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World War 3: Peninsula on 'brink of nuclear war' – FURIOUS North Korea react to US drills
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World War 3: Peninsula on ‘brink of nuclear war’ – FURIOUS North Korea react to US drills
NORTH Korea claim they are “on the brink of nuclear war” after the US and South Korea scrambled stealth fighter jets to carry out a mock attack on nuclear missile targets, state media revea...
Austrian Sculpture Park Premstätten near Graz, Austria
When sculpture and nature come together, they react to each other: an interrelationship develops that tells a story over time and constantly changes. The garden as man-made and yet constantly growing nature corresponds in the Austrian Sculpture Park in particular to the weather-exposed sculptures that blend in with the landscape or react to it. The vocabulary of contemporary sculpture ranges from abstract sculpture to everyday objects, from anthropomorphic figurations to everyday objects. The dialogue between location and sculpture is intended to make this vocabulary visible, i.e. to make statements about art, but also about society, its conflicts and dreams, and to create spaces for encounters.
Mario Terzic's ever-growing ark of living trees is the epitome of conflict and harmony between nature and sculpture. Oswald Oberhuber's sculpture on the wall points out that, since Minimal Art, every sculpture can not only stand on the floor, but can also hang on the wall, so that sculpture is also in dialogue with the picture. The dialogue inherent in art, e.g. B. between image and space, can also be expanded through a dialogue between forms of art and nature, as shown by the juxtaposition of the sculptures by Fritz Hartlauer and Jörg Schlick, which deal with rules of form, algorithms and growth. The sculptures by Christa Sommerer and Michael Kienzer also belong to this category. Works by so-called old masters can be found on a stepped landscape facing the sky, which acts as a pantheon. This power of place also supports the importance of Heimo Zobernig's tower at the entrance to the Austrian Sculpture Park or Susana Solano's "Wheel" sculpture. The same applies to Werner Reiterer's sculpture, which inflates and collapses in a hollow, Hans Kupelwieser's cushion placed between hedges, or Peter Weibel's work, which makes it possible to experience the globe as a suitcase.
Moving machines such as cars (Erwin Wurm), ships (Michael Schuster), sails (Martin Walde), airplanes (Nancy Rubins) or trains (Hans Hollein) tell of the fate of the apparatuses, of failure and standstill, social and technical dreams and transform the landscape in a sea or an airport. Correspondingly, Heinz Gappmayr's references to "things that are not yet visible" and "no longer visible" depending on the position of the viewer, Yoko Ono's cross to be nailed, the dancing trees by Timm Ulrichs and the water sculpture by Jeppe Hein increase the relationship between the visitor and artwork. The Austrian Sculpture Park is used as a platform to open up a horizon of dialogue with contemporary sculpture and to be able to better understand its language.
Elisabeth Fiedler, Peter Weibel
A family take a canoe trip on the sea at the Dos Palmas resort, Honda Bay. Global warming is creating rising acidity levls in sea water leading to the destruction of coral reefs throughout Asia. The reefs are the breeding grounds for the fish that feeds millions of people who live along the coasts. 22/04/2010, Puerto Princesa, The Philippines.
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New Delhi India, November 30, 2011. Aamir Khan, reacts prior to signing in as as UNICEf's Ambassador promoting nutrition for children at a function in New Delhi. UNICEF India/2011/Vishwanathan
Citation: From the Three Mile Island Collection. Archives and Special Collections at the Penn State Harrisburg Library, Pennsylvania State University Libraries.
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Original held by Archives and Special Collections, Penn State Harrisburg
Institution: The Pennsylvania State University
Location: Middletown, PA
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This photo is licensed under a Creative Commons license. Please credit Rob Larsen with a link to Drunkenfist.com, if you use this photo anywhere. Thanks.
