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Healing Touch Program's 2014 Worldwide Conference Instructor's Gathering, Schaumburg, IL, August 14-17
The USAID Kosovo Basic Education Program works together with national broadcasters RTK to film a series of episodes highlighting the program's efforts to support 21st education in schools across Kosovo.
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The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Healing Touch Program's 2014 Worldwide Conference Instructor's Gathering, Schaumburg, IL, August 14-17
Healing Touch Program's 2014 Worldwide Conference Instructor's Gathering, Schaumburg, IL, August 14-17
A great blue heron visits wetlands near Neabsco Creek Boardwalk in Woodbridge, Va., on Sept. 20, 2020. The boardwalk opened in 2019 and offers a 0.75-mile walk across acres of wetlands. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Mingle Media TV and Red Carpet Report host Stephanie Pressman were invited to cover Kathy Duliakas' 6th Annual Celebrity Oscar Suite & Party to honor the film industry’s Oscar Nominated actors, former Oscar winners, presenters, wardrobe stylists and industry VIPS.
At the event, held at the Taglyan Complex, Celebrities Donated New PJs and Tweeted for Charity at Kathy Duliakas' 6th Annual Celebrity Oscar Suite & Party Benefiting Pajama Program's "1 Million Good Nights” campaign.
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About 1 Million Good Nights Charity
Before entering the gifting suite, celebrity guests dropped off brand new pajamas to Pajama Program. Founder Genevieve Piturro and L.A. Chapter President Lindsay Smith were on site to collect the new pajamas and tell guests about their exciting new "1 Million Good Nights" campaign to collect and distribute 1 MILLION new pajamas and new books to children in need by Dec. 31, 2015. To help them get closer to their goal, Carter's, America's leading brand of young children’s clothing, donated a brand new pair of pajamas to Pajama Program, for every celebrity who attended the event. In addition, Carter's agreed to donate, up to 1,000 new pairs of pajamas for children in need, for each and every social media post about the event, sponsors and/or charity, using hashtags #KathySuite and #1MGoodNights. www.pajamaprogram.org
About Kathy Duliakas
Entrepreneur, publisher and producer Kathy Duliakas has produced five stellar Oscar® and three Emmy® gifting suites, which has established her as the producer of "the best gifting suite they've attended" and “Hollywood’s Hottest Gifting Suite” according to the Hollywood elite and media.
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
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Follow our host Stephanie Pressman on Twitter at twitter.com/StephPressman
The NMH Theater Program's production of Marian, or The True Tale of Robin Hood by Adam Szymkowiez, was performed in the Chiles Theater of the Rhodes Arts Center, March 31 - April 2, 2022. Photography by Glenn Minshall.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
The NMH Theater Program's production of Marian, or The True Tale of Robin Hood by Adam Szymkowiez, was performed in the Chiles Theater of the Rhodes Arts Center, March 31 - April 2, 2022. Photography by Glenn Minshall.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Cops & Barbers held an informal recognition dinner to celebrate Greenville Police Chief Mark Holtzman's recent retirement announcement at Mission BBQ on Tuesday, July 5. Chief Holtzman's support has contributed greatly to the Cops & Barbers program's success.
The Blue Plains Advanced Wastewater Treatment Plant is operated by DC Water in Washington, D.C., on Sept. 22, 2013. (Photo by Jenna Valente/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
In June 2012, Bastrop Main Street Program’s Entrepreneur-Ready Leadership Team was responsible for Bastrop being only the second city in Texas to be awarded the designation of an “Entrepreneur-Ready Community” by the Texas Center for Rural Entrepreneurship.
As a part of this project and in partnership with Bastrop High School Business Department, student finalists presented their business plans for a start-up business in Bastrop to a panel of judges on May 2, 2013. Students were vying for over $850 in scholarship money.
These are pictures of the event were taken by Upstart Bastrop thanks to Bastrop Main Street Program and the Entrepreneur-Ready Leadership team.
The Texas Military Forces OCS program’s mission is to develop and evaluate potential future commissioned officers for the Texas Army National Guard. It is a course that follows the Program of Instruction and Course Management Plan prescribed by the US Army Infantry School at Fort Benning, Georgia.
