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Penn Theatre Arts Program
Spring 2016 Mainstage Production
April 7–10, 2016
@ Penn Museum
'The Eumenides' is the third play in Aeschylus’ great masterpiece, the tragic trilogy 'The Oresteia,' written more than 2,500 years ago. In response to the pleadings of his sister Electra and at the command of the god Apollo, Orestes has murdered his mother, Clytemnestra, who was wife and murderer of his father Agamemnon. As a consequence, Orestes finds himself tormented by the terrible Furies, hideous ancient goddesses of the underworld divinely charged with punishing blood murders. Guests follow the actors through Penn Museum’s third floor galleries.
Directed by Marcia Ferguson and featuring original music by composer Patrick Lamborn, this production is performed in collaboration with the University of Pennsylvania Theatre Arts Program’s Artistic Resident for 2016, Sebastienne Mundheim/White Box Theatre, who created the production design, with additional support from the Provost’s Interdisciplinary Arts fund.
theatre.sas.upenn.edu/events/theatre-arts-spring-2016-mai...
Vancouver Coastal Health is working to reduce the use of Tobacco in all communities. This display was set up at at the the post-parade Sunset Beach Pride Festival.
Vancouver Coastal Health supports LGBT2SQ communities across our service area.
We show our support not only by expressing our pride, but also by offering a number of health services designed to meet the specific needs of LGBT2SQ community members. Visit our website to find out more.
Krissy Hopkins, Communications and Education Subcommittee staffer with the Chesapeake Research Consortium at the Chesapeake Bay Program, holds a clump of bay grasses in Poplar Harbor near Poplar Island in Talbot County, Md., on May 19, 2009. (Photo by Alicia Pimental/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Teen campers at the Virginia National Guard Teen Wilderness Adventure Camp prepare to go mountain biking June 25, 2013 at Wilderness Adventure at Eagle Landing in New Castle, Va. The Virginia National Guard Youth Program partnered with Operation Military Kids to provide 60 children of Virginia National Guard service members four days of outdoor adventures June 23-27, including mountain biking, kayaking, inner tubes, ropes courses and zip lines. (Photo by Master Sgt. A.J. Coyne, Virginia Guard Public Affairs)
Havre de Grace, Md., is seen on March 22, 2011. (Photo by Alicia Pimental/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
The Griffin Academy is a new program sponsored by Drake University and Nationwide Insurance. The after school program’s goal is to provide students with enrichment time focusing on the areas of math, engineering, science, technology, and the fine arts. The academy’s activities are new and different from regular classes and utilize hands-on activities. Students also take field trips in the Des Moines area. Student meet every Wednesday from 1:00-3:00 for one semester.
Today the students split into two groups. The first group mixed cornstarch, water, and food coloring to make gack. The second group colored paper skulls to celebrate Dia De Muertos.
As part of the NYC DOT’s Urban Art Program’s Asphalt Art Activation initiative, NY Cares and the DOT Bike Share Program present “Lovely to See You” by Brooklyn-based artist Emily Caisip at the Franklin Street Bike Share station. On the first day of the two day installation, the DOT Bike Share staff primed the site with a vibrant blue color. On the second day, NY Cares volunteers assisted in the implementation of the colorful red leaf design. The leaf pattern was inspired by leaves that are strewn about on many of our New York City streets. The placement of the leaves was spontaneous, while creating a sense of order and pattern at the same time. This project was the first for the Asphalt Art Activation initiative, which activates asphalt with murals around bike share stations throughout the city.
NYCDOT Urban Art Program, Special Projects
Lovely to See You by Emily Caisip
Presented with NY Cares and the DOT Bike Share Program
Asphalt on Franklin Street between West Broadway and Varick Street, Manhattan
A lowered roadside swale is seen near the Anacostia River in Washington, D.C., on Jan. 11, 2011. (Photo by Matt Rath/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Maria de la Paz Lopez Barajas, of UNIFEM, discusses the origins of Progresa and the program's focus on women.
