LB: ACE ENTERPRISES - ORDO AB CHAO

 

Kubrick told Ciment, "I created a picture file of thousands of drawings and paintings for every type of reference that we could have wanted. I think I destroyed every art book you could buy in a bookshop".

 

SHOOT THAT SHARK PHOTO LAB (STS) - NO Nation Film Productions - Evil Echo Sound Studio - SINO Fashion Group New York (SFG13)

 

De minibus bonorum et malorum

 

Criminologist/Forensic Photography - John Jay College of Criminal Justice Alumni - Government/Public Administration AS '85 - Criminal Justice Administration & Planning BS '86

Management Information Systems/Digital Photography - Central Michigan University Computer Information Systems MSA '88 - Health Services Administration MSA '91

Certified Protective Diagnostic Caseworker - NYC Child Protective Service - Sex Abuse Unit Queens Field Office

NYS Peace Officer - Manhattan I - Special Assignment - Bureau of Criminal Intelligence - Bureau of Special Services - Cold Case - Media Alerts - Fugitive Warrants - INTERPOL Liaison Officer - Brooklyn V Special Offender Unit

US Army Infantryman SSG 11B30 Fort Benning Georgia - 24th Infantry Division 18th Airborne Corp Rapid Deployment Force Fort Stewart Georgia

US Army Mechanized Infantryman 11M OPFOR 31st Infantry Fort Irwin CA National Training Center (NTC)

New York Army National Guard 1LT 11A - 71st Infantry Regiment - Mortar Platoon Leader - Infantry Rifle Company Commander

NYANG 14A Air Defense Artillery (ADA) Officer A Co 1/69th Infantry Regiment element with revolutionary roots, tracing lineage back to American Revolution nicknamed "The Fighting 69th"

 

Human Intelligence - Geospatial Intelligence - Department of Defense Digital Photographic Files 1986-2014

 

Evil Echo former Baby Bat Studio Founded 1978

 

Shoot That Shark Founded 1982

 

NO Nation Productions Founded 2001

 

SFG 13 Founded 2008

 

LB ACE Enterprises 2010

 

Year 2000 - Rise of Digital Photography

 

2001 - 'Factum Factotum' Rotogravure Dystopian Despotic Diaspora Diorama Concept

 

2002 Digital Prototype

2003 Proxy Prototype

2004 Quasi Prototypes

2005 Pseudo Prototypes

2006 Quasi Pseudo Prototypes

2007 End Phase Prototypes

2008 Oblique Prototypes

2009 Utopian Dystopian Genres

2010 Agente Provocatrice

2011 Lorem Ipsum

2012 Corporis Custodes - ‘Prototype I - The Rise of the Dragon’

2013 Equites Singulares - 'Prototype II - Enter the Dragon'

2014 Cabot’s Travels in Icaria - ‘Prototype III - The Return of the Dragon’

2015 I’Optimism Bildungsroman

2016 Nouveau Réalisme

2017 Quid Novi De Novo

2018 Bootis Delta Variable

2019 SECTOR X-Ray Phase

2020 Quarantine Abstract

2021 Ghost Phase Zero Zero

2022 LODI Charlie Charlie Romeo

2023 OgDen CoeLo URBANSKYNET

2024 Subtle Sublime Teutonics Imagery - De minibus bonorum et malorum

2025 Copenhagen Interpretation Effect

2026 Converted Matrix Vortex Dilemas

 

1. not immediately obvious or comprehensible. 2. difficult to detect or analyze, often through being delicate or highly refined subtle unconsciousness

 

“Those of us who make images must always be very conscious about the power of images — about how they function — especially in a society where we are not taught our own history.”

— Yolanda López, artist

 

Philosophy on Photography - THE DEATH CAMERA

 

"My photography is a gift to the world....I refuse commercialism.

It is not only important to experience but to create.

I never thought my photography would bring nations to war. All it did was bring cultures together."

