I have been a fan of Eugene's work for quite some time. Each of his photos is beautifully crafted and full of colour, light and detail, I especially like his use of texture to enhance his photos. As well as being a great artist Eugene is a wonderfully supportive Flickr friend! Keep creating those wonderful photos for… Read more

I have been a fan of Eugene's work for quite some time. Each of his photos is beautifully crafted and full of colour, light and detail, I especially like his use of texture to enhance his photos. As well as being a great artist Eugene is a wonderfully supportive Flickr friend! Keep creating those wonderful photos for us to enjoy Eugene!! ~Jill~

I first noticed Eugene's sparkling images of the buildings of New York City. I was so delighted. He gave me a new way to see this place, that I had spent many years in, and had to come to think of as gray. His work is always polished and professional. He is one of my Flickr friends who constantly provide me with a … Read more

I first noticed Eugene's sparkling images of the buildings of New York City. I was so delighted. He gave me a new way to see this place, that I had spent many years in, and had to come to think of as gray. His work is always polished and professional. He is one of my Flickr friends who constantly provide me with a steady stream of inspiration. Thank you Eugene for being my friend. Jane

Sometimes it may happen when wandering around Flickr to meet some people that have the knack of putting everybody at their ease at once. In all honesty I have to admit that Eugene is one of these without any doubts, in spite of the language barrier. I was stricken at once when looking at his first Flickr picture, “T… Read more

Sometimes it may happen when wandering around Flickr to meet some people that have the knack of putting everybody at their ease at once. In all honesty I have to admit that Eugene is one of these without any doubts, in spite of the language barrier. I was stricken at once when looking at his first Flickr picture, “The hungry,” that independently from the excellent treatment had such a force in itself, the real force of creativity, as to make it inevitable my instant personal esteem. Afterwards I was stricken by Egold’s exclusive tones of blue, a real trademarks of his style (see for instance his masterpieces “Perseus by Cellini”, “Bergamo. Cappella Colleoni”, “Pisa. Campo dei miracoli”, “Venice.Vaporetto”, “Venice.Ponte di Rialto” and many others). I understood at once that he was a great creative photographer and from that moment on I was often looking forward to view his new pictures. Let’s have a good look at his particular accuracy when going into the minutest architectural details, at his exclusive way of reinterpreting and redepicting the reality accordingly with his particular creativity without altering the essence of the subjects but almost increasing their beauty, always faithful to the original source at the same time. This is one of the main reason I appreciate his style. Furthermore, we can find in all his photos a real devotion for the art in itself, a great carefulness when describing with words the relevant distinctive features of his subjects. He’s not interested in conforming to the standard taste at all; all his pictures are based on the intellectual uprightness that always mark out his personality together with a great technical skill when handling the digital photo post-processing with an endless competence. Nowadays thanks to him we can enjoy the best beauties of Italy when visiting his rich photostream, and as far as I’m concerned I’m very grateful to him for that.