Produced by Texas Military Forces Public Affairs Office
Anniston Army Depot graduated 13 individuals from its Depot Leadership and Management Program Feb. 5, 2015. This was the tenth class in the program’s history to complete the course in its entirety while on depot property.
The SHU Journey program's Going Forth Ceremony held at the Chapel of the Holy Spirit, Sacred Heart University, Fairfield, CT. Friday, June 28, 2019.
Located at the end of a sleepy little cul-de-sac in the leafy north east Melburnian suburb of Fairy Hills is a beautiful pebbledash Arts and Crafts style bungalow. Quiet and unassuming amid its well kept gardens, this bungalow is quite significant historically as it is the creation and home of nationally renowned husband and wife artists Christian and Napier Waller, and is known as the Waller House. Together they designed the house and much of its interior decoration and furnishings. Napier Waller lived in their purpose designed home for some fifty years. What is especially significant about the house is that both it and its contents are quite intact. Napier Waller's studios, examples of his art, that of his two wives and his niece, famous studio potter Klytie Pate, and items connected with his work remain exactly as he left them. Architecturally the house design is innovative in its internal use of space, specifically in the organisation of the studio cum living room and displays a high degree of artistic creativity in the interior decoration.
The Waller House in Fairy Hills is so named because it was the residence of Mervyn Napier Waller, the acclaimed artist who gained National fame from his water colours, stained glass, mosaic works and murals and his wife Christian, who was a distinguished artist and designer of stained glass in her own right. In particular Napier Waller's works adorn the Melbourne Town Hall, the Myer Emporium Mural Hall, the Victorian State Library and the Australian War Memorial. The Waller House is a split level house designed by Napier and his first wife Christian who intended the house to be both a home and a workplace. For this the design was conceived to accommodate the tall studies and pieces of the artist's work.
The Waller house was built by Phillip Millsom in 1922 and the architectural style of the house is a mixture of Interwar Arts and Crafts, Interwar Old English and Interwar California Bungalow. The house is constructed from reinforced concrete walls with a rough cast pebbledash finish. The roof is steeply pitched with a prominent half timbered gable over the front entrance and has Marseilles pattern terracotta tiles. There are small paned casement windows. There have been several additions to the original design over the years but these have all been sympathetic to the original design.
The house is entered from a two sided verandah into an entrance hall, panelled in Tasmanian wood. This has stairs leading to the different levels of the house interior. In one direction the hall leads to a main living hall which was Napier Waller's original studio and later used as the main living room in the house. This room has a high ceiling with casement windows, a musicians’ gallery and a broad brick fireplace flanked by fire-dogs and bellows made by the sculptress Ola Cohn (1892 – 1964). Like many of the other rooms in the house the studio is panelled and floored with Tasmanian hardwood and contains some of the studies for Napier Waller's murals: “The Five Lamps of Learning; the Wise and Foolish Virgins” a mosaic for the University of Western Australia and, “Peace After Victory” a study painting for the State Library of Victoria. Above the panelling the plaster walls are painted in muted colours in wood grain effect. The raftered plaster ceiling has been painted in marble effect with gold leaf. Book shelves, still containing the Wallers’ beautiful books, are built into the panelled walls. Furniture in the room includes a settee with a painted back panel featuring jousting knights, painted by Christian Waller, a leather suite and black bean sideboards and cupboards. This furniture was designed in the nineteen thirties by Napier Waller and by Percy Meldrum and a noted cabinet maker called Goulman. The studio cum hall also contains many ceramic works created by studio potter Klytie Pate who was Christian Waller’s niece and protégée. The entrance hall leads in the other direction to a guest room, known as the “Blue Room”. This was the idea of Napier's wife Christian and has simple built-in glass topped furniture and Napier's murals of the “Labours of Hercules” which include a self portrait of the artist. An alcove section of the room was constructed out of an extension to the verandah. Stairs lead from the entrance hall to the musicians’ gallery which has a window and overlooks the studio cum living room. The kitchen near the studio/hall is panelled and raftered with built-in cupboards conforming to the panelling. The ceiling is stencilled in a fleur-de-lys design by Napier. The dining room lies to the right of the studio cum hall and contains shoulder high panelling and raftered ceilings. It has an angled brick corner fireplace and the walls and ceiling have the same painted treatment as the studio cum living room. The oak dining furniture was designed by Napier. A small den with high window, furnished with leather chairs, opens off the dining room. Opening off the hall to the left is a long rectangular room known as the glass studio. This was added to the house by builder C. Trinck of Hampton in about 1931 and contains Napier Waller's kiln, paintbrushes and stained-glass tools on the benches, and stained glass designs and racks which are still stacked with radiant streaked glass from his work with stained glass windows. A bedroom and bathroom with attic pitched rafter ceiling and casement windows is situated on the upper level of the house. Another bedroom in ship's cabin style with flared wall light fittings and built in bunks opens off this first bedroom.
