Dora García has developed works on the GDR political police (the film "Rooms, Conversations", 24', 2006, first presented at GfZK, Leipzig, Germany), on the comedian Lenny Bruce ("Just because everything is different... Lenny Bruce in Sydney”, one-time performance, Sydney Biennale, 2008) or on the rhizomatic associations of antipsychiatry ("Mad Marginal" book series since 2010, and "The Deviant Majority", film, 34', 2010, part of her extended performance project "The Inadequate", first presented at her solo in the Spanish Pavilion, 54th Venice Biennale). She has used classical TV formats to research Germany's most recent history ("Die Klau Mich Show", Documenta13, 2012), frequented Finnegans Wake reading groups ("The Joycean Society", HD film, 53', 2013), created meeting points for voice hearers ("The Hearing Voices Café", since 2014) and researched the crossover between performance and psychoanalysis ("The Sinthome Score", 2013, first presented in Kunsthaus Bregenz, then in the international exhibition 56th Venice Biennale; and "Segunda Vez", HD film, 90', 2018). She is currently concluding her film project "Amor Rojo", on Marxist feminist Alexandra Kollontai and the impact of her legacy on Third-World, intersectional feminism, and starting a new film project, "END", on the intersection of clima catastrophe, human memory, and female voice.