Calvaires bretons
View allAll Photos Tagged redraw,
Nice when the sun redraws the fall landscape with warm light and strong shadows.
Nei pomeriggi autunnali il sole ridisegna il paesaggio autunnale con luce calda e forti ombre.
All rights reserved © Nick Outdoor Photography
Soooo. i went ham on the outlines this time. I think i did that for almost 3 hours *giggle* Im kinda happy with the outcome. The lines on the Tail are to bright but i was dumb and drew them on the Back ground not the Outline layer... sooo well its fine i guess. and where i had to redraw the hair one of my overlays broke in a way i could not find out how to fix.... But the rest is fine i think. Also i had so much fun drawing the hair outlines... i don't know why. its almost like Zen ahahahaha. Now im hungry~ Enjoy the Picture everyone~
Original Picture - Click me
who lost the details of life in empty spaces
i come to you tired from all my sins and long life burdens
take me back to my childhood
and redraw an era that i have lost
CKEY Pose Christian series
EXCLUSIVE TMD 5th December
..:CORAZON:.. ❣ EXCLUSIVE ... Tattoo ASHER ❣
UBER 25th of November
- COLOR-
-Intensities-
-Light-Medium-Dark-
* LeL EVO X and Classic BOM
-Only Bakes on Mesh -
I Love my Imperfections..!! But I forgot to control my emotions when Im already triggered. Esp when Im on my P. I cry without any reasons and to laugh when it's impossible. Sometimes to say things out of nowhere which I become overthinker, easily angry and get emotional. I ain't so perfect, but I love the inner child in me. I know my mistakes and I keep that in mind that I need to change the negative things I do and that ain't good at all. Self Love is the only thing we owe to ourselves.
Since I saw this sketch from someone which is I feel like to redraw to it....the time I was being sleepless and so emotional.
This started out as a simple "get a snow pic before it's all gone". Well, I obviously failed on that intention :D I failed so much that I had to redo the hair by hand because it had snow embedded in it and honestly, it just had other issues that I couldn't ignore. It was free so I'm not complaining :)
Actually, I'm quite happy about it because knowing I was going to redraw the hair anyway, it opened lots of possibilities with this as the result :)
I have no doubt that I will be creating more images from the beautiful Lux Aeterna
Dᴇsᴄʀɪᴘᴛɪᴏɴ
[Bᴏᴅʏ]
Head: CATWA Head Catya
Body: Slink Hourglass Mesh Body
Hair: #taketomiWEST Valentina - Fatpack
{REDRAW}
[Cʟᴏᴛʜᴇs]
.:MMC:. Lilith Dress NEW!
Fitted Mesh Sizes For:
- Maitreya Lara
- Belleza Isis,Venus and Freya
- Slink Hourglass and Physique
- Tonic Fine and Curvy
- TheMeshProject
- Ebody Classic
- Standard Mesh Sizes
Hud with 2 versions
Available in mainstore
{Promo Pack! L$50}
More details about this outfit:
This is me behind on those happy face, sad or moody, but the truth on it Im the one crying alot. It's been a year Im being sleepless or I cant sleep like a day or 2. Since the day I was hurt I also struggle alot. That's the reason I feel deep inside I am getting weaker. One time I was sick for 2 weeks feels like I got covid but i wasnt. I trusted a lot of ppol in SL ever since, but then everythings change. Most of the time we thought ppol around us will never leave by our side, but they did. And we think that they can like LGBTQ+ but they cant or it maybe in rl by their family or by our family or friends. I keep fighting everyday to be a better person and trying not to cry everynight but cant control my feelings most of the time. I easily get triggered, but My care for ppol I love wont change. No matter how difficult our life can be...we shouldnt give up and keep fighting. I always Thank God for always there when I needed it most and to my SL DAD even we dont talk everyday...I am so thankful and Blessed that you are there when I needed it most. Love yourself and keep think positive in life to stay alive in this difficult world we cant be at.
I just redraw this sketch coz I feel the same way most of the time. I saw this and draw in my difficult times.
🇬🇧
Another frame from the December 2000 snowfall in New York City, taken in Central Park. Fresh snow redraws the landscape, softening distances and turning familiar paths into open, quiet fields. Trees stand still, their branches outlined in white against a deep blue winter sky.
