The photographic work of that crafty girl is fresh and more than that, it is honest. It is never contrived and it never strives to promote artifice over art. In that, it is perhaps pure art for art's sake. The works are undefined and without definite borders as a river flowing is not individual drops of water. Bu… Read more

The photographic work of that crafty girl is fresh and more than that, it is honest. It is never contrived and it never strives to promote artifice over art. In that, it is perhaps pure art for art's sake. The works are undefined and without definite borders as a river flowing is not individual drops of water. But, at the same time, the work is a lot of distinct personalities that each require their own platform and presentation. Thus, the pieces can be viewed as separate entities or examined as puzzle parts to a gigantic on-going mosaic process. And most of all, always, there is an intimacy allowed between the photographer and the audience via Craft's pictures. And even that closeness is never coerced. Neither has it need of cajoling. It is more an open invitation. Miss Craft has no more need to capture her audience than she would to take her pictures by force. Inasmuch she demonstrates most ably that quality described by Henri Cartier-Bresson when he said, "One must not take photos."