Professional Photographers (1Post - Comment 1)
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Gràcies per les vostres visites i comentaris.
Gracias por vuestras visitas y comentarios.
Thanks for your visits and comments.
Kodak Ektar 100 // Mamiya C33 // My Back Patio (San Diego)
Hello! How do you do?
This is the benefit of finding an old mirror left in the shed and then hanging it in the garden. What you don't know is that I am most definitely standing on a chair.
Rollei SL66SE, Carl Zeiss Planar 80mm f/2,8, Orange filter, T-MAX 100 Professional (Kodak TMX 6052) developed in Ilfosol S 1+9, digitised by photographing the original negative on a light pad - tethered capture and digital development in Lightroom.
The Howgills as a whole lie within the county of Cumbria, although the area remains in the Yorkshire Dales National Park.
"Cautley Spout is England's highest (cascade) waterfall above ground. (Gaping Gill on Ingleborough falls a greater unbroken distance into a pothole, and Hardraw Force has a greater unbroken fall above ground). The broken cascade of falls tumbles a total of [nearly 200m] down a cliff face at the head of a wild and bleak glacial valley that comes down from a high plateau called The Calf. [...] This fall is one of the few cascade falls in England; most are either tiered or plunge falls." (Wikipedia)
got this white opal with little white topases ring from my parents for a special event. it's not an everyday ring but I love to wear it to special occations. Love the rainbow-colors of the opal!
© 2020 photos4dreams - all rights reserved
Advertised as in 'excellent condition' but if your definition of 'excellent condition' means a working camera then it's not. The shutter is broke.
I always enjoyed this movie, and wanted to do a picture after watching it again tonight. That and I think Leon was a total badass.
Pose: 5ifth Order
Guns: C-Tech Redemption 4.7
The Designer
Matthew Dent, a professional graphic designer, had seen the competition advertised in one of the national newspapers and he threw himself wholeheartedly into the project. As an artist his inspiration comes from many sources and he explored a number of options before finally developing his ideas for an heraldic set. The result is a set of coins firmly rooted in the heraldic traditions of the British coinage yet beautifully contemporary.
In seeking to spread a single design across six denominations, Matthew Dent conceived an idea that has never been realised before on the British coinage. To have the £1 as the unifying coin only emerged towards the end of the design process. Matthew Dent has commented that 'the addition of the £1 coin design to the set was as a way of defining the whole series. A key coin uniting the designs'. Against all the odds, a young artist has won a public competition and devised a stunningly original series that stands as an imaginative and clever solution.
'I felt that the solution to the Royal Mint's brief lay in a united design - united in terms of theme, execution and coverage over the surface of the coins. I wondered about a theme of birds or plants, but also considered buildings and coastal scenery. The issue with this for me lay in their distribution; how to represent the whole of the United Kingdom over six coins. The idea of a landscape appealed to me; perhaps using well-known landscapes from different areas around the United Kingdom which could stretch off the edge of one coin onto another. This seemed like a good solution but I also wanted to look at other options and themes.
I thought the six coins could make up a shield by arranging the coins both horizontally, as with the landscape idea, as well as vertically, in a sort of jigsaw style. I liked the idea and symbolism of using the Royal Arms, where individually the coins could focus on specific elements and when placed together they reveal the complete Royal Arms.
I found the idea that members of the public could interact with the coins the most exciting aspect of this concept. It's easy to imagine the coins pushed around a school classroom table or fumbled around with on a bar - being pieced together as a jigsaw and just having fun with them.'
SPAZIO & (BC)
Canon EOS 5D MARK III
TAMRON SP 90mm F/2.8 Di MACRO
Photo: Lon Winchester
All Rights Reserved ®
Facebook: www.facebook.com/lon.winchester.photography
Instagram: @lon_winchester
Half Dome From Snow Creek, Sunset. Yosemite, California. Peter was a consumate professional, and I was in awe of someone who was making his living working as a photographer, always busy, always travelling. He seemed so self assured, and seemed to bounce from heel to heel ready to start the next project. It was all film then, no digital, no instant feedback. He solved exposure and composition problems like it was the easiest thing, while I, trying to become serious about my photography, struggled to figure out why some things came out good and others so wrong. He was so patient giving me answers, advice, and critique...and there were endless war stories of his job as a commercial photographer. Looking at my work from then, I don't know how, but I guess he saw some promise in me. When an opportunity came for a firm who needed some landscape work, he pushed me out there to be recognized as a photographer. For that I am eternally grateful. We'd instantly start in on equipment and techniques and artists whenever we met up, and I would sometimes bring him some of my prints, hoping to get feedback. He instinctively knew exactly what I had been drawn to in any photograph, and would sweep his hand over that part of an image like a magnet. It was always such a confirmation, so selflessly given. We both loved black and white, and of course we both loved Ansel...what photographers don't eventually beat that conversation to death? He told me more than once of a cherished trip he took to California; his awe, like mine, of Yosemite, and his quest for an original Adams print. I mostly do color work, but from the first time I timidly brought him a monochrome print to give me suggestions, his eyes lit up and his smile said it all. I floated off the floor getting that reaction from him. A couple of years ago, he got sick. I brought a black & white print to him in rehab, and watched his eyes light up, even though his words wouldn't come as easy as before. I did good. When I left, I sat in my car and cried, sad for my friend. A couple of weeks ago I ran into his son. I said I'd go up and bring him another print, because it had been awhile, and I had been remiss in not visiting. But of course I delayed, and I need say no more. There will be no replacing his swagger, his stories, his way of making you feel like you were the most important person for him to talk to. There is no replacing his inspiration. This is for Peter. You didn't know it was coming, and I'm sorry it's late.
66140 hauls 6M82, the 12.42 Walsall Freight Terminal to Briggs Sidings, through Hemington, and passes the access to East Midlands Gateway Container Terminal.
The line is freight only, from Stenson Junction to Sheet Stores Junction. This location is close to the latter. Andy, 'SilsonRoadrunner', takes his shot, Thursday 17.12.20
For the Phoenix Railway Photographic Circle and alternative railway photography, follow the link:
www.phoenix-rpc.co.uk/index.html
Here's Andy's shot: www.flickr.com/photos/andy_hoare/50739207618/