What I remember most is the sound—or rather, the lack of it. Snow absorbs everything. Even in a city that never really sleeps, moments like this feel suspended, as if New York briefly agreed to whisper instead of speak.
🇮🇹
Un’altra immagine della nevicata di dicembre 2000 a New York City, scattata a Central Park. La neve fresca riscrive il paesaggio, ammorbidisce le distanze e trasforma i sentieri abituali in spazi aperti e silenziosi. Gli alberi restano immobili, con i rami disegnati dal bianco contro un cielo invernale di un blu intenso.
Quello che ricordo di più è il suono—o meglio, la sua assenza. La neve assorbe tutto. Anche in una città che non dorme mai, momenti come questo sembrano sospesi, come se New York avesse deciso, per un attimo, di parlare sottovoce.
Dᴇsᴄʀɪᴘᴛɪᴏɴ
[Bᴏᴅʏ]
Head: CATWA Head Catya
Body: Slink Hourglass Mesh Body
Hair: DOUX - Blanca hairstyle [Naturals]
DOUX - Demon hairstyle [Naturals]
{REDRAW}
[Cʟᴏᴛʜᴇs]
.:MMC:. Anahi Swimsuit NEW!
{Comes with a cover up}
Fitted Mesh Sizes For:
- Maitreya Lara
- Belleza Venus, Isis and Freya
- Slink Hourglass and Physique
- Tonic Fine And Curvy
- Standard Mesh Sizes
Hud with
-10 Styles For BodySuit
-20 Styles for Cover-Up
Available in @TheDarkness EVENT
{November 05 to 30}
More details about this outfit:
★ Programs Using :
Photoshop CS5 Extend
Illustation CS5
Redraw from sticker collections ~ Feel free to use <3~~~
Comment let me know you want to get the download link. I will send through your inbox ♥
My first lovely user NooNa~~ ㅋㅋㅋㅋ<3
And thanks to my all lovely user <3
Gifford’s Ice Cream, Sunapee, New Hampshire
Apps: Prisma, Snapseed and Pixelmator
iPhone 7 back camera
Taken 03 Aug 2019.
Back story:
What better treat on a warm summer day than an ice cream? I took a series of iPhone photos while waiting for my order and incidentally captured this server clearly noticing me and giving a smile for the camera! I often use Prisma to achieve a larger image size of cropped photos and digital-to-art conversions, as done here (this image uses their “Dallas” conversion). Snapseed has a great brush for making selective edits (exposure in this case), and then Pixelmator has a very useful paint tool that can be used to sharpen and redraw things (the letters in the sign at the center bottom were bit too washed out). The goal was simply to capture the building for my photo feed, but it turned into a nice artwork that captured the moment very well.
www.youtube.com/watch?v=2wWgR_5JEWI
or
www.youtube.com/watch?v=xUKzVqBQP0c
or
www.youtube.com/watch?v=mXjwGvsCOQw
...
Perhaps I couldn't immerse myself in the shallow of deepness ..
But I could redraw the name of battle..
flee with the wind's squeak ..
Or maybe... sail away in daydream ...
... .. 8/20/17
Dᴇsᴄʀɪᴘᴛɪᴏɴ
[Bᴏᴅʏ]
Head: CATWA Head Catya
Body: Maitreya Mesh Body
Hair: TaketomiWEST - Gabby - Natural HUD - Blacks {Redraw}
[Cʟᴏᴛʜᴇs]
.:MMC:. Maccy Top
Fitted Mesh Sizes For:
- Maitreya Lara
- Belleza Venus, Isis and Freya
- Slink Hourglass and Physique
- Tonic Fine And Curvy
- Ebody Classic and Curvy
- TheMeshProject
- Standard Mesh Sizes
Fatpack Hud Included
- 10 Styles For Top
Available in MMC Mainstore
More details:
🇬🇧
Three images from the same snowy walk through New York City, late December 2000. Different places, same quiet rhythm.
A park turned into a white, almost ceremonial space. A residential street where snow redraws the idea of distance and time. And finally, the city back in motion: traffic, pedestrians, a yellow cab passing by, all still wrapped in winter light.
Seen together, these photos tell me more than any single frame could. They’re not about the storm itself, but about how New York absorbs it—first in silence, then in routine, and finally in movement. The city doesn’t change its character; it just lowers its voice and keeps going.