Meg Kennedy of Mount Vision, N.Y., visits her greenhouse before heading to a farmers' market in nearby Cooperstown, N.Y., on May 21, 2015. Kennedy operates a nursery called ARK Floral and sells at five markets a week with help from her parents and sister. Kennedy describes her operation as "tiny" compared to other greenhouses, which can be measured in acres. Kennedy said the small farms in the rocky hills of central New York are "rediscovering and rediversifying" after the decline of older dairy farms in the region. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Sean Donnelly of the engineering company GHD participates in a planting with his co-workers and other volunteers led by South River Federation at a restored stream in Annapolis, Md., on Oct. 28, 2017. The restoration includes 1,500 feet in the headwaters of Church Creek, a tributary of the South River in Anne Arundel County, and is the last of multiple projects targeting Church Creek that will benefit the Chesapeake Bay. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
ABERDEEN PROVING GROUND, Md. (Oct. 28, 2014) -- Army researchers are evaluating prototype devices developed for the Defense Advanced Research Projects Agency.
The Defense Advanced Research Projects Agency, known as DARPA, Warrior Web program's goal is to create a soft, lightweight undersuit to help reduce injuries and fatigue, while improving mission performance. DARPA is responsible for the development of new technologies for the U.S. military.
Researchers from Harvard University's Wyss Institute for Biologically Inspired Engineering spent the past two years developing a biologically inspired smart suit that aims to boost efficiency through a new approach. A series of webbing straps contain a microprocessor and a network of strain sensors.
Read more at www.army.mil/article/135272
(U.S. Army photo by Tom Faulkner)
Teen campers at the Virginia National Guard Teen Wilderness Adventure Camp ride a zip line through the forest June 25, 2013 at Wilderness Adventure at Eagle Landing in New Castle, Va. The Virginia National Guard Youth Program partnered with Operation Military Kids to provide 60 children of Virginia National Guard service members four days of outdoor adventures June 23-27, including mountain biking, kayaking, inner tubes, ropes courses and zip lines. (Photo by Master Sgt. A.J. Coyne, Virginia Guard Public Affairs)
Underwater bay grasses, Poplar Harbor
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
A song sparrow visits a fallen log at Blue Ridge Center for Environmental Stewardship in Hillsboro, Va., on Jan. 8, 2021. The center offers 10 miles of hiking trails and conserved 900 acres of Virginia's Piedmont along Piney Run, a tributary of the Potomac River. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Current dance students performing Associate Professor of Dance Jenefer Davies' "M(other)" during the dance program's 10th anniversary celebration.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Ana File-Heather on her International Visitor Leadership Program’s Women and Entrepreneurship exchange. Photo credits: Ana.
Mingle Media TV's Red Carpet Report host Kathy Hopkins were invited to come out to cover The Actors Fund's 2015 Looking Ahead Awards at Taglyan Cultural Complex in Hollywood.
The Looking Ahead Awards, which raises funds and awareness for The Actors Fund’s Looking Ahead Program, shines the spotlight on performers who inspire the world by living the program’s core values of growth, education, leadership and community service
Special Presenters: “The Fosters” creators/executive producers Bradley Bredeweg and Peter Paige; nine-time Emmy Award winner Carl Reiner; and actor/host Alfonso Ribeiro (“America’s Funniest Home Videos,” “Dancing With The Stars,” “The Fresh Prince Of Bel Air”)
Honored:
Actor and recording artist Corbin Bleu (“Dancing With The Stars,” “High School Musical”) presented the Judy and Hilary Swank Award for parenting to his parents, Martha Callari Reivers and David Reivers
Tatyana Ali (“The Fresh Prince Of Bel Air”) with The Looking Ahead Award for Education
Mario Lopez (“Extra,” “Dancing With The Stars,” “Saved By The Bell”) with The Looking Ahead Award for Community Service
Rose Marie (“The Dick Van Dyke Show”) with The Shirley Temple Award
Hayden Byerly, Noah Centineo, David Lambert, Maia Mitchell and Cierra Ramirez (ABC Family’s “The Fosters”) with The Looking Ahead Award for Social Awareness
For video interviews and other Red Carpet Report coverage, please visit www.redcarpetreporttv.com and follow us on Twitter and Facebook at:
www.facebook.com/RedCarpetReportTV
www.youtube.com/MingleMediaTVNetwork
About The Actors Fund
ABOUT THE ACTORS FUND
The Actors Fund is a national human services organization that helps everyone – performers and those behind the scenes – who works in performing arts and entertainment, helping more than 21,000 people directly each year, and hundreds of thousands online. Serving professionals in film, theatre, television, music, opera, radio and dance, The Fund’s programs include social services and emergency financial assistance, health care and insurance counseling, housing, and employment and training services. With offices in New York, Los Angeles and Chicago, The Actors Fund has – for nearly 133 years – been a safety net for those in need, crisis or transition. Visit www.actorsfund.org.
