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The awesome, and amazing (but sometimes annoying) Trouble Dethly asked me to do 'Through the Lens' this month for his magazine, Eclipse. This is just one of the shots that I did - but if you want to see the rest as well as get a list of credits for the items that I used, then check out his magazine here --> issuu.com/eclipsemagazinesl/docs/eclipse_magazine_march_2018
The whole magazine is pretty awesome c:
at maximum 30 min before the Full Moon was visible again
Lunar eclipses can occur only during a full moon. Here, the moon was in perfect alignment with the sun and Earth, with the moon on the opposite side of the Earth from the sun. Earth will cast two shadows on the moon during the eclipse. The penumbra is the partial outer shadow, and the umbra is the full, dark shadow.
When the full moon moves into Earth's shadow, it will darken, but it won't disappear. Sunlight passing through Earth's atmosphere will light the moon.
Moonshot taken over Munich on July 16th 2019 (23:31 MEZ)
with my Canon EOS 450D EF70-300mm f/4-5.6L IS USM
ƒ/ 5.6
300 mm
1/60
ISO 400
Dedicated to CRA (ILYWAMHASAM)
My first (and probably last) attempt at photographing the eclipse. Asheville was at 85% totality. Kudos to those who do this type of photography on a regular basis. A lot of work!
The gradients of color af totality is remarkable. The eye sees dynamic range and gradients much different than a camera translating the camera limited dynamics but higher sensitivity to eye view is a challenge. There is a considerable dynamic range on the Moon due to how it sits in the Earth's umbral shadow yielding dark red in the most shadowed region to violet and then sunny bright on the Moon's limb where the Moon sits at the edge of the umbra. The bright limb line and adjacent violet color are the more challenging aspects of the eclipse to capture without the darker portion being too dark as a smooth gradient. The Fuji slide film preset (Cobalt) captures this dynamic range well in a single image without using stacking and HDR yielding the color that is well balanced. Takahashi 120 telescope, Nikon Z8, Fuji 400 elite positive film preset
The lunar eclipse over a homestead. Weld County, Colorado - May 15th, 2022
E100 4x5, 210mm lens (homestead)
3 second at f32, 812 filter and 1 stop soft GND
135mm lens (moon) exposure every 8 minutes, varying from 1/15th to 8 seconds
21 exposures on one sheet of film. Read the blog post on how I created this image here: www.alexburkephoto.com/blog/2022/5/19/photographing-the-l...
Partial lunar eclipse, seen from Sapporo in the evening of 4 June 2012.
The exposure was chosen such that the shaded part of the lunar disk can still be seen. The bright part is therefore heavily overexposed.
The next chance to observe a lunar eclipse (even a total one) will be on 13/14 March 2025. It will be completely visible over the Americas, seen rising over northeast Asia and Australia, and setting over Europe and Africa (www.timeanddate.com/eclipse/lunar/2025-march-14).
Camera: Canon PowerShot G12.
Edited with GIMP.
Partial eclipse of the sun as it ascends over the Kaiwi Channel viewed from the windward coast of Oahu. 02 October 2024.
沒有衝去南部只好在家樓頂拍個偏食留個紀念
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On the evening of 2022-11-08 I successfully observed and photographed the total Lunar eclipse from the capital of Japan.
This eclipse had a once-in-a-lifetime speciality as during the event the Moon was conjugating with planet Uranus. And by viewing it in East-Asia, the Moon passed in front of the planet, so there was a Uranus-eclipse by the eclipsed Moon.
The photos were taken in every 15 minutes.
2022-11-08 Tokyo, Japan
Canon EOS 5D Mark II + Tamron EF 150-600 @600mm
1/3 sec, f/6.3, ISO 1000
A short Youtube video about the event:
A bracketed HDR image of the Lunar Eclipse on 27 July 2018, photographed from my backyard with a Nikon D750 and my 200-500mm Lens with a 2x Teleconverter (1000mm).
The Camera was tracking the Moon on my Celestron AVX Telescope Mount.
Lunar Eclipse Time-Lapse:
View the Time-Lapse movie of the longest Lunar Eclipse of the Century. This video shows the most dramatic part of the Eclipse, when the Umbra (the darkest part of Earth's shadow) moves over the Moon. Only the long wavelengths of light (towards the red side of the Electromagnetic Spectrum) manage to illuminate the Moon, resulting in the red color.
Why is Earth's shadow round on the Moon during an Eclipse?
Notice Earth's spherical shadow on the Moon. Yes, just like all the other Planets in the Universe, the Earth is also not Flat!
"Nature can not be fooled." - Richard P. Feynman.
This image is part of the Legacy Series.
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Photo usage and Copyright:
Medium-resolution photograph licensed under Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International Terms (CC BY-NC-ND 4.0). For High-resolution Royalty Free (RF) licensing, contact me via my site: Contact.
Martin
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For 52 Weeks for Dogs -- 33/52
Flattery is ready for the solar eclipse!
You can read more about Flattery at TalesAndTails.com.
This second montage shows the perceived transition in the moon's appearance from totality through to a late Penumbral (recession) phase during the eclipse.
I have deliberately made the third totality image a little bigger as it represents approximately mid total eclipse and the moon was showing a beautiful bright copper colour.
A bluish colour is evident just after totality as it was, just before totality, in the previous montage. This is due to ozone in earth's atmosphere scattering the red component of white light more than the blue.
Lunar Eclipse
Scottsdale, Arizona
May 15, 2022
We had a few minutes to view the total eclipse before some high clouds covered the show. I'm always amazed at how dark a lunar eclipse is.
Nikon D850
Nikon 70-200 f/2.8 at 200 mm
1 sec at f/2.8 ISO 1600
May 15, 2022
© 2022 Ronald Drewnowski - All rights reserved. Any unauthorized use is prohibited.
We're south of the total eclipse path, but we got close. I'll post a collage image later, but this is pretty cool. The eclipse has begun. The sunlight is bouncing around the lens elements inside the camera. A couple of partial eclipsed suns appear.
En mi latitud el eclipse fue parcial, pero se dejó ver bien.
Telescopio Meade 2120b + Meade series 4000 f/6.3 focal reducer/field flattener
Thousand Oaks solar filter.
Popayán Colombia
GPS Latitude - 2 deg 29' 38.90" Norte
GPS Longitude - 76 deg 33' 23.80" Oeste
GPS Altitude - 1831.6 m
Total Lunar Eclipse on September 7, 2025
Credit: Giuseppe Donatiello
Residual total phase visible from Italy and the initial part of the partial phase.
The panels are placed at regular intervals and the images have not undergone any editing, that is, they are as they came out of the camera.
The presence of heavy haze made the images rather soft.
Taken with a 127/1140mm refractor + EOS 4000D 4s @ 200ISO
Solar Eclipse series taken on August 21, 2017 near Driggs, Idaho.
The 3 images in the center were taken without solar filtration (those on both sides of the corona are "diamond ring" captures—going into and out of totality). The 6 outside images had a solar filter over the lens. The EXIF on the right is for the corona exposure.
Here's what this eclipse sequence looked like over the Tetons!
During totality it's almost like night (you can see some the planets and the brighter stars).
You can find more my night photography techniques (my specialty) in my ebook, Milky Way NightScapes, which gives extensive details on my style of starry night landscape photography. Four chapters cover planning, scouting, forecasting star/landscape alignment, light painting, shooting techniques and post processing.
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The partial Solar eclipse over the famous twisted spire of Chesterfield Paris Church in Derbyshire on the 10th of June 2021.
Available as wall art here....
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