Captain Ace Preston to General Võ Nguyên Giáp May 2000 Hanoi

 

The plethora 'STS' (Shoot That Shark Photo Lab) oeuvre, affiliated with 'EE/SS' (Evil Echo Sound Studio) was the visual sector of NO Nation Productions, created by cryptonym 'LAB-M', a colossal pioneer in the field of digital photography & guerrilla journalism, founder of the international conglomeration "LB: ACE ENTERPRISES", a 'Prometheus Bound' humanitarian philanthropy organization of the arts, based in ASEAN, headquartered at the New Century Global Center in the People's Republic of China.

 

"Give me a museum and I'll fill it."

- Pablo Picasso (1881-1973)

 

A typical Hemingway anti-hero, epithet 'The Ghost of New York'', has been compared as the modern day version of Robert Capa, always shunning the spotlight and refusing to blithely cash in on mainstream fame or demand under a nom de guerre. Recognized as the most accomplished and influential auteur of digital photography and creator of 'Cryptic' & 'Archetype' Photography.

 

“Life is unpredictable. It is. There is no form. And making forms gives you solidity. I think that’s why people paint paintings and take photographs and write music and tell stories that have beginning, middles and ends — even when the middle is at the beginning and the beginning is at the end.”

— Stephen Sondheim, composer lyricist

 

In Cryptic Photography, the 'Death Camera' was styled towards matching and destroying all legends as an ultimate point in life, by finishing them off in death, and resurrecting those, after authorities’ efforts to hide the truth backfired.

 

The transition of photographing 'alternative pseudos' rapidly became a matter of intense interest in that as long as an image doesn’t exist, a surrogate replacement that is nowhere is everywhere.

 

'Fear of the Supernatural' would be the limit of Cryptic Photography.

 

I have discovered photography. Now I can kill myself. I have nothing else to learn

- Pablo Picasso

 

BEYOND PICASSO

 

“If you look into the camera and you see something you recognize, don’t click the shutter.”

Yasuhiro Wakabayashi, the photographer known as Hiro

 

In Archetype Photography the existence of the archetype photographer had highly developed elements deduced indirectly by examining behavior, myths, religions, & dreams as universal images and archaic patterns that derived from the collective unconscious of the psychic counterpart of instinct and inherited potentials, actualized when they entered consciousness manifesting on interaction with the outside world.

 

Autonomous and hidden forms transform once given particular expression by individuals and their cultures from which emerge images.

 

The role of unconscious phantasy is essential in the development of a capacity for thinking.

 

The phantasy image is a preconception that will not be a thought until experience combines with a realization of the world.

 

Destruction of the Attachment theory and it’s dynamics of long-term interpersonal relationships between humans is the end result of Archetype Photography & the archetype photographer with it’s omnipotence of quality in having unlimited power in what one sees with the insistence that allows the greatest possible freedom in presenting their view of the world, ripping apart Giorgio de Chirico's imagery reflects of affinity for the philosophy of Arthur Schopenhauer and of Friedrich Nietzsche, but reflecting the mythology of one's birthplace, from where one's life begins to where it ends.

 

The Photographer as a Revolutionary within a Civil War ~ Social Photography

 

"The artist is nothing without the gift, but the gift is nothing without work."

- Emile Zola (1840-1902)

 

Community awareness focused on the preservation of landmark structures through archive photos by simply taking a journey to the places where lives took place, gaining a sense of history that photos can’t replicate by comparing the old prints with the moment.

 

The belief that the past is best preserved when one can experience it in person is when the photo then becomes the rare reunion that simultaneously looks back while living in the present.

 

STS would take Jacob Riis, Edward Steichen, Alfred Stieglitz, Weegee, & Robert Capa into the 21st Century.

 

“My paintings are not usually titled. Art should make people dream, and when you have a title, you condition the vision.”