For more of Mingle Media TV’s Red Carpet Report coverage, please visit our website and follow us on Twitter and Facebook here:
www.facebook.com/minglemediatvnetwork
www.flickr.com/MingleMediaTVNetwork
Follow our host Kathy on Twitter at twitter.com/CheesyG
Soybean crops stand ready for harvest in a farm field in Queen Anne's County, Md., on Oct. 24, 2012. (Photo by Steve Droter/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Photo by Michael Premo.
Poverty Initiative Poverty Scholars Program Strategic Dialogue, November 2010. Talk with S'bu Zikode.
U.S. Military HIV Research Program’s Dr. Douglas Shaffer; Ambassador Deborah L. Birx, M.D., U.S. Global AIDS Coordinator; and Coptic Hospital Program Manager Gaudencia Salano review hospital records at the Adult HIV clinic in Nairobi, Kenya, in October 2014. [CDC Kenya photo by Julie Mwabe]
Miami Habitat is holding its seventh Women Build through December 3, 2011, in Liberty City. More than 200 women will come together to volunteer to build a home for partner family Tiara Armstrong and her five year old daughter Jamaria, just in time for the holidays. “My family was very happy and we cried tears of joy when we found out that I was accepted to the program,” said Armstrong. “Owning my own home will be a blessing!”
Women Build is a Habitat for Humanity International program underwritten by Lowe’s which brings together women from all walks of life to address the housing crisis facing millions worldwide. Since the program’s inception in 1998, Women Build volunteers have constructed more than 1,800 houses, including six in Miami-Dade County.
Miami Habitat’s Women Build is in line with its ongoing Liberty City Shine campaign, which aims to build or rehab 90 homes in Liberty City in the coming year. Women Build recruits, educates and inspires women to build decent and affordable homes for low-income families in their communities. Many women come to the Women Build site without previous construction experience and find their inner Rosie the Riveter as they learn new skills and make a positive impact in the community. Their leadership and service are changing lives.
In scratching out a 64-61 win over Maryland Eastern Shore on Saturday evening at the HU Convocation Center, the Hampton University men's basketball team snapped its six-game losing streak.
The Pirates improved to 9-14 overall and 5-5 in the MEAC on the season.
Head coach Edward Joyner Jr. won his 91st career game in the process, becoming the program's all-time winningest Div. I coach – surpassing Steve Merfeld.
Guard Reginald Johnson registered his second straight 20-point game, leading all Pirate scorers with 21 points on 7-for-15 shooting. Guard/forward Dwight Meikle added 16 points and a team-high 11 rebounds for his fourth double-double of the season.
Guard Deron Powers added 11 points and four assists.
The Pirates shot 44.2 percent (23-for-52) from the floor – thanks in large part to a 14-for-25 effort (56.0 percent) in the second half. Hampton scored 25 points off of 16 UMES turnovers, and Hampton held a 26-22 edge in points in the paint.
A layup from Devin Martin with 2:14 left in the game tied the contest at 58-58, before Johnson answered with 1:11 left by converting an acrobatic 3-point play to put the Pirates up 61-58. Dominique Elliott cut that lead to 61-60 with a jumper with 55 seconds left.
But Meikle put his stamp on the game with 42 seconds left, finding space on the fast break before floating in the air, making it look as if he would finger-roll the ball into the hoop, before slamming the ball home with one hand to give the Pirates a 63-60 lead.
The two teams traded free throws down the stretch, but Martin missed both of his 3-pointers in the closing moments to hand the Pirates the hard-fought win.
The UMES led much of the night, though – particularly in the first half. The Hawks opened the game with six straight – thanks to back-to-back 3-pointers from Ryan Andino – before the Pirates cut the lead to 6-5 on a jumper in the paint from junior forward Jervon Pressley.