The house backs onto a courtyard enclosed by a long bluestone garden wall. The house is set in a three and a half acre site with cypress hedges and gravelled paths. The garden drops away to a hillside slope with manna gum trees. Set on the slope is a flat roofed studio built in 1937. It has an undercroft beneath a studio room and this contains a lithographic press and a printing press of 1849 for woodcuts and linocuts. This was used by Napier and his first wife Christian to produce prints in the 1930s. Napier was widowed and married his stained glass studio assistant Lorna Reyburn in 1958.
The Waller House has recently become famous for yet another reason. The exterior has been used as a backdrop in the ABC/ITV co-production television series, “The Doctor Blake Mysteries” (2013). The house serves as the residence of the program’s lead character, Doctor Lucien Blake (played by Australian actor Craig McLachlan), and the doctor’s 1930s tourer is often seen driving up to or away from the Waller House throughout the series. The Waller House is the only regular backdrop not filmed in the provincial Victorian gold rush city of Ballarat, in which the series is based.
The Waller House is still a private residence, even though it was bequeathed to the people of Victoria by Napier Waller under the proviso that it would not revert to state ownership until after the death of his second wife, Lorna. The current leasee of the Waller House is a well known Melbourne antique dealer, who was friends with Lorna Reyburn, and who acts as a loving informal caretaker. He was approached by the Napier Waller Committee of Management and keeps the house neat and tidy, and maintains the garden beautifully. I am very grateful to him for his willingness to open the Waller House, and for allowing me the opportunity to comprehensively photograph this rarely seen gem of Melbourne art, architecture and history.
Mervyn Napier Waller (1893 – 1972) was an Australian artist. Born in Penshurst, Victoria, Napier was the son of William Waller, contractor, and his wife Sarah, née Napier. Educated locally until aged 14, he then worked on his father's farm. In 1913 he began studies at the National Gallery schools, Melbourne, and first exhibited water-colours and drawings at the Victorian Artists' Society in 1915. On 31 August of that year he enlisted in the Australian Imperial Force, and on 21 October at the manse of St Andrew's Presbyterian Church, Carlton, married Christian Yandell, a fellow student and artist from Castlemaine. Serving in France from the end of 1916, Waller was seriously wounded in action, and his right arm had to be amputated at the shoulder. Whilst convalescing in France and England Napier learned to write and draw with his left hand. After coming home to Australia he exhibited a series of war sketches in Melbourne, Sydney, Adelaide and Hobart between 1918 and 1919 which helped to establish his reputation as a talented artist. Napier continued to paint in water-colour, taking his subjects from mythology and classical legend, but exhibited a group of linocuts in 1923. In 1927 Napier completed his first major mural for the Menzies Hotel, Melbourne. Next year his mural 'Peace after Victory' was installed in the State Library of Victoria. Visiting England and Europe in 1929 to study stained glass, the Wallers travelled in Italy where Napier was deeply impressed by the mosaics in Ravenna and studied mosaic in Venice. He returned to Melbourne in March 1930 and began to work almost exclusively in stained glass and mosaic. In 1931 he completed a great monumental mosaic for the University of Western Australia; two important commissions in Melbourne followed: the mosaic façade for Newspaper House (completed 1933) and murals for the dining hall in the Myer Emporium (completed 1935). During this time he also worked on a number of stained-glass commissions, some in collaboration with his wife, Christian. Between 1939 and 1945 he worked as an illustrator and undertook no major commissions. In 1946 he finished a three-lancet window commemorating the New Guinea martyrs for St Peter's Church, Eastern Hill. In 1952-58 he designed and completed the mosaics and stained glass for the Hall of Memory at the Australian War Memorial, Canberra. On 25 January 1958 in a civil ceremony in Melbourne Waller had married Lorna Marion Reyburn, a New Zealand-born artist who had long been his assistant in stained glass.