— Etel Adnan, author artist

 

STS initiated the concept of "guerrilla" journalism via the world wide web, also known as 'citizen journalism', based upon public citizens playing an active role in the process of collecting, reporting, analyzing, and disseminating news and information as an alternative and activist form of news gathering and reporting, functioning outside mainstream media institutions, as a repose to the shortcomings of the professional journalistic field, using similar journalistic practices driven by different objectives and ideals, relying on alternative sources of legitimacy rather than traditional or mainstream journalism.

 

In 2006, an STS photo for American Express Departures magazine's 2007 special South America issue, published under Meredith Corp, was a huge success, winning top honors in General Excellence for a Single-Topic Issue from the American Society of Magazine Editors (ASME) for its immersive travel content, showcasing top writing and photography.

 

Under a pseudonym & alter-ego, STS versus the Associated Press, became a founding member of 'NowPublic.com', the user-generated social news website, in a master plan to defeat the manipulating liberal 'faux' news industry.

 

NowPublic would be awarded 'Top New 50 Web Sites' in 2007 by 'TIME' Magazine, on July 30, 2007.

Then nominated in 2009 for an 'Emerging Tech Award' at the New York Emmy Awards on Sept. 2, 2009.

 

However, a Canadian national daily, The Globe and Mail, announced that the owners of NowPublic Technologies, Michael E. Meyers, Michael Tippett, and Leonard Brody held a closed 'behind the doors' estimated US$10.6 million round of financing from North American venture capital groups, following several takeover offers.

These investors included New York's Rho Ventures and it's Montreal affiliate and early investing Canadian firms Brightspark and GrowthWorks.

 

NowPublic, was then acquired by Clarity Digital Group, LLC, wholly owned by The Anschutz Company, a Denver-based investment company.

 

NowPublic had boosted a display at the NEWSEUM Museum in Washington D.C. but on 27 December 2013 the site was closed and the domain was redirected to a diluted 'www.examiner.com' after all published articles went dark ensuring an 'Orwellian' take-over of the press by it's power elite associates, such as owner, Philip Frederick Anschutz, whom Forbes ranked as the 38th richest person in the U.S. with an estimated net worth of $10 billion as of 2013.

 

STS believed that the artistic staff had been sold out by the Power Elite's (New World Order) Higher Circle (Illuminati) and it's Theory of Balance upon the Mass Society based on it's Conservative Mood and Higher Immorality placing Limitations on Criticisms for this action which they perceive are conclusive with government's simultaneous movement to eliminate books and libraries by transforming and transferring them to the internet as the sole source of information.

 

STS had warned that unlike the printed material which lacks flexibility and is concrete in nature, the average human attention span is short-memory.. thus the internet if abused and dominated would give ultimate government control of society's thoughts and actions by deleting, manipulating, and changing historical and current events for it's present and future demagogue purposes.

 

In the end the lack of good manners—basic respect in the notification of the impending collapse of the website, having trouble with the shift to Droupal, and the change of Google's algorithm search scans, caused a 70-something % drop in NowPublic's search ability.. added on by so many ads that google would rank them lower.

Pop-ups killed the website as well..thus losing the market and several changes in administration.

 

A very unhappy end to NowPublic's existence in the form of a self-inflicted wound or mass suicide.

 

Basically governments wanted it gone and so 'The Examiner' paid the $21.1 million to make it go away.. thus becoming a remnant of a dead entity... but former members have an obligation to let freelance writers know that they will eventually fall into a similar fate.

 

"We have art to save ourselves from the truth."

- Friedrich Nietzsche (1844-1900)

 

In many ways STS expressed in their photography, the National Socialist artistic policy of reactionary phenomenon, based more on what it rejected than what it accepted, soundly going against 'modernism' which exhibited intellectual introspection, eroticism, aestheticism, surrealism, or the avant-garde.

 

Degenerate art held liberal corrupting influences, akin to genetically defective diseases, infecting minds, and weakening moral fiber.