The Hawks opened the game back up, taking a 22-10 lead at the 8:37 mark after a 3-pointer from Martin. A dunk from Michael Myers and a layup from Devon Walker gave UMES a 29-16 lead with 2:39 left in the half.
But Hampton scored the last seven points of the frame – a jumper and 3-pointer from Meikle and a jumper from Powers – to cut UMES' lead to 29-23 at the break.
That momentum carried into the second half, as the Pirates cut UMES' lead to one on three separate occasions before taking their first lead of the night on a Johnson layup with 15:12 left – putting Hampton up 36-35.
Johnson then hit a trey to put the Pirates up 39-35 at the 13:32 mark.
Johnson added a layup with 13:14 remaining to give the Pirates a 41-37 lead, before UMES went on a 10-1 run to take a 47-42 lead with 10:39 left to play after a dunk from Elliott. Elliott later gave the UMES a 53-48 lead at the 6:29 mark with a free throw.
After a pair of Martin free throws gave the Hawks a 55-50 lead, the Pirates went on a 7-0 spurt, taking a 57-55 lead with 3:13 left to play after a jumper from Powers.
Red Weasel Media was sitting on the baseline to capture all of the high flying action. Go Pirates!
As part of the NYC DOT’s Urban Art Program’s Asphalt Art Activation initiative, NY Cares and the DOT Bike Share Program present “Lovely to See You” by Brooklyn-based artist Emily Caisip at the Franklin Street Bike Share station. On the first day of the two day installation, the DOT Bike Share staff primed the site with a vibrant blue color. On the second day, NY Cares volunteers assisted in the implementation of the colorful red leaf design. The leaf pattern was inspired by leaves that are strewn about on many of our New York City streets. The placement of the leaves was spontaneous, while creating a sense of order and pattern at the same time. This project was the first for the Asphalt Art Activation initiative, which activates asphalt with murals around bike share stations throughout the city.
NYCDOT Urban Art Program, Special Projects
Lovely to See You by Emily Caisip
Presented with NY Cares and the DOT Bike Share Program
Asphalt on Franklin Street between West Broadway and Varick Street, Manhattan
Staff from the Chesapeake Bay Program visit Davis Farm in New Kent County, Va., on July 26, 2013. The 1,200 acre farm on the Pamunkey River is owned by Paul Davis, who has welcomed researchers from Virginia Tech, implementing biosolids beginning in 1996 and adopting practices to improve soil and water health, like no-till farming. (Photo by Catherine Krikstan/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Photo by Michael Premo.
Poverty Initiative Poverty Scholars Program Strategic Dialogue, November 2010. Talk with S'bu Zikode.
Photo by Michael Premo.
Poverty Initiative Poverty Scholars Program Strategic Dialogue, November 2010. Talk with S'bu Zikode.
Tree saplings protected by plastic tubes line a stretch of Beaver Creek as it flows through Esh Farm in Lancaster County, Pa., on June 4, 2018. The farm was the focus of a restoration effort coordinated by the Pequea Creek Watershed Association and Lancaster County Conservation District that implemented both in-stream best management practices to support trout habitat as well as stream fencing, livestock crossings and a riparian forest buffer planted with trees and other native plants. The project began after the dairy owner lost a mule to flooding, and the restoration serves to protect the water but stop the loss of land on the farm due to erosion. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Ray Thomas, right, of Carlisle, Pa., scrubs the soles of his shoes while his son Devin Thomas, 9, watches before the start of a vernal pool hike at Forest Pools Preserve, adjacent to Kings Gap State Park in Cumberland County, Pa., on March 25, 2016. The Nature Conservancy hosted roughly 30 visitors to the sensitive habitat. Because vernal pools, or seasonal wetlands, dry up every year, they don't harbor fish and thus are critical habitat for many amphibian species. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Concordia-St. Paul defeats Florida Southern in three sets to capture a second consecutive NCAA Division II Volleyball Championship at UWF Field House on the campus of the University of West Florida in Pensacola. The second straight title is the program's ninth in the past 11 years. Photos courtesy of UWF Athletics and Concordia-St. Paul sports information.