Christian Waller (1894 – 1954) was an Australian artist. Born in Castlemaine, Victoria, Christian was the fifth daughter and youngest of seven children of William Edward Yandell a Victorian-born plasterer, and his wife Emily, née James, who came from England. Christian began her art studies in 1905 under Carl Steiner at the Castlemaine School of Mines. The family moved in 1910 to Melbourne where Christian attended the National Gallery schools. She studied under Frederick McCubbin and Bernard Hall, won several student prizes, exhibited (1913-22) with the Victorian Artists Society and illustrated publications. On 21 October 1915 at the manse of St Andrew's Presbyterian Church, Carlton, she married her former fellow-student Mervyn Napier Waller; they were childless, but adopted Christian’s niece Klytie Pate, in all but a legal sense. During the 1920s Christian Waller became a leading book illustrator, winning acclaim as the first Australian artist to illustrate Alice in Wonderland (1924). Her work reflected Classical, Medieval, Pre-Raphaelite and Art Nouveau influences. She also produced woodcuts and linocuts, including fine bookplates. From about 1928 she designed stained-glass windows. The Wallers travelled to London in 1929 to investigate the manufacture of stained glass at Whall & Whall Ltd's premises. Returning to Australia via Italy, they studied the mosaics at Ravenna and Venice. Christian signed and exhibited her work under her maiden name until 1930, but thereafter used her married name. In the 1930s Waller produced her finest prints, book designs and stained glass, her work being more Art Deco in style and showing her interest in theosophy. She created stained-glass windows for a number of churches—especially for those designed by Louis Williams—in Melbourne, Geelong, and rural centres in New South Wales. Sometimes she collaborated with her husband, both being recognized as among Australia's leading stained-glass artists. Estranged from Napier, Christian went to New York in 1939. In 1940 she returned to the home she shared with her husband in Fairy Hills where she immersed herself in her work and became increasingly reclusive. In 1942 she painted a large mural for Christ Church, Geelong; by 1948 she had completed more than fifty stained-glass windows.
Klytie Pate (1912 – 2010) was an Australian Studio Potter who emerged as an innovator in the use of unusual glazes and the extensive incising, piercing and ornamentation of earthenware pottery. She was one of a small group of Melbourne art potters which included Marguerite Mahood and Reg Preston who were pioneers in the 1930‘s of ceramic art nationwide. Her early work was strongly influenced by her aunt, the artist and printmaker, Christian Waller. Klytie’s father remarried when she was 13, so Klytie went to live with her aunt, Christian Waller. Christian and her husband Napier Waller encouraged her interest in art and printmaking. She spent time at their studio in Fairy Hills, and thus her work reflected Art Deco, Art Nouveau, the Pre Raphaelites, Egyptian art, Greek mythology, and Theosophy. Klytie made several plaster masks that were displayed by the Wallers in their home and experimented with linocut, a medium used by Christian in her printmaking. Her aunt further encouraged Klytie by arranging for her to study modelling under Ola Cohn, the Melbourne sculptor. Klytie became renowned for her high quality, geometric Art Deco designed pottery which is eagerly sought after today by museums, art galleries, collectors and auction houses.
Fairy Hills is a small north eastern suburb of Melbourne. Leafy, with streets lined with banks of agapanthus, it is an area well known for its exclusivity, affluence and artistic connections. It was designed along the lines of London’s garden suburbs, such as Hampstead and Highgate, where houses and gardens blended together to create an informal, village like feel. Many of Fairy Hills’ houses have been designed by well known architects of the early Twentieth Century such as Walter Burley Griffin (1876 – 1937) and have gardens landscaped by designers like Edna Walling (1895 – 1973). Fairy Hills is the result of a subdivision of an 1840s farm called “Fairy Hills” which was commenced in the years just before the First World War (1914 – 1918). “Lucerne Farm”, a late 1830s farm associated with Governor La Trobe, was also nearby.
