with a kind of a modern-expressionism, where the grey hue holds the premier position and that gives a special visual result. Seeview9 speaking about this collection underlines: “The photographic challenge was to avoid the clichés. It was very challenging. I am striving to find something different and personal here”. I never been in Alaska, so I had to use Google, Corbis, and other photo sources so as to compare and I feel happy to say that he is right. His target became a fact. Finally, there is the “Windows and Walls” collection. This is like a book with some excellent short photo-stories. Each photo has its own character and its own story to say and to show, but all of them at the end moving to the same point, where they merge and give us a common set. Discussing before some weeks this very collection I had say: “Here, all these 37 photos exalt the whole collection up to the field of ART”! I still believe the same… All these collections, plus some other photos, make Seeview9 one of my best artists all over Flickr.

An alert eye, always opened on the world that encircles it. Nothing comes omitted: architectonic shadows, glares, things, persons, particular... All interesting, all equally worthy to be photographed. And its photography often knows to show that "hidden" aspect that was escaped to the look distracted of more. There… Read more

An alert eye, always opened on the world that encircles it. Nothing comes omitted: architectonic shadows, glares, things, persons, particular... All interesting, all equally worthy to be photographed. And its photography often knows to show that "hidden" aspect that was escaped to the look distracted of more. Therefore, finally, you succeed indeed in * seeing * that wall, that scale, that railing... Or the glare of the sun on that glass, or, preoccupied distracted, thoughtful the look, allegro of its "street walkers". And just the photos taken in road, to the insaputa of its unconscious models are for me a splendid example of photographic art that I would want to follow and to imitate...

Seeview9 from Outer Space says: “I am always watching. Shapes, lines, colors, emotions, gestures, expressions, juxtapositions, space.” Fortunately for us, Seeview9 is often (if not always) shooting and uploading what he sees. His “Streetwalkers of…” sets contain some of the finest candid photos of human beings in ur… Read more

Seeview9 from Outer Space says: “I am always watching. Shapes, lines, colors, emotions, gestures, expressions, juxtapositions, space.” Fortunately for us, Seeview9 is often (if not always) shooting and uploading what he sees. His “Streetwalkers of…” sets contain some of the finest candid photos of human beings in urban settings that you are likely to see in this lifetime. Occasionally he is spotted by his subjects, but they fail to penetrate his disguise in these instances and mistake him for a mere snapper of shots, not realizing that he is, in fact, a supreme chronicler of the human condition – from outer space. This raving about his candid people shots is not meant to slight his other studies – of landscapes, cityscapes, architecture, light and shadow. All are of the highest order and you should stop reading this right now and go see them for yourself.

Visiting your stream is like truly visiting Outer Space. Except that its not, its here on earth, our reality that surrounds us. But Seeview makes us look at our world in shapes and shadows, in views and images that we would never see, never see because we dont have those wonderful eyes to take it all in as Seeview see… Read more

Visiting your stream is like truly visiting Outer Space. Except that its not, its here on earth, our reality that surrounds us. But Seeview makes us look at our world in shapes and shadows, in views and images that we would never see, never see because we dont have those wonderful eyes to take it all in as Seeview sees it. Thanks for the view, you make me look at things now like never before. Truly an art and a gift you possess and one that you offer and share. Thanks your friend S.S.

Sometimes there are shifts in the universe, ripples in the river of spacetime. Just yesterday, for instance, she lost her sunglasses. They had been there in her purse when she left the Department of Manuscripts, and were missing when she arrived at her small flat on Frith Street. Then, this morning, there were two pair… Read more

Sometimes there are shifts in the universe, ripples in the river of spacetime. Just yesterday, for instance, she lost her sunglasses. They had been there in her purse when she left the Department of Manuscripts, and were missing when she arrived at her small flat on Frith Street. Then, this morning, there were two pairs in her purse. It's as if two rivulets of time merge, and only one carries forward, and not necessarily the one you remember. It's a magician's trick and, like a magician's trick, you are usually distracted when it occurs, off thinking about your job, or what you'll have for dinner, or what the cat is doing on the kitchen counter. You might be puzzled momentarily but you move on. But she did not move on. Perhaps it was the endless months in the basement reading Einstein's more abstruse, unpublished manuscripts that caused her to notice. She frowned, momentarily, wondering if the connection could be causal, then shook her head imperceptibly. ('No. Impossible. Impossible.') Whatever the reason, she was particularly aware of the possibilities, of the terrifying possibilities that day, that day when it all changed.