 

In the liberal politically correct democratic so-called western artistic community, STS, saw chaotic subliminal messages in their irreverent fashion and slogans, daubed on walls, in schools, television, to make sure the audience did not miss their ill-conceived points.

STS called this 'Trash Art', a term credited to Paul Schrader.

 

It was these factors that led STS to the People's Republic of China for rooting out what they saw as defective art and promoting what they viewed as a stirring of the populace to promote greatness in one's country as opposed to the USSA (United Socialist States of Amerika - Post-Reagan/Pre-Trump North America) who remained rabid in their mechanisms of propaganda to instill shock to the public with indulgence, profanity, moral seediness, equality, and the sheer cost of modernist art.

 

"I don't believe in objectivity. Everyone has a point of view. But I won't be a propagandist for anyone. If you do something right, I'm going to take your picture. If you do something wrong, I'm going to take your picture also." – John Hoagland

 

STS gives credit to Leni Riefenstahl, Hitler's favorite film propagandist, and although there are plenty of examples of administrative inefficiencies in the Third Reich, it was Dr. Joseph Goebbels, whom under the Reich Ministry for Public Enlightenment and Propaganda, had the intelligent understanding of the mechanisms of propaganda and cultural influence, tasked with bringing all of Germany's culture and spiritual life in line with National Socialism and Hitler's agenda for Order.

 

Goebbels authority in the 'Reichskulturkammer' (Reich Culture Chamber) dealt with each level of artistic creation - literature, music, film, theater, press, fine arts, and radio, rather competently till the end of the war, therefore German culture was ruthlessly and rigorously policed.

 

"Basically, I no longer work for anything but the sensation I have while working."

- Albert Giacometti (sculptor)

 

In the past STS has contributed time and artistic efforts to the ACE AWARDS, The New York Musical Theater Festival, East End Arts & Humanities Council Inc., Joe Torre SAFE @ HOME FOUNDATION, A Dream Come True~Make a Wish Foundation, Parrish Art Museum, Loudoun Museum, Art Hampton, Art For Life, Peconic Baykeeper, Mercedes-Benz New York Fashion Week, Mercedes-Benz Sydney Fashion Week, Black & White Panda Ball etc.

 

Individual/Independent photo projects in the beginning have included masterpieces such as "9/12/01 - Ground Zero - The Day After", "Vietnam.. The American War 25 Years Later", "Holiday In Cambodia" (2005), "The Jack the Ripper - Whitechapel Murders Unsolved", "Benjamin Franklin's Streets Of Philadelphia 300th Birthday Anniversary", "Hiroshima/Nagasaki 60 Years Later" with Paul Tibbets/Pilot & Theodore "Dutch" Van Kirk/Navigator of the Enola Gay , "In the Eye of the Monster" on Chuck Yeager, "The Towers Of Babel - World's Tallest Buildings", "Last Days of C.B.G.B.'s", "TAXI DRIVER Revisited - 30 Years Later", "Chuck Berry at 80", "Iran Barkley - The Return of the Blade", "Beyond Metamorphosis" with artist Victor Matthews, "Ruins of Ayuttaya & Wiang Kum Kam", "The Del Vikings minus Norman Wright", "Ghosts of S21" (Vann Nath, Chum Mey, Nhem En), "The Third Reich Today"…etc

 

"When most people figure out what my photography is actually about they are usually overcome. Unfortunately most people don't get it at first.. not because they are stupid but because they have been misled."

STS to Ken Johnson, Art Critic, New York Times Flushing 2009

 

According to a conversation with Ken Johnson, art critic, New York Times, STS explained that as an artist it has photographed thousands of works, though some thought the photography skills were limited due to preference; for example, it did not like to photograph people, the cause of which is speculated as either it's unwillingness or lack of interest with humans. It's photography is preoccupied with infamous historical locations, condemned architecture, or objects such as deserted places, structures, or graves.