NC State Goodnight Scholars Program's Fall Break trip to Boston, Massachusetts. Photography by Jim Bales.
Healing Touch Program's 2014 Worldwide Conference Instructor's Gathering, Schaumburg, IL, August 14-17
Os convidados da audiência pública reclamaram da perda de benefícios adquiridos durante a carreira e pediram a equiparação dos atuais rendimentos com outras categorias do funcionalismo público
Veja o Vídeo no link abaixo:
www.senado.gov.br/noticias/TV/programaListaPadrao.asp?ind...
Militares pedem nivelamento de salário com outras carreiras
Em audiência pública na Comissão de Direitos Humanos e Legislação Participativa (CDH) do Senado, representantes dos militares ativos e aposentados debateram a defasagem na remuneração do setor. Ao final da audiência, o senador Paulo Paim (PT-RS), que a presidiu, prometeu encaminhar um documento com o pleito da categoria às autoridades competentes.
Segundo relatos dos participantes da audiência, desde a edição da Medida Provisória 2215/2001, a situação dos militares começou a se deteriorar progressivamente. A MP acabou com gratificações como adicional de inatividade e o chamado “posto acima” - promoção que o militar recebia ao passar para a reserva. Outros auxílios também foram retirados pela medida, como o auxílio moradia e a licença-prêmio.
O presidente da Associação dos Militares da Reserva, Reformados e Pensionistas das Forças Armadas, Genivaldo da Silva, citou essas perdas como um dos principais motivos da defasagem de remuneração.
- Por isso que nós estamos hoje com um salário superdefasado. E além dessas questões aqui citadas, nós ficamos dez anos sem um real de aumento – disse.
Genivaldo informou que um segundo-sargento das Forças Armadas ganha R$ 2,7 mil com 30 anos de serviço. Um capitão das Forças Armadas recebe R$ 5,3 mil – salário considerado baixo se comparado a outras categorias.
- Ganha menos do que um soldado da Polícia Militar do DF e dos Bombeiros, que são excelentes profissionais. Nós tiramos o chapéu para eles, mas não podemos ganhar menos do que eles.
Salário-família
Outra reclamação recorrente durante a audiência foi o salário-família que os militares recebem para ajudar no custeio da educação de seus dependentes, no valor de apenas R$ 0,16 por filho. A presidente da Federação da Família Militar, Rita Deinstmann, comparou o benefício ao que recebe a família de um presidiário.
- Por que o dependente de um presidiário recebe R$ 915 e nós recebemos R$ 0,16? É uma vergonha! – reclamou.
O senador Rodrigo Rollemberg (PSB-DF) esteve na audiência e deu apoio aos militares. Para ele, a valorização da categoria deve ser uma questão de interesse nacional, devido à importância do trabalho no país. Segundo o senador, a defesa de riquezas como a Amazônia e o pré-sal é um imenso desafio para o Brasil, que conta com as Forças Armadas.
- Hoje vivemos num ambiente de paz, e todos nós torcemos para permanecer assim. Mas a gente sabe que não pode se descuidar para uma eventualidade de o Brasil ter que defender o seu território ou suas riquezas. Portanto, a questão dos militares não é uma questão apenas dos militares – afirmou Rollemberg.
Paim sugeriu a realização de uma reunião com a categoria em seu gabinete para formular um documento com o pleito dos militares e prometeu todo o apoio para sensibilizar as autoridades competentes.
- Farei de tudo para ajudar para que os pleitos cheguem lá e que, oxalá, eles sejam efetivamente atendidos – prometeu.
Agência Senado (Reprodução autorizada mediante citação da Agência Senado)
CDH debate situação de militares reformados e pensionistas (Da Redação)
Começou a audiência pública da Comissão de Direitos Humanos e Legislação Participativa (CDH) para debater a situação de militares reformados e pensionistas. O senador Paulo Paim (PT-RS), autor do requerimento para realização do debate, afirmou que o tema é urgente, pois os militares são os servidores mais mal remunerados do país.
