RP 7
"RP 7", ink and graphite on paper, 4.125" x 5.75". _____________________________________
A resolute calm, relentless, the word that chose. Some will question
Why? And the question sent back, Why? Why are you here? This is a beauty, marked. The cheek a hue of shade. The view, askance. And, the hair, radiating glints of light, wisdom seen from above. The nose,
a hint of marble, throwing back the light. All is well. We know that now.
- Sherrie R. Lowly
_____________________________________
About "The Redeemer Project": In November of 2017 I received an invitation from Bethany Kenyon of Redeemer University College in Ontario, Canada to participate in a two-person exhibition. My initial thought was to show a few paintings, but various considerations led me to the idea of making a series of small, postcard sized drawings. The drawings would be installed over the course of the exhibition one at a time, starting with just one. I invited my wife Sherrie to write a text for each drawing (see above) which I will post in relation to each drawing concurrently with when it (the drawing) is installed in the exhibition.
AasP
RP 7
"RP 7", ink and graphite on paper, 4.125" x 5.75". _____________________________________
A resolute calm, relentless, the word that chose. Some will question
Why? And the question sent back, Why? Why are you here? This is a beauty, marked. The cheek a hue of shade. The view, askance. And, the hair, radiating glints of light, wisdom seen from above. The nose,
a hint of marble, throwing back the light. All is well. We know that now.
- Sherrie R. Lowly
_____________________________________
About "The Redeemer Project": In November of 2017 I received an invitation from Bethany Kenyon of Redeemer University College in Ontario, Canada to participate in a two-person exhibition. My initial thought was to show a few paintings, but various considerations led me to the idea of making a series of small, postcard sized drawings. The drawings would be installed over the course of the exhibition one at a time, starting with just one. I invited my wife Sherrie to write a text for each drawing (see above) which I will post in relation to each drawing concurrently with when it (the drawing) is installed in the exhibition.
AasP