 

Preferring to photograph social decay such as the aftermath of crime, corruption, poverty, or war-ruined sites as a theme, proved it was "grim" by selection, but realistic about human nature.

 

“I think of the art as dead when it leaves my studio. I don’t even own it anymore. Installing in a museum or a show that’s coming up, I’m not allowed to touch my own work ever. It just seems strange to me. If somebody puts me in front of my drawings, I’d put more text in it. It’s never finished, but none of my work is ever finished.”

— Kaari Upson, artist

 

The MYTH versus Reality...

 

A 'Peripheral Photographer' in placement of the paranormal fiction and folklore word, doppelganger, being that photo locations are bilocation (multi-location), occurring when an individual or object is located (or appears to be located) in two distinct places at the same instant in time, noting that the brain has an advanced temporoparietal junction (TPJ), giving it the versatility and ambidexterity to be labeled a harbinger, for it's ability to foreshadow or foretell the coming of someone or something, sent in advance to such locations within short periods of time - from Proto-Germanic *harjaz (“army”) + *bergô (“protection”).

 

“After you see your work, you always want to go right back and do it all over again.”

— bell hooks, writer scholar

 

DNA is the replicable archetype of the species that all the various terms are used to delineate the messengers - to base arguments on a consideration of biological defense systems that it must operate in a whole range of specific circumstances, it’s agents must be able to go everywhere.

 

The distribution of the agents must not upset the somatic status quo, and, in predisposed persons, the agents will attack the self.

 

These circumstances added to their mystique.

 

"The only difference between me and a madman is that I'm not mad."

- Salvador Dali (1904-1989)

 

The subject of 'The Death Camera' - Target of the Black Berets

 

The real powers, the "Shadow Government", invisible to the general public, a New World Order and a One World Government with themselves as the rulers deeply rooted to the occult.

 

Letting the Revolution Begin - Ghost Army

 

“We cannot have a meaningful revolution without humor.”

— Lisa Banes, actress

 

The Spirit Camera - proof of the existence of the human soul...

 

"I paint what cannot be photographed, that which comes from the imagination or from dreams, or from an unconscious drive. I photograph the things that I do not wish to paint, the things which already have an existence." — Man Ray

 

What the dead want us to know--

 

STS photo influences are Matthew B. Brady, Alfred Stieglitz, Edward Steichen, Lewis Hines, Arthur "Weegee" Fellig, Robert Capa, and Jacob Riis, who's book "HOW THE OTHER HALF LIVES" 1888, instills photographs to document and expose the everyday misery of the unseen poor in the Mulberry Bend Slum.

 

This book was the first to be illustrated with documentary photographs and a landmark for social justice with regards that all lives are precious moments, making up days, to focus on the big picture of building a large body of evidence that proves our accomplishments & defeats, and the true wonders in life — where we find unexpected beauty remembered with a wistful smile or horrors that would make us strive, initiating change.

 

Barbara Ess used a pinhole camera for large-scale ambient and shadowy photographs usually printed with one earthy color, such as amber or muted blue-black, with images intentionally left vague and unresolved, initiating a range of emotions from dream anxiety and helplessness, to being captivated by a fantasy and the romantic aesthetic quality that the pictures hark back to the 19th century approach to fine-art photography known as Pictorialism, creating tableau vivant imagery that evoke moody, open-ended narratives. Her intent as a photographer, Ess said, "In a way I try to photograph what cannot be photographed."

 

On Photography... crossing the barriers of reality between 1826 -1827.. capturing the illusion of existence

 

Ask Louis Daguerre of his skill of theatrical illusion & Nicéphore Niépce of his acquaintance with the camera obscura

 

What makes you think all of the sudden you are going to be held accountable for all your failures?

 

Never forget there is a vast amount of darkness for man to conquer, therefore seize the light.

 

The age of artistic leadership began in the 21st century when a complex photographer took a simple picture and looked at the world around him, photographing things exactly as they were but showed it like it was..

