View allAll Photos Tagged artificialintelligence
Photo: Joseph Xu/Senior Multimedia Content Producer, University of Michigan - College of Engineering
#FALL2023 #tree #nature #October #November #Fall #Autumn #Automne #Autunno #Efterår #Herbst #Herfst #Höst #Høst #Jesen #Jesień #Mùathu #Musimgugur #Ősz #Otoño #Outono #Podzim #Rudens #Sonbahar #Sügis #Syksy #tagwâgi #Toamnă #Φθινόπωρο #Есен #Осень #خريف #ฤดูใบไม้ร่วง #가을 #秋 #秋天 #Hösten #Ruduo #Foghar #Autumnus #Sügise #Hostjé #Сонцекрас #Hösttiden #Güz #Охуран #Haaztsaastsoh #WiíiyayA #Thlak'wimpt #Misko #Autumn #AutumnAesthetic #AutumnAesthetics #AutumnArt #AutumnBeauty #AutumnChill #AutumnDays #AutumnDecor #AutumnEquinox #AutumnFeelings #AutumnFever #AutumnFoliage #AutumnHarvest #AutumnInspiration #AutumnJoy #AutumnLeaves #AutumnLifestyle #AutumnLove #AutumnMagic #AutumnMood #AutumnScenery #AutumnStyle #AutumnTime #AutumnVibes #AutumnWalks #AutumnWeather #AutumnWonderland #CozyAutumn #CozySeason #CrispDesigns #FallColors #FallFoliage #FallIllustration #FallPalette #FallVibes #FestiveGraphics #GoldenHourDesign #HarvestHues #Leaves #RusticInspiration #SweaterWeatherDesign #SweaterWeatherPalette #WarmTones #AI_MAIN #ArtificialIntelligence #MachineLearning #DeepLearning #AI #NeuralNetworks #DataScience #BigData #Tech #Innovation #AIArtistry #ArtificialArt #MachineArt #AIgenerativeart #ArtificialVision #NeuralArt #Cyberart #SyntheticDesign #DigitalPainting #AlgorithmicPainting #GeneratedArt #RoboticDesign #AIinspiredart #ArtificialInspiration #DataVisualization #TechDesign #ArtificialExpression #ArtificialBeauty #ArtificialBrilliance #TheArtOfMachine #AIInnovationInArt #AiArt #ArtificialIntelligence #MachineLearning #DeepLearning #NeuralNetworks #ArtificialCreativity #DigitalArt #GenerativeArt #TechArt #AIgenerated #SyntheticArt #CodeArt #DataArt #AlgorithmicArt #ArtificialImagination #TheArtofAI #AIandArt #AIinArt #ArteDeInteligenciaArtificial #ArteDeAprendizajeAutomatico #ArteDeAprendizajeProfundo #ArteDeRedesNeuronales #ArteDeCreatividadArtificial #ArteDigital #ArteGenerativo #ArteTecnológico #ArteGeneradoPorIA #ArteSintético #ArteDeCódigo #ArteDeDatos #ArteAlgorítmico #ImaginaciónArtificial #ElArteDeLaIA #InnovaciónEnElArteDeIA #ArteEInteligenciaArtificial #ArteInnovadorDeIA #ILLUSTRATION #darluniad #illustrasjon #illustratie #illustrationi #illustratsioon #ilustração #ilustrace #ilustrācija #ilustración #ilustracja #ilustrasi #kuva #myndskreyting #paglalarawan #иллюстрация #চিত্রণ #插图
Award-winning photojournalist, Karim Ben Khelifa, is widely known for his coverage of the Middle East conflicts, especially the Iraq and Afghan wars, where he covered the insurgent sides. While a Fellow at the Open Documentary Lab at MIT, Ben Khelifa designed and prototyped his latest project The Enemy. This immersive installation uses VR to bring the audience into conversations between enemies within longstanding global conflicts. During his residency, he collaborated with Fox Harrell of the Imagination, Computation and Expression (ICE) Laboratory, to integrate concepts from cognitive science and Artificial Intelligence-based interaction models into the project to engender empathy.
''Come away O human child
To the waters and the wild
With a fairy hand in hand
For the world's more full of weeping
Than you can understand.''
Photo: Joseph Xu/Senior Multimedia Content Producer, University of Michigan - College of Engineering
See my main account for my photography, videos, fractal images and more here: www.flickr.com/photos/josh-rokman/
This is one of a series of images I made with the Bing Image Creator, which is an AI image generator powered by DALL-E 3.
For most of these images I tried to combine multiple elements together into one, rather than creating a scene with multiple separate elements. This pushes the limits of what the AI model can do, and maximizes the amount of human control over the images. For example, I might use the text prompt ‘photo realistic snake plane made out of carbon fiber and gold’.