- Os militares sempre tiveram uma remuneração modesta, mas depois de 2001 a situação começou a piorar gradativamente – lamentou Paim em seu discurso em Plenário na última sexta (22).
Paim lembrou, logo no início da reunião, que a realização dessa audiência é um compromisso assumido quando ainda era presidente da CDH. Em fevereiro deste ano, ele foi substituído na função pela senadora Ana Rita (PT-ES), que também terá dois anos de mandato.
Foram convidados para o debate o representante da Associação de Praças das Forças Armadas (Aprafa), Antonio Vicente da Silva; e os presidentes da Federação da Família Militar do DF, Cantidio Rosa Dantas; da Comissão QESA Brasil, Eduardo Souza Silva; da Associação dos Militares da Reserva, Reformados e Pensionistas das Forças Armadas, Genivaldo da Silva; da União Nacional de Esposas de Militares das Forças Armadas, Ivone Luzardo; da Federação da Família Militar - Mulher/DF, Rita Deinstmann; e da Confederação Nacional da Família Militar, Waldemar da Mouta.
A audiência está sendo realizada na sala 2 da Ala Senador Nilo Coelho e é presidida por Paulo Paim.
Veja o link do site do Senador Paulo Paim:
www.senadorpaim.com.br/verImprensa.php?id=3628-militares-...
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Healing Touch Program's 2014 Worldwide Conference Instructor's Gathering, Schaumburg, IL, August 14-17
It was a magic season for the Syracuse Academy of Science girls basketball team.
The #SASAtoms accomplished a lot - winning the program's first Section III title and advancing to the state final four.
SAS missed out on only one goal, as Section IX champion Millbrook bested the Atoms, 67-64, in overtime in the Class C state championship game at Hudson Valley Community College.
"We came up short, but we accomplished a whole lot," #SASCS coach Reggie Pickard said after his team came out on the short end of the 4-minute extra session, during which the Atoms led three times before surrendering the final four points. "Overtime game, we lost to a great team, a well-coached team."
SAS, who finish 19-5, lost despite a determined effort from senior Lyrik Jackson, who led the Atoms with 24 points and 15 rebounds, and junior Diamonne Harris, who added 23 points.
"She made a big difference," Pickard said.
Millbrook led the whole way, until there was just one minute left in regulation. A basket by Jackson tied the game at 54-54.
The Blazers pushed the lead back to four points with 34 seconds left, but SAS got a pair of free throws from Jackson to pull within two and 6-0 sophomore Erykah Pasha sent the game into overtime by converting two free throws with no time left on the clock after she was fouled on a put back attempt at the buzzer.
The Atoms led three times in the extra session - 60-59, 62-61 and 64-63 - before the Blazers got their final points from reserve junior forward Claire Martell, who hit a basket and two free throws in the final 45 seconds.
Pickard said he told his players to keep their heads high.
"I just told them they had no reason to hang their heads," said Pickard, who started the varsity program at SAS in 2010. "We set a goal at the beginning of the season. We reached our goal, but we just came up short."
Pickard said his all-state senior, Jackson, was all heart.
"She played hurt. She twisted her ankle early on. Her shoulder was still sore from the fall yesterday. She was banged up. But she gave it her all. She gave it her heart," he said.
The coach said he hoped the Atoms would be back, albeit probably in a higher classification. Nearly everyone associated with Section III basketball expects that SAS will be moved up in class by the competition committee.
Article posted at highschoolsports.syracuse.com/news/article/-7252830500078...
Merola Opera Program’s Spring Benefit
Merola Board member Ross Uchimura (left) with Dr. Rani Spudich and her husband David Blacker.
Photo by Claudine Gossett for Drew Altizer Photography
Healing Touch Program's 2014 Worldwide Conference Instructor's Gathering, Schaumburg, IL, August 14-17
The Eastern Connecticut State University Baseball Team defeated Salisbury University, 3-2, in game two of the 2022 NCAA Division III Baseball Championship Series, capturing the program’s fifth NCAA National Championship. (Photo by Jimmy Naprstek/Kodiak Creative)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Family, friends and Elon faculty and staff gathered on May 22 with the 28 students in the Master of Arts in Interactive Media program's Class of 2019 to celebrate their completion of the program.