 

He became the father of digital photography by photographing and photoshopping in the colors and hues of what the image really represented he launched a new counter-revolution against radicalism, mysticism, and fanaticism.

 

He replaced the stiff posed shots with gloomy naturalness of none, traditional live people, and some elements of real landscapes, reproducing them on a plane surface with dark luminous colors and the feel for one-dimensional thought towards portraying men and things and places in the movement of death bringing human narrative to art.

 

He was said to be most amorous that when he found a topic that pleased him he would spend all his finances if necessary to go photograph it.

 

All those who studied him became excellent artists. This can only be ascribed to the exquisite judgement of these great patrons who would not merely distinguish men of genius, but the will and power to destroy them.

 

His photographs of certain locations darkened the image of such towns thus it's spirit.

 

He belonged to no one city and his remarkable trans-ocean journeys reminds us that no one locality, state, or nation owns him.

 

“I don’t paint nature. I am nature.”

— Jackson Pollock, interview in Possibilities, Winter 1951

 

A High Priest and General of the Iberian Sovereign Military Order of the Holy Ghost and Prophet of the Y-chromosomal Aaron JxM172 of the patrilineal Jewish priestly Kohamin caste of the Miqueli family, who originated in Rome belonging to the Haplogroup J2 , M172, the direct Sephardic Jews of Ashkenazi origin and birth of Cro-Magnon Man... Keeper of the International Order whom the Lord has sent to destroy the unrighteous inhabitants of the earth.

 

Master of the novel and short story, a poet who abandoned the USSA to enjoy literary freedom, preferring to think of himself as an artist, most enigmatic, much maligned, genius, and Titan.. the terrible.. the magnificent.. the great... the last fantastic photographer of the 20th century.. and the best the 21st century has yet to offer... yet his work by choice is known to only a handful of people and appreciated by fewer still.

 

His motto is "NO Nation" and his creed "Inoiz Negoziatzeko" (Never Negotiate).

 

“To me, art is the highest form of hope.” - Mark Rothko

 

"IN ANY PHOTOGRAPHIC MANUAL YOU'LL COME ACROSS THE STRIKINGLY CLEAR IMAGE OF A LANDSCAPE, APPARENTLY TAKEN BY NIGHT, IN THE LIGHT OF A FULL MOON. THE SECRET BEHIND THIS MAGICAL VISION OF 'DARKNESS AT NOON' IS USUALLY REVEALED IN THE ACCOMPANYING TEXT.

READERS OF THIS BOOK WILL NOT BE WELL INFORMED ABOUT THE SENSITIVITY OF MY RETINA-I CAN HARDLY SENSE IT MYSELF. SO THEY WILL NOT BE ABLE TO CHECK WHAT IS SAID AGAINST A PHOTOGRAPHIC PLATE, AND TO DISCOVER AT PRECISELY WHICH TIME EACH OF MY 'PICTURES' WAS TAKEN. WHAT THIS MEANS IS THAT IF I PRESENT TO YOU WITH AN IMAGE AND SAY, FOR INSTANCE, THAT IT WAS TAKEN AT NIGHT, YOU CAN EITHER BELIEVE ME, OR GO TO HELL. IT DOESN'T MATTER MUCH TO ME, SINCE IF YOU DON'T HAPPEN TO KNOW THE SCENE I'VE 'PHOTOGRAPHED' IN MY NOTES, YOU'LL BE HARD PRESSED TO FIND AN ALTERNATIVE TO THE TRUTH I'M ABOUT TO TELL YOU. BUT HERE GOES. I'LL LEAVE YOU NOW, WITH MYSELF; THE MAN I USE TO BE...

 

Ernesto Guevara, Notes De Viaje ('Travel Notes') 1952

 

“The last note, the high last note — it must say something.”