🇮🇹
Tre immagini della stessa passeggiata nella New York City innevata, fine dicembre 2000. Luoghi diversi, stesso ritmo silenzioso.
Un parco trasformato in uno spazio bianco e quasi solenne. Una strada residenziale dove la neve riscrive le distanze e il tempo. E infine la città che riparte: il traffico, i passanti, un taxi giallo che attraversa la scena, ancora immerso nella luce invernale.
Guardate insieme, queste immagini raccontano più di quanto farebbe un singolo scatto. Non parlano tanto della tempesta, quanto di come New York la assorbe—prima nel silenzio, poi nella routine, infine nel movimento. La città non cambia natura: semplicemente abbassa il volume e continua ad andare avanti.
echoes of the temple .I. ghenwa nemnom
youtu.be/XsKpkyoRL5M?si=jVtEZxSNa2UXVpPg
“I came to you as a child,
Who lost the details of life in empty spaces,
I came to you tired from all my sins and long life burdens,
Take me back to my childhood,
And redraw an era that I have lost.”
A faint light on the horizon, possibly the Märket Lighthouse.
Fun fact:
In 1885, Finland built a lighthouse on Märket Island to prevent shipwrecks in the treacherous waters of the Baltic Sea. But they unknowingly placed it on the Swedish side of the tiny island.
Rather than tear it down or spark a diplomatic feud, the two countries agreed in 1985 to redraw the border. The result is a bizarre zigzag line that loops around the lighthouse, keeping it officially on Finnish territory while preserving Sweden’s original land share.
One of Europe’s quirkiest cartographic twists :-).
finally, after years without making my own drawings I decided to redraw this is my first drawing of myself, identical to my LEGO minifigure but with some changes like, the shirt, the color of the hat and the skin color but I am very Happy with the new design.
Dᴇsᴄʀɪᴘᴛɪᴏɴ
[Bᴏᴅʏ]
Head: CATWA Head Catya
Body: Slink Hourglass Mesh Body
Hair: DOUX - Jaidah hairstyle [Naturals]
DOUX - Demon hairstyle [Naturals]
{REDRAW}
[Cʟᴏᴛʜᴇs]
.:MMC:. Ashelly Lingerie - Fatpack NEW!
Corset Fitted Mesh Sizes For:
- Maitreya Lara
- Belleza Isis,Venus and Freya
- Slink Hourglass and Physique
Lingerie Appliers For:
-Maitreya
-Belleza
-Slink
-Omega.
Hud for Bow Included: Pink, Black and White Styles.
Available in mainstore
More details about this outfit:
- “Captain, it’s Wednesday”.
What a Week, Huh? refers to a panel from The Adventures of Tintin comics depicting characters Tintin and Captain Haddock that was recaptioned with a humorous exchange from a 2009 episode of the sitcom 30 Rock. The recaptioned panel gained significant popularity as a reaction image used to express tiredness and being overwhelmed, but is also used as a template for redraws. In November 2020, the Twitter gimmick account @whataweekhuh gained viral popularity.
Between October 17th, 1940, and October 18th, 1941, Belgian cartoonist Hergé had The Crab with the Golden Claws, the ninth volume of The Adventures of Tintin, published in the Belgian newspaper supplement Le Soir Jeunesse.[3] In the volume, the character Captain Haddock is first introduced, first shown procuring whiskey from his mate and drinking it alone in his cabin before Tintin gets in through the window and accuses him of narcotics trafficking (original panel shown below, left and center).
On June 21st, 2017, Tumblr gimmick account Incorrect Tintin (incorrectintin) combined the dialogue with the panel, with Captain Haddock complaining to Tintin about his hard week.
amp.knowyourmeme.com/memes/what-a-week-huhy
A nice coffee in the Zurich train station for a cool-down moment.
🇬🇧
Three images from the same snowy walk through New York City, late December 2000. Different places, same quiet rhythm.
A park turned into a white, almost ceremonial space. A residential street where snow redraws the idea of distance and time. And finally, the city back in motion: traffic, pedestrians, a yellow cab passing by, all still wrapped in winter light.
Seen together, these photos tell me more than any single frame could. They’re not about the storm itself, but about how New York absorbs it—first in silence, then in routine, and finally in movement. The city doesn’t change its character; it just lowers its voice and keeps going.