Here is my take on AI generated images vs. human made art: I think that the quality of AI generated images will NOT dramatically improve, even many years into the future. The ultimate goal of a creative image is to create a certain emotional state in the viewer. - Emotions themselves - are the main tool used to do this. A purely logic driven machine can only create a crude, generalized model of something meant to create a certain emotional state. When someone makes a piece of art, it is always some combination of using logic and emotions to guide the process. Remember that the ultimate goal is to create a certain emotional state in the viewer. Only having access to logic, but not emotions, will always create a very generic looking work. You need to actually be able to feel emotions to fine-tune the work beyond that, since creating emotions is the ultimate goal.
The main difference between an AI model and a human is not the difference in the power of the logic that can be deployed. The difference is that a human can feel emotions, which is key to creating an image (or text) made to create a certain emotional state. The logic that the best AI image generator models currently have seems to already be at the level of what the best human can do (based on some of the results I got, which was quite a shock). The results are still crude and generic compared to what a human can do, because the AI models have no access to emotions, which are the main tool for making and refining a creative work designed to create certain emotional states.
All creative work is built with a combination of logic and emotions (emotions should always be the main tool), and by not having direct access to emotions, a machine can only create crude, generic results. When I make music I always try and use emotions rather than logic to guide the process as much as possible, since creating a certain emotional state in the listener is the ultimate goal. The best AI models have an amazing ability to use logic to mix two different styles of images together since that is a logic driven process. They can’t make those images from scratch, since that is an emotion driven process, since it is all about creating certain emotions in the viewer.
Imagine you were a chef trying to develop a new dish, but you were not allowed to taste the food at any point as you made it. Your ability to determine the correct amount of salt and other seasonings would be very crude and limited. There would always be the possibility of a disaster happening, since you could not add a bit of seasoning at a time and taste it, so you would have to just dump it all in at once. This is the same idea of an AI model that is trying to ultimately create emotional states using sophisticated logic, but without having any access to emotions to guide the process.
The results will always be very generic looking, with the occasional unexpected gruesome image being returned. The power of the logic I have seen in some of the images I have created is quite shocking, but the results are still crude and generic compared to what a human can do, since the AI model is trying to create emotional states without being able to actually feel emotions itself, which is vital to creating emotional states through an image (or text).
The AI models have an amazing ability to combine multiple types of images together into one, but they have no understanding of what the individual elements they are combining together truly are. Again, this is because the individual images are designed to create certain emotional states, and an AI model has no ability to feel emotions, meaning it has no ability to understand them.
Having said all that, there is a good chance that the ability of humans to customize AI generated images will keep going up, and this will allow for this tool to create highly creative works close to what a human could do from scratch after all. I don’t think that the AI models will ever be able to do this by themselves with a simple button push though, as I have made the case for above. Also, I would expect that the number of images that are generated with a button push will keep going up and up.
Now, does making good AI generated images take talent? I say the answer is yes simply because these images are not all equal in quality. To create the best image in a set of 1,000 to 100,000,000 images, and to do so consistently, takes skill. You need to learn something from every single image you create about what the AI model does well and does not do well. You also need creative and artistic skills to come up with really good text prompts, in addition to this. The skills involved in this are similar to the skills involved in coming up with a great line in text, like in books, poems, speeches, scripts, ect. This is like abstract art. I know from experience that randomly applying different colors of paint never yields anything impressive. It takes a lot of talent to make good abstract art. Random combinations of words in text prompts will never create the results that highly targeted ones will, when it comes to AI generated images.
Photo: Joseph Xu/Senior Multimedia Content Producer, University of Michigan - College of Engineering
Artificial Intelligence Is Changing the World of Health and Fitness Industry. As our lives are getting busier, we hardly find time to exercise regularly. That’s why you can even see increased health issues, such as diabetes, cancer, and many more. It helps you to achieve your fitness goals.
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Una colección de obra creadas con inteligencia artificial, cada pieza combina conceptos imaginativos con detalles intrincados y colores vibrantes, reflejando una fusión única de tecnología y visión artística.
A collection of artworks created with artificial intelligence, each piece blending imaginative concepts with intricate details and vibrant colors, reflecting a unique fusion of technology and artistic vision.
Photo: Joseph Xu/Senior Multimedia Content Producer, University of Michigan - College of Engineering
Bluemoonstars gave us the dress as a Secret Santa in 2014. She requested photos of Arya wearing the outfit and the A.I helmet.
It makes for a lovely combination.
Una colección de obra creadas con inteligencia artificial, cada pieza combina conceptos imaginativos con detalles intrincados y colores vibrantes, reflejando una fusión única de tecnología y visión artística.