— Edita Gruberova, soprano

 

'SHOOT THAT SHARK' Associations R.I.P.:

 

Walter Steding born in Harmony Pennsylvania July 9, 1953 died Greenpoint Brooklyn November 18, 2025

Dr. James Dewey Watson (April 6, 1928 – November 6, 2025)

Ace Frehley (April 27, 1951 – October 16, 2025)

Eddie Palmieri (December 15, 1936 – August 6, 2025)

Brian Wilson (June 20, 1942 – June 11, 2025)

Clem Burke (November 24, 1954 – April 6, 2025)

Brian James (18 February 1955 – 6 March 2025)

David Johansen (January 9, 1950 – February 28, 2025)

James Earl Jones (January 17, 1931 – September 9, 2024)

Thomas Hoepker (10 JUN 1936 – 10 JUL 2024)

Philippe Marcade (The Senders) att 68 June 5, 2023 Paris

Pat Cooper July 31, 1929 – June 6, 2023)

Gordon Lightfoot (November 17, 1938 – May 1, 2023)

Robert Gordon (March 29, 1947 – October 18, 2022)

Jimmy Rado (January 23, 1932 – June 21, 2022)

Ray Liotta (December 18, 1954 – May 26, 2022)

Ronnie Spector 78 (August 10, 1943 – January 12, 2022)

Howie Pyro born June 28, 1960 NY died May 4, 2022 LA

Joseph Lee Galloway (November 13, 1941 – August 18, 2021)

Manuel Rubén Abimael Guzmán Reinoso nom de guerre Chairman Gonzalo (3 December 1934 − 11 September 2021)

Anne Beatts February 25, 1947 - April 7, 2021

Frederic Foto passed away on February 18, 2021

Johnny Pacheco (25 March 1935 – 15 February 2021)

Young Kwok "Corky" Lee (1947 – January 27, 2021)

Sylvain Sylvain (February 14, 1951 – January 13, 2021)

Barry S. Lewis July 4, 1945 - January 12, 2021 born Polyclinic Hospital 50th Str grew up in Woodhaven Queens

Rebecca Luker (April 17, 1961 – December 23, 2020)

Chuck Yeager (February 13, 1923 – December 7, 2020)

Jery Hewitt born on 6 March 1949 Brooklyn, died 21 November 2020 Warwick, New York

Kang Kek Lew, nom de guerre Comrade Duch (17 November 1942 – 2 September 2020)

Russell Kirsch born in Manhattan on 20 June 1929 died August 11, 2020 age 91

Walter Lure died on August 22, 2020 at the age of 71

Christo Vladimirov Javacheff June 13, 1935 - May 31, 2020

Mr. Waymond Monzell Greenfield Jr. BIRTH DATE: DEC 11, 1957 - DEATH DATE: APR 25, 2020

James Kenneth "Jimmy" Webb (August 28, 1957 - April 14, 2020) NYC

Peter Beard (born January 22, 1938) March 31, 2020 wandered from Montauk home / April 19, 2020 Body was found by a hunter in densely wooded area in Camp Hero State Park

Tommy Dean Mills 2:15 pm Kingston, New York March 17, 2020

Louis James Lipton (September 19, 1926 – March 2, 2020)

Barbara Elaine Smith, known as B. Smith (August 24, 1949 – February 22, 2020)

Lisa Farrell Feb 18, 1964 – Feb 9, 2020

Joe Manuella 1950 - November 4, 2019

Dick Dale (May 4, 1937 – March 16, 2019)

Vinny Vella (January 11, 1947 – February 20, 2019)

John Sidney McCain III (August 29, 1936 – August 25, 2018)

Anthony Michael Bourdain (June 25, 1956 – June 8, 2018)

Cecil Percival Taylor (March 25, 1929 – April 5, 2018)

John 'Mad Dog' Sullivan (March 31, 1939 - June 9, 2017)

David Peel (August 4, 1943 - April 5, 2017) NYC

Chuck Berry (October 18, 1926 – March 18, 2017)