Residents inspect flood conditions after Hurricane Isabel reached Annapolis, Md., on Sept. 19, 2003. (Photo by Michael Land/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Photo Credit: gal2.org/David July
Learn more: gal2.org/?p=212
Text of the Resolution
STATE OF FLORIDA
RESOLUTION
WHEREAS, the Florida Guardian ad Litem Program's sole mission is to represent the best interests of abused and neglected children involved in dependency court proceedings, and
WHEREAS, for more than 30 years, the Florida Guardian ad Litem Program has provided independent advocacy for hundreds of thousands of dependent children in this state, and
WHEREAS, the Florida Guardian ad Litem Program coordinates and oversees the work of nearly 8,000 volunteers, and
WHEREAS, studies have shown that children in the dependency system have greatly benefited from participation in the Florida Guardian ad Litem Program, with volunteers not only serving in an advocacy role, but also serving as educational surrogates, and
WHEREAS, each year volunteers with the Florida Guardian ad Litem Program donate time, services, and support worth millions of dollars to this state and provide an invaluable service to dependency court judges, and
WHEREAS, the Florida Guardian ad Litem Program strives to achieve permanency for children in the dependency system and has played a key role in making this state a national leader in adoption.
NOW, THEREFORE, BE IT RESOLVED that the Governor and Cabinet of the State of Florida do hereby recognize the
FLORIDA GUARDIAN AD LITEM PROGRAM
for its many years of service representing the best interests of Florida's dependent children.
IN TESTIMONY WHEREOF the Governor and Cabinet of the State of Florida have hereunto subscribed their names and have caused the Official Seal of the State of Florida to be hereunto affixed in the City of Tallahassee on this 18th day of January, 2012.
[SEAL]
[SIGNATURES]
Rick Scott, Governor
Pam Bondi, Attorney General
Jeff Atwater, Chief Financial Officer
Adam H. Putnam, Commissioner of Agriculture
For our program's Thanksgiving dinner, I baked pumpkin pie.
I would describe the process as a HUGE pain in the ass. First I had to get my dad to bring the can of pumpkin from the US. Then I had to find pans to bake it in... and apparently they don't make normal-sized aluminum pie tins here, or if they do, they're REALLY hard to find. So I had to settle for make pies that were about 1/3rd the size of normal ones. After that I had to find an oven... my host family's works but doesn't have temperature markers on it at all, and my host mom said I would probably either burn the pies or they just wouldn't turn out.
So we headed over to my friend's host family's apartment, where they have an oven that at least has temperature RANGES marked on it. Then we couldn't find a can opener (?!) and I had to go back to my house to get it. Bunches of metric conversions later, the pies were ready to go in. And then the crust got kind of burned on some of them because of poor air circulation.
But they turned out!
And then we just had to get them to the hotel where they were having the dinner... on the way, my friend who was carrying two of them tripped on the broken sidewalk and they went flying! They got kinda busted but were definitely still edible; plus at that point so many things had happened that I mostly just thought it was hilarious.
In the end everyone loved them. We saved one for ourselves and ate it on the weekend, haha.
marks the group burial of the unidentifiable remains from the seven crewmembers of the Space Shuttle mission STS-51-C, killed in the 1986 Challenger Tragedy;
the Space Shuttle program's 25th flight, and the 10th mission for the Challenger; mission objectives included a flight of Halley's Comet Experiment Deployable to observe the comet, deploy the second series of Tracking & Data Relay Satellites, and conduct several lessons from space as part of the Teacher in Space Program & Shuttle Student Involvement Program;
the shuttle disintegrated 73 seconds after lift off at the Kennedy Space Center in Florida on Jan 28, 1986, due to a O-ring failure on the right Solid Rocket Booster (SRB); failure allowed a flare from the SRB to reach the outside and cause a structural failure in the external tank, which resulted in the hydrogen fuel load to dump, causing a massive explosion; the aerodynamic forces caused the orbiter to break apart;
the tragedy resulted in the death of the entire crew, including six astronauts and a spaceflight participant:
- Lt.Col Dick Scobee, USAF, commander;
- CAPT Michael J. Smith, USN, pilot;
- Engineer Judith A. Resnik, PhD, mission specialist;
- Lt.Col. Ellison S. Onizuka, USAF, mission specialist;
- Physicist Richard E. McNair, PhD, mission specialist;
- Capt. Gregory B. Jaruis, USAF, payload specialist;
- schoolteacher Sharon Christa McAuliff, Teacher in Space;
mission marked the first time a civilian flew aboard a Space Shuttle, as well as the first in-flight fatalities during an American manned mission and the first American manned mission to launch and fail to reach space;
near mission commander Dick Scobee's grave, the Iran Rescue Mission & Space Shuttle Columbia memorials, and the Memorial Amphitheater, in Section 46 of Arlington National Cemetery, VA
A red-winged blackbird visits a tree planted as part of a riparian forest buffer along Long Green Creek at Hydes Road Park in Baltimore County, Md., on April 21, 2016. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
(for further pictures and information please contact the link at the end of page!)
