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Der Jackhammer hat neben dem Guv‘nor den extremsten Verzerrungsgrad, den man bei Marshall-Pedalen findet. Genau richtig für mich !
In addition to the Guv’nor, the Jackhammer has the most extreme degree of distortion found on Marshall pedals. Just right for me!
These things should fit the board quite nicely. @walrusaudioeffects has National Park versions of their Julia and Lillian chorus and phaser effects!
Some Roland-Boss stuff I got :) Update: my new guitar effects site
can be found here: www.guitarfx.it
Update to my small collection :) I swear that after 5 minutes I thought they were switching places when I wasn't looking....
News from @cogeffects: !!!! NEW PEDAL DAY !!!! Say hello to the new Tarkin Fuzz and Grand Tarkin Bass Fuzz! The Tarkin mk2 remains firmly based on the Green Russian, just like the original, but the new version has been upgraded with expanded options over Mids and clipping, as well as having been shrunk to the pedalboard-friendly teeny-tiny Hammond 1590A enclosure. Even more versatile than before, and able to find a spot on even the most cramped guitar and bass pedalboards. bit.ly/1RKlSqw The goal behind the Grand Tarkin hasn't shifted – a solid and versatile bass fuzz for the gigging musician, with building-crushing tone and no frills or gimmicks. What's changed is an increase in flexibility and versatility. The single Level and Blend knobs have been replaced with two pairs of Clean Level and Fuzz Level knobs, and a second footswitch to swap between these two presets on the fly. The clean signal is filtered, just like on the original Grand Tarkin, to deliver massive bass tones rather than unnatural-sounding and lacklustre “side-by-side” blended fuzz sounds. This is THE Muff-based fuzz you need on your bass pedalboard. bit.ly/1UUgEzd Bass demo of the Tarkin by the awesome @mrexcane can be found at https://www.youtube.com/watch?v=ctaT60v3o10 Guitar demo of the Tarkin and bass demo of the Grand Tarkin will follow this week. !!!! NEW PEDAL DAY !!!! #stompbox #pedalboards #pedalboard #effectspedals #effectsdatabase #pedalsandeffects #knowyourtone #ilf #ilovefuzz #geartalk #cogeffects #cleantone #knowyourtone #gearporn #basspedalboard #pedalboardmadness #starwars #tarkin #fuzz #bass #guitar #sheffield #gearnerds #bigmuff @mrexcane @pedaloftheday, via Instagram: bit.ly/1RKlSqy
Bourke St Mall - On Melbourne Cup Carnival Day 2017
About George
George hails from Japan but moved to Australia in 2000’s to make his life as a busker musician. He has spent the last 15 years honing his skills to become an exemplary country blues artist. His playing is typified by its raw energy and broad tonal range-from delicate harmonics to searing rips and slides on guitar, soulful singing and driving rhythms on harmonica. The instruments George plays are slide guitar, lap steel guitar, harmonica, stompbox with his left foot and drum pedals (snare, high hat, cymbal etc) with his right. Much like a one man band. Known as the Japanese Blues Cowboy he has played at various venues and festivals throughout Australia winning the Tamworth Country Music Busking Championships in 2003 and playing regularly on the legendary Blues Train in Queenscliff. He has appeared in the media a few times including an article in ʻThe Ageʼ newspaper, on ʻAbsolutely Melbourneʼ from channel 7 which was a segment about buskers in Melbourne, Spicks and Specks, Japanese TV show 『ぐっと地球便』 etc. You can sometimes catch him busking in Bourke St mall in the Melbourne cbd.
George has been playing as one part of a duo with Noriko Tadano who plays shamisen. Shamisen is a traditional Japanese instrument with a banjo like sound. George and Noriko’s music is a blend of blues and traditional Japanese music. With Noriko, George has won the Australian Busking Championships at Mortlake in 2008 and they were a finalist on Australia’s Got Talent, most recently they released their second album “Howlin’ Sun”(available on iTunes) and did a Japan tour in 2016.