Joey Zero aka Wayne Joseph Sawyer Dec 13th 2016

Linton Jay "Boots" Hinton (January 1, 1934 - December 5, 2016)

Fidel Castro (13 August 1926 – 25 November 2016)

King Bhumibol the Great Adulyadej - Rama IX (5 December 1927 – 13 October 2016)

Bob Burton born in NYC August 9, 1938 - September 22, 2016

Eliezer "Elie" Wiesel (September 30, 1928 – July 2, 2016)

Brenda White June 17, 1958 - March 20, 2016

Timothy Secor October 30, 1942 - February 3, 2016 NYC

Tobias Batz January 23, 1971 - January 18, 2016 NYC

John “Cha Cha” Ciarcia May 24, 1940 - November 21, 2015 NYC

Frank Albanese May 16, 1931 - October 5, 2015 NYC

Lee Kuan Yew 16 September 1923 - 23 March 2015

Joe Franklin March 9, 1926 – January 24, 2015 NYC

Mike Nichols November 6, 1931 – November 19, 2014

Theodore "Dutch" Van Kirk February 27, 1921 - July 28, 2014

Thomas Erdelyi - Tommy Ramone (January 29, 1949 – July 11, 2014)

Isabelle Collin Dufresne (Ultra Violet) 6 September 1935 - 14 June 2014

Bunny Yeager (March 13, 1929 – May 25, 2014)

Hans Ruedi Giger (5 February 1940 – 12 May 2014)

Leee Childers (July 24, 1945 – April 6, 2014)

Michele Savoia (1959 - February 13, 2014 NYC)

Lilo Kinne 2014

Joan Fontaine October 22, 1917 – December 15, 2013

Võ Nguyên Giáp 25 August 1911 – 4 October 2013

Lorne Black Sept. 27, 2013

Rochus Misch 29 July 1917 – 5 September 2013 Berlin

Arturo Vega (October 13, 1947 – June 8, 2013)

Chrissy Amphlett 25 October 1959 – 21 April 2013

Sal Dell'Orto 1929 - February 12, 2013

Henry Hill June 11, 1943 – June 12, 2012

Dick Clark November 30, 1929 – April 18, 2012

Mark Reale (June 7, 1955 – January 25, 2012)

Susan Palermo December 5, 1951 - November 23, 2011

Vann Nath 1946 – September 5, 2011 Cambodia

CC Star (November 22, 1940- November 24, 2009)

'Les Paul' Lester William Polsfuss (June 9, 1915 – August 12, 2009)

Michael Amato December 28, 1932 - May 10, 2009 NJ

Jeff Salen, died January 26, 2008, age 55

Paul Tibbets 23 February 1915 – 1 November 2007

Carmine 'Que' Quagliariello June 4, 1942 - March 30, 2007 NYC

Mario Escudero (October 11, 1928 - November 19, 2004)

Johnny Ramone (October 8, 1948 – September 15, 2004)

Arthur Harold Kane Jr. (February 3, 1949 – July 13, 2004)

Spalding Gray (June 5, 1941 – January 11, 2004)

Joe Strummer (21 August 1952 – 22 December 2002)

Dee Dee Ramone (September 18, 1951 – June 5, 2002)

Joey Ramone (May 19, 1951 – April 15, 2001)

Ernesto Antonio "Tito" Puente (April 20, 1923 – May 31, 2000)

Gerome Ragni (born Jerome Bernard Ragni; September 11, 1935 – July 10, 1991)

Glenn Hughes (July 18, 1950 – March 4, 2001)

Gerard "Jerry" Nolan (May 7, 1946 – January 14, 1992)

Johnny Thunders (July 15, 1952 – April 23, 1991)

Stiv Bators (October 22, 1949 – June 4, 1990)

Cliff Burton (February 10, 1962 – September 27, 1986)

Phil Lynott (20 August 1949 – 4 January 1986)

Simon John Ritchie (10 May 1957 – 2 February 1979), better known as Sid Vicious