Maria Theresa monument Maria Theresa monument in Vienna
Maria Theresa Square
The Maria Theresa monument is the most important ruler monument of the Habsburg monarchy in Vienna. It is reminiscent of the Empress Maria Theresa, who ruled from 1740 to 1780, and is since 1888 on the Maria Theresa Square on the Vienna ring road (Castle Square - Burgring) between the then Imperial Museums, in 1891 opened the Kunsthistorisches Museum (Museum of Art History) and in 1889 opened the Natural History Museum (Naturhistorisches Museum), in front of the background of the Museum Quarter, then the imperial stables. This by Tritons and Najad Fountains accompanied Ensemble monument counts to the UNESCO World Heritage Site Historic Centre of Vienna.
Historical Background View from the top (2010)
The Empire of Austria in 1859 and 1866 lost Lombardy and Veneto to the new Kingdom of Italy. It was in 1866 forced to resigne after the defeat of the German war, the Prussians had triggered by violation of the rules of the German Confederation from Germany, which in 1871 was constituted as German Empire under a new empire. In 1867 Emperor Franz Joseph I. in Compromise with Hungary had to agree to the formal division of the empire into a ruled from Vienna cisleithanian and ruled from Budapest transleithanian half of the Empire, with Hungary increasingly presenting itself not as a part of the empire, but as a largely independent state. en.wikipedia.org/wiki/Leitha
During the World Exhibition 1873 in Vienna an economic crisis had occurred, the "founders' crash - Gründerkrach" that devalued liberalism as the leading political movement and new mass parties, for the time being, the Christian Social Party, and later the Social Democrats, putting forth. In addition, more and more national movements were felt in the multiethnic state. Those centrifugal and the imperial power eroding tendencies one would counteract by patriotic appeals to splendor and glory of the empire. At the since 1858 under construction and in 1865 opened new Vienna ring road around the old town was offered the chance. On the Maria Theresa Square the center facing adjoining Heldenplatz outside the Hofburg in 1860 and 1865 monuments of the two most important generals of the monarchy were built. For the Maria Theresa square, which with the Heldenplatz should form an Imperial Forum, it was a good occasion to erect a monument to the historical mother of the nation. She had by her marriage to Francis Stephen of Lorraine and his election as emperor, the Roman-German Empire brought back to Vienna and the continuation of the dynasty, now as House of Habsburg-Lorraine, secured. She referred to a time when the development of the monarchy was not dependent on any political party nor on national political considerations, but by the wisdom of the rulers. Her reputation and popularity should radiate to the current empire.
The monument Gypsum model of a draft of the monument Maria Theresa surrounded by the allegories of the cardinal virtues For the execution of the sculptures in 1874 the three sculptors Johannes Benk, Carl Kundmann and Caspar Zumbusch submitted designs. Emperor Franz Joseph I decided for Zumbusch, with his student Anton Brenek around 13 years working on the bronze sculptures, which have a total weight of 44 tons. Carl von Hasenauer designed the architecture of the monument. With the base, the monument covers an area of 632 square meters and is 19.36 m high, on top the seated figure of the Empress with 6 m height. Base and chain pedestal consist of Mauthausen granite from Enghagen in Upper Austria, pedestal and base of brown hornblende granite from Petersburg-Jeschitz at Pilsen in the Czech Republic, the columns of serpentinite from Wiesen near Sterzing in South Tyrol. The program's content for the monument came from Alfred von Arneth, director of the Imperial House, Court and State Archives. The monarch herself sits on her throne at the top, in the left hand a scepter and the Pragmatic Sanction, the State and the Constitutional Treaty, her allowing the rule in the Habsburg lands as woman, saluting with the right hand the people. Around the throne on the cornice are sitting as allegorical personifications of the cardinal virtues of justice, strength, gentleness and wisdom four female figures.