🇮🇹
Tre immagini della stessa passeggiata nella New York City innevata, fine dicembre 2000. Luoghi diversi, stesso ritmo silenzioso.
Un parco trasformato in uno spazio bianco e quasi solenne. Una strada residenziale dove la neve riscrive le distanze e il tempo. E infine la città che riparte: il traffico, i passanti, un taxi giallo che attraversa la scena, ancora immerso nella luce invernale.
Guardate insieme, queste immagini raccontano più di quanto farebbe un singolo scatto. Non parlano tanto della tempesta, quanto di come New York la assorbe—prima nel silenzio, poi nella routine, infine nel movimento. La città non cambia natura: semplicemente abbassa il volume e continua ad andare avanti.
🇬🇧
Three images from the same snowy walk through New York City, late December 2000. Different places, same quiet rhythm.
A park turned into a white, almost ceremonial space. A residential street where snow redraws the idea of distance and time. And finally, the city back in motion: traffic, pedestrians, a yellow cab passing by, all still wrapped in winter light.
Seen together, these photos tell me more than any single frame could. They’re not about the storm itself, but about how New York absorbs it—first in silence, then in routine, and finally in movement. The city doesn’t change its character; it just lowers its voice and keeps going.
🇮🇹
Tre immagini della stessa passeggiata nella New York City innevata, fine dicembre 2000. Luoghi diversi, stesso ritmo silenzioso.
Un parco trasformato in uno spazio bianco e quasi solenne. Una strada residenziale dove la neve riscrive le distanze e il tempo. E infine la città che riparte: il traffico, i passanti, un taxi giallo che attraversa la scena, ancora immerso nella luce invernale.
Guardate insieme, queste immagini raccontano più di quanto farebbe un singolo scatto. Non parlano tanto della tempesta, quanto di come New York la assorbe—prima nel silenzio, poi nella routine, infine nel movimento. La città non cambia natura: semplicemente abbassa il volume e continua ad andare avanti.
Snow gathers its strength, turning the bay into a shifting canvas of absence and return, as the horizon dissolves into silence and memory. A fleeting storm redraws the boundaries between sea, sky, and the unseen, reminding the shoreline that endurance is written in moments of disappearance. Geography becomes metaphor, where clarity and obscurity trade places, and the Arctic teaches that ambiguity is not loss but another form of presence.
Meet the photographer:
The morning sun in its juvenile drive draws countless figures in the water reservoir to which the black beauties, both big and small (Elephants), plunge in for their joyful dip and redraw the figures in the water.
Zutara Week 2015 - Vigil
I might redraw this again, make it better. I was rushing cuz I got this idea just 3 days before zutara week starts, and I also catch a cold. So sad lol. Anyway, you may make up any stories about this one. Either they’re running away together, or camping with the Gaang but stick together, etc. Either way, Zuko couldn’t sleep cuz he wanted to keep watch. Dork.
« Après nous le déluge ? » pointe l’urgence des menaces qui pèsent sur la biodiversité à l’ère de l’anthropocène. Cette gravure sur bois fait partie d’une fresque monumentale représentant une multitude d’espèces en voie de disparition. Pour ses dessins et ses gravures, Camille Dufour utilise comme matrice de lourdes planches en chêne de deux mètres de long.. Lors de performances, elles sont encrées une seule fois pour être imprimées à la main à l’aide d’un savon jusqu’à épuisement de l’encre. Alors que les dessins d’espèces en voie d’extinction disparaissent lentement de feuille en feuille, les traces de savon laissées lors du travail d’impression redessinent une cicatrisation impossible. Comme devant la tapisserie de Bayeux, nos déplacements dans l’installation, inscrivent l’œuvre dans la temporalité de nos corps et nous lient à l’histoire de cet écosystème. Cette fresque déployée devant nous, construit une mémoire du vivant et en appelle à notre responsabilité individuelle et collective.
La fresque est également fragmentée afin d’être distribuée de manière aléatoire dans des milliers de boîtes aux lettres. En renouant avec une matérialité des échanges et une forme de connaissance collective du sensible, « Après nous le déluge ? » est un appel à repenser notre rapport au vivant. Le dispositif du projet, résolument participatif, invite les destinataires à contribuer à une réflexion et une création collective. À la manière d’une grande consultation, les réponses seront retranscrites pour former une deuxième fresque, enrichissant le projet avec l’agrégat de milliers d’imaginaires, de pensées et de propositions.