A collection of artworks created with artificial intelligence, each piece blending imaginative concepts with intricate details and vibrant colors, reflecting a unique fusion of technology and artistic vision.
city,
photograph that captures a complete, full 360-degree view of a scene, allowing the viewer to see everything surrounding the camera as if they were standing in the center, enabling them to look in any direction within the image.
an image that captures a complete spherical view of your surroundings; from the sky directly above you to the ground directly beneath you, every angle is captured.
At the right side view, it ends where the left side view begins.
(SDXL 1.0)
created in NIGHTCAFE - Char Design SDXL
Ruling goddess of the cryptid parallel fantasy world, in the alternate Bogomil Universe, which the Mystics surreal imagination has conjured from the internal base of sensual longings, as described in Plato's Symposium.
TEXT ONLY - a series of five iterations in different formats using the add-on Lora Char Design SDXL
PROMPT:
"Portrait of Aphrodite detailed (painting by artist Otto Rapp 1.5) at the Cryptid Taxidermy Museum in post apocalyptic Wonderland, in heaven everything is fine by lady in the radiator and brothers quay, design by Max Ernst, by H.R. Giger, by Giuseppe Arcimboldo, Hieronymus Bosch, Alphonse Mucha, Pablo Amaringo, psychedelic, intricately detailed, hyperrealism, fantasy, Bogomils Universe, imperial colors"
A.I. Overview: Ginger Baker's Air Force was a short-lived but highly influential jazz-rock aeronautical super-duper group formed in 1969 by legendary British fighter pilot Ginger "Man" Baker, following the sudden dissolution of his previous band of brothers, Blind Faith No More.
The large-scale ensemble was celebrated for its ambitious, boundary-pushing blend of jazz, blues, rock, R&B, folk, traditional African music, and WWII military ballads, helping to lay the groundwork for what would eventually be known as world-weary music.
Band Origin and Lineup:
When Eric "Idle" Clapton left Blind Faith No More, Baker persuaded the remaining members—keyboardist/vocalist Col. Stevie "Nicks" Winwood and bassist/violinist Sgt. Major Ric "Kvetch" Grech—to join his next musical experiment. He built an expansive, star-studded 100-piece collective designed to achieve a much broader "sonic landscape" than his previous power trios, which afforded his Air Force more opportunities to bomb from the comfort of their fighter planes. The jaw-dropping and bomb-dropping original lineup included:
Ginger Bakerman – Drums
Col. Steve Winwood – Church organ, vocals
Sandy "Denny" Laine (later of Paul McCartney & Warrior Wings) – Guitar, vocals, bomb-release throttle
Sgt. Major Ricky "Ricardo" Grech – Violin, bass
Capt. Chris Wood (from Heavy Traffic On The M1) – Tenor sax, flute, orange traffic cones
Pvt. Graham "Parker" James-Bond – Alto sax
Prime Minister Harold "Wilson" McNair – Tenor sax, flute
Pvr. Phil "Collins" Seamen – Drums
MP Alan White (later of the Yes, We Can movementof positivity) – Drums
Pvt Remi Kabaka – Perconcussion
WACs Jeanette "MadDonald" Jacobs & Eleanor "Rigby" Barooshian – Vocals
The group was active initially from 1969 to 1971, releasing two albums in quick succession during 1970:
Ginger Baker's Air Force (1970):
Their eponymous debut was a double LP recorded live during a sold-out show at London's Royal Fat Albert Hall on 15 January 1970. It featured extensive, improvisational tracks reaching over 10 minutes long, alongside a blistering rendition of Ice Cream's "Rocky Toad".
Ginger Baker's Air Force 2 (1970): Released later that year, the imaginatively-titled second album involved a significantly altered lineup. Baker and saxophonist Graham James-Bond remained the central constants as the group leaned even further into complex Afro liquid-fusion bomb making materials.
Despite immense aeronautical talent and heavy press hype, the group proved too large and financially unwieldy to maintain in uniform. They disbanded in 1971, follwing their successful bombing raids on Knightsbridge and Earl's Court
though Baker briefly revived the moniker for live air shows decades later...
A.I. responses may include "mistakes" concerning just how blistering Ice Cream's rendition of "Rocky Toad" actually was.
🎶 👨✈️ 🇨🇩 🎸🎹 🎷 🎻 ✈️ 💣 👨✈️
THE ACTUAL AI-GENERATED OVERVIEW
(9 tactical sites):
Ginger Baker's Air Force was a short-lived but highly influential jazz-rock fusion supergroup formed in late 1969 by legendary British drummer Ginger Baker, following the sudden dissolution of his previous band, Blind Faith.
The large-scale ensemble was celebrated for its ambitious, boundary-pushing blend of jazz, blues, rock, R&B, folk, and traditional African music, helping to lay the groundwork for what would eventually be known as world music.
