I consider my creative praxis to be a critical reflection upon the human condition and what makes mankind unique amongst all other animals. My practice exclusively engages photography to explicate socio-cultural, psychological and perceptual conjecture within the western context of post-modernist discourse. Conversely, whilst these themes, I acknowledge, are better served by the causal relationship between photography and the perceived reality of our human existence, my intention is to examine the truth-value of the medium in our modern, information saturated age and whether the medium can be used to subvert its own authority within the context of society's continuing confidence in photography's ability to represent the real world.