" After us the deluge ? » highlights the urgency of the threats weighing on biodiversity in the Anthropocene era. This woodcut is part of a monumental fresco representing a multitude of endangered species. For her drawings and engravings, Camille Dufour uses heavy oak boards measuring two meters long as a matrix. During performances, they are inked once to be printed by hand using soap until when the ink runs out. While the drawings of endangered species slowly disappear from sheet to sheet, the traces of soap left during the printing process redraw an impossible healing. As in front of the Bayeux tapestry, our movements in the installation inscribe the work in the temporality of our bodies and link us to the history of this ecosystem. This fresco displayed before us, builds a memory of the living and calls for our individual and collective responsibility.
The fresco is also fragmented in order to be distributed randomly to thousands of mailboxes. By reconnecting with a materiality of exchanges and a form of collective knowledge of the sensitive, “After us the flood? » is a call to rethink our relationship with life. The project's system, resolutely participatory, invites recipients to contribute to collective reflection and creation. Like a major consultation, the responses will be transcribed to form a second fresco, enriching the project with the aggregate of thousands of imaginations, thoughts and proposals.
Iqaluit Airport stands as a threshold, where journeys converge and diverge at the edge of the Arctic. Its runways are more than asphalt — they are lines of connection, resilience, and return, carrying stories between worlds of ice and industry, family and frontier. Here, geography becomes metaphor: a gateway where modernity meets timelessness, and each departure or arrival redraws the boundaries of belonging.
Meet the photographer:
painting while it's 45 Celsius degrees for 8 hours isn't nice..
i forgot the original sketch wich i wanted to paint so i had to redraw it by my memeory..
view on large:
www.flickr.com/photos/41699672@N08/6234533903/sizes/l/in/...
Redraw his picture in our own style! Use he blank character for our OC! he firs week in May I'll allow people vote for heir favorite.
1st Place-Meet s Jay and he gang in m book.
2nd Place- Ges meioned in book
3rd Place- I'll do a shout out for
I had completed the drawing of the shop window when I realised I had made it too narrow. Somehow I had drawn it with five glazing bars instead of six. Out came the big eraser as I had to redraw the top part of the window and the window frame to the right. A good job I was doing a pencil drawing and not a pen and ink study. Drawn with a Staedtler Graphite 0.3mm pencil in an A4 sketchbook.
Inside the Sagrada Família, light is more than just illumination – it’s part of the architecture.
Stone, glass, and sunlight are carefully aligned to shape and transform the space.
Those who visit at the right time and pay close attention will notice how the atmosphere changes from minute to minute.
How colors drift through the windows, how shadows redraw the structure – how light brings the building to life.
Many visitors miss this.
Arriving at the wrong time or rushing through, they may only see cold stone.
But those who stay long enough begin to understand how much the light defines the experience of this place.
This image was taken handheld using a five-frame HDR bracket (±2 EV), capturing the full dynamic range of light.
Shot at f/2.8 for optimal sharpness and ideal ISO balance.
Precise alignment was especially difficult handheld – even slight movement breaks the symmetry, and mistakes are hard to spot on the small screen.
📌 Technical Data
📷 Camera: Sony Alpha 7R V
🔭 Lens: Sony FE 14mm f/1.8 GM
Exposure bracketing (handheld, 5 frames):
• 1/250 s – ISO 100
• 1/60 s – ISO 100
• 1/15 s – ISO 100
• 1/8 s – ISO 200
• 1/8 s – ISO 800
🌞 Aperture: f/2.8
📏 Focal length: 14 mm
🎯 Shot at f/2.8 to maximize optical sharpness while keeping ISO and exposure times balanced.
Entirely handheld – no tripod used.