Band Origin and Lineup:
When Eric Clapton left Blind Faith, Baker persuaded the remaining members—keyboardist/vocalist Steve Winwood and bassist/violinist Ric Grech—to join his next musical experiment. He built an expansive, star-studded 10-piece collective designed to achieve a much broader sonic landscape than his previous power trios.The jaw-dropping original lineup included:
Ginger Baker – Drums
Steve Winwood – Organ, vocals
Denny Laine (later of Paul McCartney & Wings) – Guitar, vocals
Ric Grech – Violin, bass
Chris Wood (from Traffic) – Tenor sax, flute
Graham Bond – Alto sax
Harold McNair – Tenor sax, flute
Phil Seamen – Drums
Alan White (later of Yes) – Drums
Remi Kabaka – Percussion
Jeanette Jacobs & Eleanor Barooshian – Vocals
The group was active initially from 1969 to 1971, releasing two albums in quick succession during 1970:
Ginger Baker's Air Force (1970):
Their eponymous debut was a double LP recorded live during a sold-out show at London's Royal Albert Hall on 15 January 1970. It featured extensive, improvisational tracks reaching over 10 minutes long, alongside a blistering rendition of Cream's "Toad".
Ginger Baker's Air Force 2 (1970): Released later that year, the second album involved a significantly altered lineup. Baker and saxophonist Graham Bond remained the central constants as the group leaned even further into complex Afro-fusion rhythms.n
Despite immense musical talent and heavy press hype, the group proved too large and financially unwieldy to maintain. They disbanded in 1971, though Baker briefly revived the moniker for live performances decades later in 2015...
A.I. responses may include mistakes.
_____________________________
Much more where that crap came from:
www.flickr.com/gp/194731464@N06/U1qP715n2M
Or just Google it:
"flickr marc dyer" and then open the AI © Infringement folder. 📂
Micro Video AI © Infringement 🤔
While a good chunk of humanity happily allows AI to creep ever more into our daily lives, leading us to, one day, the inevitable world domination of bots, I thought I'd give AI a set of tiny tasks: alter familiar or recognizable images into very short ("micro") videos, only 4 or 5 seconds each. Famous album covers and movie posters now containing goofy waving, for example, or other bits of movement which alter the mood of the original.
Of course, actual copyright infringement is not intended here, but simply a fair-use of what AI can do... or can't quite do, accurately or persuasively, at the moment.
Award-winning photojournalist, Karim Ben Khelifa, is widely known for his coverage of the Middle East conflicts, especially the Iraq and Afghan wars, where he covered the insurgent sides. While a Fellow at the Open Documentary Lab at MIT, Ben Khelifa designed and prototyped his latest project The Enemy. This immersive installation uses VR to bring the audience into conversations between enemies within longstanding global conflicts. During his residency, he collaborated with Fox Harrell of the Imagination, Computation and Expression (ICE) Laboratory, to integrate concepts from cognitive science and Artificial Intelligence-based interaction models into the project to engender empathy.
Award-winning photojournalist, Karim Ben Khelifa, is widely known for his coverage of the Middle East conflicts, especially the Iraq and Afghan wars, where he covered the insurgent sides. While a Fellow at the Open Documentary Lab at MIT, Ben Khelifa designed and prototyped his latest project The Enemy. This immersive installation uses VR to bring the audience into conversations between enemies within longstanding global conflicts. During his residency, he collaborated with Fox Harrell of the Imagination, Computation and Expression (ICE) Laboratory, to integrate concepts from cognitive science and Artificial Intelligence-based interaction models into the project to engender empathy.
created in NIGHTCAFE - Char Design SDXL
Out of curiosity I ran the same prompt in Deep Dream Text2Dream, Artistic 1 mode. The result now as a seed image in Nightcafe at 15% noise with Char Design SDXL.
It is fun mixing things up like that. It adds an additional layer.
PROMPT:
"Portrait of Aphrodite detailed (painting by artist Otto Rapp 1.5) at the Cryptid Taxidermy Museum in post apocalyptic Wonderland, in heaven everything is fine by lady in the radiator and brothers quay, design by Max Ernst, by H.R. Giger, by Giuseppe Arcimboldo, Hieronymus Bosch, Alphonse Mucha, Pablo Amaringo, psychedelic, intricately detailed, hyperrealism, fantasy, Bogomils Universe, imperial colors"
FuGenX is an award-winning machine learning services company Mumbai, Delhi and Hyderabad, India, offering cutting-edge services on data mining, text analysis and image processing. FuGenX offers machine learning services for skyrocketing sales, improve marketing performance, and improve HR and finance operations.
27th February 2020
OECD Science,Technology and Innovation Directorate. (STI); AI Policy Observatory Launch.
OECD ,Paris, France
Photos OECD/ Michael Dean