When I suggested in one of your window shots that you took a look to one of my folders, I made a very grave mistake: not having looking at your portfolio. Now that I have looked I'm impressed. For actually you have a really incredible roster of images of architecture, all of them of great beauty and skill. While I didn… Read more

When I suggested in one of your window shots that you took a look to one of my folders, I made a very grave mistake: not having looking at your portfolio. Now that I have looked I'm impressed. For actually you have a really incredible roster of images of architecture, all of them of great beauty and skill. While I didn't have the time yet to see everything you show a great skill for cities, windows, doors, portals, walls, mosaics, and on and on, and a great affinity to Barcelona and Aragón. It's also impressive the amount of different subjects you have for each city, which means many years of intense travelling and picture taking. If I had to make a critique, you to tend to favour tight crops, very tight crops quite often. While this is not necessarily bad, I very often miss more border around your subjects, where you crop exactly at the limit of the subject, whatever its shape. It is actually a question of taste, but a bit more space around adds context and makes the image feel more relaxed instead of constrained. With the amount of images you have this is absolutely no beginner mistake but a deliberate decision. Also, you don't let the EXIF details of the camera and lens in. This is quite a pity. One often wonders if you use tilt-shift lenses for your straight architecture shots or wide lenses cropped. And something very useful to beginners in this area. I want to finish thanking you for the great present you do us with your portfolio. I hope the work keeps on.