Oglethorpe men's soccer claimed the Southern Athletic Association championship on Nov. 10, 2013 in Conway, Ark., defeating Millsaps 3-1. The win marked the second conference championship in the program's history.
The ceremony's attendees included the graduates honored, their family members and mentors, younger
students currently enrolled in the Take Stock in Children program, and the program's financial supporters.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
South Carolina National Guard Soldiers, and fire department/EMS rescuers with the S.C. Helicopter Aquatic Rescue Team (SC-HART) program, S.C. Urban Search and Rescue Task Force 1 (SC-TF1), perform hoist-training operations during the preliminary phases of “Patriot South Exercise 2017” (Patriot South 17), a joint training-exercise focused on natural disaster-response and preparedness, Gulfport and Port Bienville Industrial Complex (PBIC), Mississippi, Jan. 29, 2017. Patriot South 17 is taking place at multiple locations across Mississippi, from January 23 through February 7, 2017, and it offers the National Guard and its local and federal partners a realistic-training opportunity to test response capabilities, procedures, and readiness through a simulated earthquake and Tsunami scenario “hitting the coastal areas of the state.” Specifically, in preparation for future operations, South Carolina’s Headquarters and Headquarters and (-) Company A 2-151st Security and Support Aviation Battalion, 59th Aviation Troop Command, deployed both its current HART-capable platforms, the UH-60L Black Hawk utility helicopter and its LUH-72A Lakota light utility helicopter--the latter being a recent addition to the HART program for South Carolina. (U.S. Army National Guard Photo by Staff Sgt. Roberto Di Giovine/Released)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
The SHU Journey program's Going Forth Ceremony held at the Chapel of the Holy Spirit, Sacred Heart University, Fairfield, CT. Friday, June 28, 2019.
The SHU Journey program's Going Forth Ceremony held at the Chapel of the Holy Spirit, Sacred Heart University, Fairfield, CT. Friday, June 28, 2019.
The NMH Theater Program's production of Marian, or The True Tale of Robin Hood by Adam Szymkowiez, was performed in the Chiles Theater of the Rhodes Arts Center, March 31 - April 2, 2022. Photography by Glenn Minshall.
Mingle Media TV and Red Carpet Report host Stephanie Pressman were invited to cover Kathy Duliakas' 6th Annual Celebrity Oscar Suite & Party to honor the film industry’s Oscar Nominated actors, former Oscar winners, presenters, wardrobe stylists and industry VIPS.
At the event, held at the Taglyan Complex, Celebrities Donated New PJs and Tweeted for Charity at Kathy Duliakas' 6th Annual Celebrity Oscar Suite & Party Benefiting Pajama Program's "1 Million Good Nights” campaign.
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About 1 Million Good Nights Charity
Before entering the gifting suite, celebrity guests dropped off brand new pajamas to Pajama Program. Founder Genevieve Piturro and L.A. Chapter President Lindsay Smith were on site to collect the new pajamas and tell guests about their exciting new "1 Million Good Nights" campaign to collect and distribute 1 MILLION new pajamas and new books to children in need by Dec. 31, 2015. To help them get closer to their goal, Carter's, America's leading brand of young children’s clothing, donated a brand new pair of pajamas to Pajama Program, for every celebrity who attended the event. In addition, Carter's agreed to donate, up to 1,000 new pairs of pajamas for children in need, for each and every social media post about the event, sponsors and/or charity, using hashtags #KathySuite and #1MGoodNights. www.pajamaprogram.org
About Kathy Duliakas
Entrepreneur, publisher and producer Kathy Duliakas has produced five stellar Oscar® and three Emmy® gifting suites, which has established her as the producer of "the best gifting suite they've attended" and “Hollywood’s Hottest Gifting Suite” according to the Hollywood elite and media.
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
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Follow our host Stephanie Pressman on Twitter at twitter.com/StephPressman
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.