At the four sides of the base each is located a circular field with a relief and before that a freestanding statue in thematic context: The consultants of the Archduchess are represented by Wenzel Anton Kaunitz as a statue and Johann Christoph von Bartenstein, Gundakar Thomas Graf Starhemberg and Florimond Claude of Mercy-Argenteau in relief, the background shows the Gloriette in the garden of Schonbrunn Palace. For the administration stand Friedrich Wilhelm von Haugwitz (statue) and Antal Grassalkovich I, Samuel Brukenthal, Paul Joseph of Riegger, Karl Anton von Martini and Joseph von Sonnenfels in a consulting room in the Imperial Palace. For the military stand Joseph Wenzel I (statue) with Franz Moritz von Lacy, Andreas Hadik of Futak and Franz Leopold of Nádasdy in front of the castle in Wiener Neustadt, in which in 1752 the Theresa Military Academy was established. Science and art are represented by the physician Gerard van Swieten (statue), the numismatist Joseph Hilarius Eckhel, the historian György Pray and the composer Christoph Willibald Gluck, Joseph Haydn and the as child represented Wolfgang Amadeus Mozart in front of the Old University. Consultants Management Military Science and Art On the diagonal axes surround equestrian statues of four commanders from the era of Maria Theresa the monument: Leopold Joseph von Daun (1705-1766), Ludwig Andreas von Khevenhüller (1683-1744), Gideon Ernst von Laudon (1717-1790) and Otto Ferdinand von Abensperg and Traun (1677-1748). Leopold Joseph von Daun Ludwig Andreas von Khevenhüller Gideon Ernst von Laudon Otto Ferdinand von Abensperg and Traun Open base during the renovation (2008).
The monument is being totally renovated since October 2008. In a first step, the base whose granite cladding and the foundation were restored. Under the monument in the course of the work a 600-square-foot brick vault was discovered as a supporting structure that is similar to already known components underneath the equestrian statues on Heroes' Square. In a second step, the stone and metal surfaces are being rehabilitated until probably October 2013.
Reception The monument in 1888 Maria Theresa Square in 1900
Students and faculty in UF Law’s Environmental and Land Use Law Program’s Spring Break Field Course explored the diverse marine and coastal ecoregion shared by South Florida and the Bahamian archipelago.
The purpose of the week-long course, led by Tom Ankersen, Florida Sea Grant's Legal Specialist, was to provide students a firm grounding in the law, policy and practice of coastal and marine sustainable development through field-based immersion, practitioner lectures, and reflective discussions.
The group traveled from the intensely developed waterfront of Biscayne Bay to the bustling government center of Nassau in the Bahamas, and then on to the quiet, rural family island of Andros, bounded by the great Bahama Bank and the Tongue of the Ocean. While there is a world of difference between the two neighbors separated by the Gulf Stream, they share a remarkably similar ecosystem facing many of the same threats, and common language of the common law.
This year’s Spring Break Field course furthers the UF Law Conservation Clinic’s South Florida Bahamas ecoregional initiative supported by Florida Sea Grant, and in partnership with the Bahamas National Trust.
To read more about the course and what the students learned, visit: www.law.ufl.edu/…/elulp-students-faculty-spend-spri…/
(UF/IFAS photos by Amy Stuart)
UH Manoa Library and Information Science program future librarians, archivists, and other information specialists celebrate after receiving their MLISc. (Photo by Andrew Wertheimer)
Go to the program's Flickr site for more photos
This image is excerpted from a U.S. GAO report:
www.gao.gov/products/GAO-26-106949
Drug-Free Communities Support Program: Actions Needed to Enhance Performance Data and Oversight
A conservation landscape comprised of several serviceberry trees and other native plants helps an apartment complex alleviate erosion issues while promoting wildlife in Annapolis, Md., on April 6, 2017. Local watershed organization Spa Creek Conservancy constructed the landscape on what was heavily compacted soil last fall. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
The beach is seen at Fisherman Island National Wildlife Refuge on Virginia's Eastern Shore on Oct. 22, 2011. (Photo by Caitlin Finnerty/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Penn Theatre Arts Fall 2015 Mainstage Production
Directed by Dr. James F. Schlatter.
