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On saturday 24th june we woke up, had breakfast and got ourselves ready. Then we marched to our target of the day: the OBA coal terminal of the Amsterdam harbour.

Serious Sam 3

Photo by @matylda

  

The fall 2012 hackNY student hackathon brought in hundreds of students to NYU's Courant Institute for 24 hours of creative collaborative hacking on New York City startups' APIs.

  

NYC Startups, selected by a student organizing committee, presented their technologies at the beginning of the event, after which students formed groups to work through the night implementing their own ideas for fresh hacks built on top of these APIs.

  

On Sunday afternoon students presented their projects to an audience including a judging panel featuring members of the NYC startup community, which selected the final winning teams.

  

Since April 2010, hackNY hosts student hackathons one each semester, as well as the hackNY Fellows program, a structured internship which pairs quantitative and computational students with startups which can demonstrate a strong mentoring environment: a problem for a student to work on, a person to mentor them, and a place for them to work. Startups selected to host a student compensate student Fellows. Students enjoy free housing together and a pedagogical lecture series to introduce them to the ins and outs of joining and founding a startup in NYC.

  

To find out what you missed at the fall 2012 hackNY student hackathon please do see our eventpage at hackerleague.org and the video of the student demos thanks to ISOC-NY.

  

Special thanks to our fall 2012 hackNY student hackathon judges! And congratulations to the winners of the fall 2012 hackNY student hackathon!

  

For more information on hackNY's initiatives, please visit hackNY.org and follow us on twitter @hackNY

 

all-night coding session with tabascoeye

Cambridge Bay:

A Time and a Place

Souns featuring / mettant en vedette

Tanya Tagaq

 

A Time and Place is a meditative sound journey of music and soundscapes created exclusively from audio recorded in and around Cambridge Bay, Nunavut. Invited by musical collaborator Tanya Tagaq, an acclaimed Inuit throat singer, Michael Red (Souns) carefully gathered sounds including wind, dogs, birds, rushing water, still water, ice melting and crackling, feet moving through slush, a qillauti (drum) played and tightened, objects being tossed around and banged together at the community dump, the 10 o’clock siren, truck doors slamming, kids laughing and playing and more. Red also recorded Tanya singing and experimenting with other sounds from her mouth, running her fingers through furs and feathers, swishing ulus (knives) together, pulling at the ground, clacking rocks together and slurping freshly melted ice. Over three years, in Vancouver, Red categorized the sounds into a kind of subjective library of sounds, edited them into songs and sound pieces, and completed a continuous cycling mix of the songs and pieces. The mix heard in this installation is intended as a cyclical story that can be picked up anywhere, moving between the quieter moments of ambient field recordings and more dramatic areas like beat-driven songs. This is a sound expression of an experience — a compilation of ideas inspired from, and rooted in, land above the treeline.

 

A Time and Place consiste en un parcours de méditation sonore composé exclusivement de musique et d’un paysage sonore enregistrés à Cambridge Bay, au Nunavut, et aux alentours. Sur l’invitation de sa collaboratrice musicale Tanya Tagaq, interprète de chant guttural inuite de renom, Michael Red (Souns) a recueilli avec soin des sons produits par le vent, des chiens, des oiseaux, de l’eau qui coule, de l’eau immobile, de la glace qui fond et qui craque, des pieds qui se déplacent dans la neige fondante, un qillauti (tambour) dont on joue et dont on tend la peau, des objets que l’on secoue et que l’on cogne les uns contre les autres au dépotoir communautaire, la sirène de 10 h, des portières de camions qui se ferment, des enfants qui rient et qui jouent, pour ne citer que ceux là. M. Red a aussi enregistré Tanya pendant qu’elle chantait et émettait d’autres sons avec sa bouche, faisait glisser ses doigts sur des fourrures et des plumes, frottait des ulus (couteaux) les uns contre les autres, remuait la terre, faisait claquer des pierres et aspirait de la glace fraîchement fondue. Pendant trois ans, à Vancouver, M. Red a classé ces sons dans une sorte de bibliothèque subjective et les a édités sous forme de chansons et de pièces sonores, dont il a créé un mélange audio continu et cyclique. Le mélange audio que produit cette installation se veut une histoire cyclique que l’on peut reprendre n’importe où, qui passe de la tranquillité des enregistrements ambiants à l’effet plus dramatique des chansons rythmées. Cette œuvre est l’expression sonore d’une expérience — une compilation d’idées qui puise son inspiration et ses racines dans la terre au-delà de la limite forestière.

   

Souns – featuring Tanya Tagaq / SoUns mettant en vedette Tanya Tagaq

 

Canada

 

Souns is an “ambient/etc” project from Vancouver-based DJ/producer/promoter, Michael Red. Work ranges from hyper-minimal tones and pure textures to soundscapes supported by dub bass-lines and quiet rhythms.

 

Souns est un projet « ambiant, etc. » du DJ, producteur et promoteur Michael Red, qui réside à Vancouver. Ses œuvres vont des sonorités hyper-minimales et des textures pures aux paysages sonores appuyés par des lignes de basse dub et des rythmes doux.

 

Tanya Tagaq is a Nunavut-born, contemporary Inuit throat singer who has enthralled audiences all over the world, including touring with Björk. A Best Female Artist winner at the Canadian Aboriginal Music Awards her wordless voice is described as honest and earthy and pulls the listener into an unknown journey.

 

Tanya Tagaq, interprète contemporaine de chant guttural inuite née au Nunavut, a captivé le public du monde entier, notamment au cours de sa tournée avec Björk. Nommée meilleure artiste féminine aux Canadian Aboriginal Music Awards, elle se distingue grâce à ses chansons sans paroles et sa

voix que l’on qualifie d’honnête et de

simple et qui entraîne l’auditoire dans

un mystérieux voyage.

Code 3 First Badgerline all Leyland Olympian. New to Bath, she has moved via Taunton to First Devon & Cornwall. This was an OOC Olympian with new white metal front for double headlights, complete repaint and transfers.

The Japanese are really into their QR codes, but instead of leaving them boring black and white, they love to incorporate them as design elements.

Live at JH Nootuitgang, Edegem, Belgium

22th March 2014

© - Arne Desmedt

SomE codes of Our Study !!! :\

 

© All rights reserved

Augmented reality in a toilet of train in Finland. By scanning qr-codes people can get more info and participate in contest.

Bar code

 

Bar code and packaging visuals for goods

Nothing works yet, but at least things are talking.

On saturday 24th june we woke up, had breakfast and got ourselves ready. Then we marched to our target of the day: the OBA coal terminal of the Amsterdam harbour.

Code of Princess by Nishimura Kinu

credit pic : Moeyo.com

Pop Up QR Code at the Pop Up People launch

temperoary livery as a stagecoach learner bus soon to be stagecoach learner bus livery

Code Orange Kids | El Corazon | Seattle, WA

  

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Follow me! Facebook | Blog

 

password : [pas-wurd] - noun. A secret word or phrase that one uses to gain admittance or access to information.

Code Geass Lelouch Of The Rebellion Specially makes the bookmark!

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