He has played at various events and festivals including National Folk Festival, Queenscliff Music Festival, WOMADelaide, Port Fairy Folk Festival, Blues on Broadbeach 2013, Bruthen Blues Festival 2015, Caloundra Music Festival 2015 & 2016, Illawarra Folk Festival 2012 & 2017, Blue Mountains Music Festival 2012, 2014 & 2017, CubaDupa Festival in NZ 2017. George’s banter and easy interaction make him a popular choice with audiences. George was also featured on TV shows in Japan about his music life in Australia. He is currently keeping busy with shows and music festivals throughout Australia and overseas.
Source: www.georgekamikawa.com.au/about/
Great news from @way.huge.electronics: Here they come... #wayhuge #wayhugeelectronics #wayhugepedals #jimdunlop #jimdunlopusa #dunlop #effectpedals #guitarpedals #pedals #tone #guitartone #effectpedal #stompbox #effect #stompboxes #guitar #electricguitar #camel #cameltoe #cameltoeoverdrive #overdrivepedal #overdrive #gearfest #gearfest2016 #picoftheday #gear @jimdunlopusa, via Instagram: bit.ly/1XxuqZI
Part of my Single in January 2016 collection. See www.flickr.com/photos/rensehaveman/albums/72157662985671536 for the rest of my photos, and www.pentaxforums.com/forums/26-mini-challenges-games-phot... for the explanation of the Single in Challenge on Pentax Forums!
Univox Super-Fuzz and Ibanez Standard Fuzz.
The Super-Fuzz wins the match, but the Standard Fuzz does octave-up better than the Super-Fuzz.
Still, they both kill on contact.
Now we're talking. This one is a rarity. Not easy to find, a perfect replica of the 1976 Boss CE-1 tones. Serial number 830, a pedal out of production.
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Esse eu comprei na hora perfeita! Item de colecionador, visto que não se acha mais à venda, e comprei novo, na caixa. Serial number #830.
Pra quem conhece, é, talvez, o único pedal que consiga chegar aos timbres do antigo Boss CE-1, de 1976, que era um tijolão, tinha fonte embutida e tal. Alguns já devem ter visto!
I believe I have reached maximum pedal density on the pedalboard.
Put the CS-3, Big Muff and Swollen Pickle ( the wife wonders who the hell names these things ) and Fat Sandwich on loop through the NS-2. Put the CH-1 at the front of the effects pedals with an MXR Analog Chorus at the end. The Beat Buddy Mini and foot switch round out the "band".
- Behringer BCH100 Bass Chorus pedal: 17€
- Materials for two DIY signal cables: 12€
- Sigma 70-300 APO DG: 200€
- Having this little fuzzy ball of cuteness roaming around your room: priceless
DIY echo pedal. Makes all manner of strange noises, like these ones here: soundcloud.com/musicthing/echo-base-pt2399-delay-pedal-on...
A few day earlier to this shot, I had seen Frim Fram Quartet onstage in Kallio park, another neighbourhood in Helsinki. The music was great, but it was rather crowded and the stage was too high up to get any decent closeup from below.
However, I was given a second chance when the band performed downtown on the familiar Espan Lava. It's less crowded and it's easy to approach the musicians once they leave the stage.
After their 45 minute concert on Espan Lava, I approached the talented saxophonist Sirpa Suomalainen for a portrait. She was so kind and went back onstage to bring down her saxophone on my request. We then had a nice conversation about her music life.
Sirpa composes the music while Juki writes the lyrics.
I also found out that she and Juki Välipakka - Vocals/ guitar/ harp/stompbox - have been married for 10 years and have a 7 y/o son. Sirpa's mother was watching her grandson while Sirpa and Juki were onstage. I got to meet them, too.
After sending the photos to them they thanked me and Juki sent a friend request on Facebook. They have since used my photos on their Facebook page.
This is my 280th submission to The Human Family group.
Visit the group here to see more portraits and stories: www.flickr.com/groups/thehumanfamily.
I socketed some parts for future tweaking in the second delay line. I also swapped the B line MN3207 for a MN3208, increasing the delay time. This allows for dual-voice chorusing in "lush" mode.
Super simple circuit from www.beavisaudio.com/techpages/PedalHacker/index.htm
Waterslide transfer, spray paint, car varnish
Red momentary switch is 'max feedback', black is a kill switch.
You connect this pedal to other pedals, and it makes them freak out.
Default setting is 'really high pitched squeal', but 'impending high pitched squeal' is also possible, along with 'detuned short wave radio'.