The Theatre Arts Program’s fall production, BURY THE DEAD, written by Irwin Shaw in 1936, is set “in the second year of the war that is to begin tomorrow night.” The scene is an unnamed battlefield somewhere in the world that also serves as the gravesite for six dead American soldiers. About to be interred, the six young soldiers stand up in their shared grave and plead not to be buried. This crisis is the focus of Shaw’s harrowing and deeply moving and provocative play, directed by Theatre Arts faculty member, Dr. James F. Schlatter, Can a war ever end if the dead won’t be buried? The play will be performed by an ensemble company.
Performances:
November 18–21, 7:00pm
@ Annenberg Center Live, Bruce Montgomery Theatre
theatre.sas.upenn.edu/events/fall-mainstage-production-bu...
provost.upenn.edu/initiatives/arts/stories/2015/11/16/the...
Sam Droege of the U.S Geological Survey's Native Bee Inventory and Monitoring Lab at the Patuxent Wildlife Research Center surveys for native bees and other insects at Patuxent Sand Esker in Odenton, Md., on March 27, 2020. The property is home to abandoned sand mines, and the exposed sandy soils provide crucial successional habitat for ground-nesting bees. "People have no idea that places like this exist," Droege said. (Photo by Will Parson/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge. To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Carol McCollough, coordinator for Tilghman Island Grows Oysters (TIGO), visits volunteers tending cages of oysters on Tilghman Island, Md., on Feb. 14, 2013. TIGO recruited over 80 volunteers to grow the oysters so that they can be transplanted on protected reefs a few miles away. (Photo by Steve Droter/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Native perennials are seen as volunteers plant a newly-constructed rain garden, including roughly 25 native trees, at St. Martin's Lutheran Church School in Annapolis, Md., on November 7, 2009. "The largest part of the [pollution] problem is coming off of private property. And we as volunteers can go into another volunteer organization like a church and we can find a lot of resources and a lot of people to help," said Mel Wilkins of Spa Creek Conservancy, which collaborated with Betty Knupp and members of the St. Martin's Garden Club. (Photo by Alicia Pimental/Chesapeake Bay Program)
USAGE REQUEST INFORMATION
The Chesapeake Bay Program's photographic archive is available for media and non-commercial use at no charge.
To request permission, send an email briefly describing the proposed use to requests@chesapeakebay.net. Please do not attach jpegs. Instead, reference the corresponding Flickr URL of the image.
A photo credit mentioning the Chesapeake Bay Program is mandatory. The photograph may not be manipulated in any way or used in any way that suggests approval or endorsement of the Chesapeake Bay Program. Requestors should also respect the publicity rights of individuals photographed, and seek their consent if necessary.
Penn Theatre Arts Program
Spring 2016 Mainstage Production
April 7–10, 2016
@ Penn Museum
'The Eumenides' is the third play in Aeschylus’ great masterpiece, the tragic trilogy 'The Oresteia,' written more than 2,500 years ago. In response to the pleadings of his sister Electra and at the command of the god Apollo, Orestes has murdered his mother, Clytemnestra, who was wife and murderer of his father Agamemnon. As a consequence, Orestes finds himself tormented by the terrible Furies, hideous ancient goddesses of the underworld divinely charged with punishing blood murders. Guests follow the actors through Penn Museum’s third floor galleries.
Directed by Marcia Ferguson and featuring original music by composer Patrick Lamborn, this production is performed in collaboration with the University of Pennsylvania Theatre Arts Program’s Artistic Resident for 2016, Sebastienne Mundheim/White Box Theatre, who created the production design, with additional support from the Provost’s Interdisciplinary Arts fund.
theatre.sas.upenn.edu/events/theatre-arts-spring-2016-mai...