I photograph the contemporary city as a system of barriers, thresholds, and isolated moments. Working primarily at night in New York, my images examine the infrastructure that contains us—fences, windows, transit corridors, automated services—revealing how urban life operates through separation and observation.

I'm drawn to scenes where the familiar becomes strange: a halal cart glowing in fog, silhouettes behind apartment windows, street workers obscured by dust, vintage RC cars crammed in a deteriorating RX-7. These moments expose the mechanisms we usually overlook—the invisible labor, the pervasive surveillance, the profound isolation embedded in everyday urban existence.

Through long exposures, experimental techniques, and deliberate framing, I transform documentary observation into something more unsettling. The city I photograph feels both immediate and alien, like science fiction that's already arrived. My titles work in dialogue with the images, adding conceptual depth without resolving the tension.

This work asks: What does it mean to live behind barriers? Who maintains the systems we depend on? What happens in the intervals between human connection? The city provides endless material for these questions—if you're willing to look past the expected and into the strange.