To get from the tangible to the intangible (which mature artists in any medium claim as part of their task) a paradox of some kind has frequently been helpful. For the photographer to free himself of the tyranny of the visual facts upon which he is utterly dependent, a paradox is the only possible tool. And the talisman paradox for unique photography is to work "the mirror with a memory" as if it were a mirage, and the camera is a metamorphosing machine, and the photograph as if it were a metaphor…. Once freed of the tyranny of surfaces and textures, substance and form [the photographer] can use the same to pursue poetic truth.

( Minor White, Newhall, 281 )

Dans la mesure où elles nous offrent un aperçu d’une réalité dont on ne peut ni se détourner ni s’emparer les photographies nous font apprendre que l’on ne maîtrisera jamais le passé. Elles nous instruisent sur les limites et les échecs de la vie humaine.

( Susie Linfield, The Cruel Radiance )