83 years ago, a nationwide initiative to redraw the map of England led to the construction of 6,500 'triangulation pillars' on the country's high points. Replaced now by 110 navigation satellites, they remain iconic and well-loved landmarks
I'm starting on my xmas cards, all my cards are usually painfully hand drawn and customised for the person! This year I've decided to do cute sushi doodles on the back of each card on top of the customised front cover. I'm hopefully going to make loads of different doodles but if I run out of ideas I'll just redraw some! Best viewed in large
So yeah, I haven't gone round asking for addresses yet but if you feel you know me well enough, send me your address and I'll get cracking on to it :D If you want my address feel free to contact me for it too :)
Oh and EXPECT them to be late, i'd rather take the time to do them then have rushed bits and bobs :)
(click all sizes to see this one burn your eyes!)
redraw of the box art to shockman/schbibinman 2. i kept blowing my mind when i was changing the layer colors so...yeah, too many flavors!
i've only played this game once on emu a couple of years ago. it's ok. nothing too fancy going on but i like the caracter designs. dudes got that classic rockman/cyborg 009 haircut thing going on.
Musée de la Voiture et du Tourisme, Château de Compiègne - Oise (France)
Le musée de la Voiture et du Tourisme a été fondé en 1927 à l’initiative du Touring-Club de France. Hébergé dans le château de Compiègne, il retrace l’histoire des moyens de locomotion des premiers attelages au début de l’automobile.
La collection automobile se trouve dans les anciennes cuisines du château.
La Jamais Contente, pilotée par Camille Jenatzy, fut la première voiture à dépasser les 100 km/h le 29 avril 1899.
The museum of the Car and the Tourism was based in 1927 on the initiative of Touring-Club of France. Accommodated in the castle of Compiègne, It redraws the history of the means of transport of the first harnesses at the beginning of the automobile.
The automobile collection is in the former kitchens of the castle.
The ever Satisfied, piloted by Camille Jenatzy, was the first car to exceed 100 kph on April 29th, 1899.
When you wanna kill your art 😎
Anywhoo this is the fifth redraw of that one pic I do every year. It turned out well and I can def see an improvement so yeah all is well! 🐸👍
Tell me what you think and yeah I know I did mess up on somethings but ya know ya learn and it’s all right.
Anyway hope you like and have a nice day everyone! 👋
-Caaji
Hello Frog 🐸 Squad!
R O Y C E | D E S S
I did a water color paintings today of my Oc Kenya Dess! I used some things to make it and here is the list 👌
•Mixed Media -Canson-XL paper
•Prismacolor and Yoobi pencils
•Prismacolor Premeir brown fineliner
•Gellyroll 08 white
•Papermate -Clearpoint 0.7mm Pink Mechanical pencil
* Winsor & Newton Water color set
* And some good old water!
This is kind of a “redraw” kinda. You can sort of see the other Kenya picture laying around.
I might make a wiki for her so we’ll see! 😊 👍
-Caaji
#FeatureTraditional #FWIL #Caaji
Time taken: I should time myself 🌝
(I'll tag everyone later, or you can tag yourself!)
Inside the Sagrada Família, light is more than just illumination – it’s part of the architecture.
Stone, glass, and sunlight are carefully aligned to shape and transform the space.
Those who visit at the right time and pay close attention will notice how the atmosphere changes from minute to minute.
How colors drift through the windows, how shadows redraw the structure – how light brings the building to life.
Many visitors miss this.
Arriving at the wrong time or rushing through, they may only see cold stone.
But those who stay long enough begin to understand how much the light defines the experience of this place.
This image was taken handheld using a five-frame HDR bracket (±2 EV), capturing the full dynamic range of light.
Shot at f/2.8 for optimal sharpness and ideal ISO balance.
Precise alignment was especially difficult handheld – even slight movement breaks the symmetry, and mistakes are hard to spot on the small screen.
📌 Technical Data
📷 Camera: Sony Alpha 7R V
🔭 Lens: Sony FE 14mm f/1.8 GM
Exposure bracketing (handheld, 5 frames):
• 1/250 s – ISO 100
• 1/60 s – ISO 100
• 1/15 s – ISO 100
• 1/8 s – ISO 200
• 1/8 s – ISO 800
🌞 Aperture: f/2.8
📏 Focal length: 14 mm
🎯 Shot at f/2.8 to maximize optical sharpness while keeping ISO and exposure times balanced.
Entirely handheld – no tripod used.
I wanted to try and redo one of my old drawing that I actually posted to see how I would do and I loved how it turned out there are some things I need to improve on like color and stuff like that but I’m happy to see that I’m getting a bit better so anyway I hope you like it😁👍
if u said: "I want my body NOW!"
I will not hold it against you! ;D
VS: SLT | ROUND 1 at Simmuse
Ingame background
I think this is my first time completely redraw the face! ^^
