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Process documentation for a small project I am building which harvests and visualizes colour data from six live sources.
Built with www.processing.org
An image of rust on a pole processed row-by-row with pixels less bright than the row average going to black and all other pixels scaled from black to white. Made with processinrg.org.
I haven't shot any cross processing or used my lomo since July 08. I was getting very fed up with it all. But i actually loaded a film into my lomo the other week, i haven't used it yet, but never say never.
Taken with a Smena Cosmic Symbol camera using Fuji Velvia 100 Colour Slide film. Cross-processed and scanned by Lomography Labs.
Spent some time seeing how well I could make this image look in post.
This is the final result. I adjusted the contrast in different areas and I also removed a lot of dust, dirt, debris, and unnecessary reflections that seemed to distract the eyes.
The original photo can be found here: www.flickr.com/photos/radiantmark/4238964204/
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This is one of my favourite shots. The Wright Eclipse is seen fro mthe rear having a scrub down, looking clean and professional for the following morning service
Near the end of the summer, I was asked by the publishers of Popular Science magazine to produce a visualization piece that explored the archive of their publication. PopSci has a history that spans almost 140 years, so I knew there would be plenty of material to draw from. Working with Mark Hansen, I ended up making a graphic that showed how different technical and cultural terms have come in and out of use in the magazine since it's inception.
ArtisanIdea.com just posted a turbo mega profile of my art with a 10 year retrospective, process videos, and a big giant interview.
They created some nifty process slideshows to show the making of a few of my paintings> www.artisanidea.com/2012/04/05/jennifer-davis/
This was such a fun project.
Big thanks to Artisan Idea!
The project begins with a 1980’s home-builder house fronting on lake austin. The original design did not harness views to the lake and Mount Bonnell, nor did it respect the ecological sensitivity of its site. The challenge was to develop a sensitive and inventive result out of a pre-existing condition. Through the use of glass, steel, detailing and light the home has been adaptively reinvented. Reflection, translucency, color and geometry conspire to bring natural light deep into the house. A new solarium, pool, and vegetative roof are tuned to interact with the natural context. Exterior materials and refined detailing of the roof structure give the volume clean lines and a bold presence, while abstracting the form of the original dormers and gable roof. Further connecting the home to its site, the roof begins to dissolve where a glass clad chimney and slatted wood screen stand in relief against the sky.
Bercy Chen Studio LP
Selected for 2010 AIA Homes Tour
www.aiaaustin.org/event/2010-aia-austin-homes-tour
Photo by Paul Bardagjy