The photographic concept behind Anima Mundi arise from the personal consideration of depriving the observer as much of the interpretive binaries as possible, putting in a position not to create interpretative superstructures related to the form but to immerse themselves in the essence of the sensations that transpire from the images.

In many images the reflections are exploited, reflected as a concept of mirror through which the observer is deceived towards an interpretation that goes beyond.

To define the perceiving of the essence behind reality as the ultimate illusion of the human being in relation to what he himself calls real and nullifying this confines.