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A Mexican wolf lays on a table while staff performs health checks, takes measurements and administers vaccines.
Credit: Mexican Wolf Interagency Field Team
Reworking of this image.
Artists and passersby at the free art festival, Southsea.
Aged with colour tones and HSV, masked multiply layer over the top to bring back the clouds, vignette to finish.
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Unfortunatley the 24 hr delay after iodisation was a mistake with this paper, see the scan with transmitted light, serious fogging could be seen emerging after exposure
15 min exposure bright day blue sky f/6,3 whole plate
Winther's tannin process with Sumac extract
Pre-silver brushed 5,2% AgNO3, dried iodised in 4% KJ for 10 min followed by 2 water baths of 10 min each (pure water) blotted off and dried
Sensitized just before exposure with sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double.Exposed moist in a glass sandwich.
Developer brushed and sprayed with 25% alcohol for 1 hr 10 min
Developer consists also of sumac extract 28 drops, AgNO3 14% 7 drops, gl. acetic acid 2 drops made double. After brushing sprayed and left wet face up under cover, brushed also just with Sumac extract saving the silver nitrate for later to boost density.
Short wash before 2 x 10 min hypo and 1 hr running water bath
Canson Marker paper was pre-silvered and iodized the day before exposure and processing.
The paper behaved well when prepared pre-silvering and iodisation on the same day as exposure and processing.
" I will be back..."
Dept. of Chemical Engineering & Applied Chemistry - Mahadevan Lab, Faculty of Applied Science & Engineering, University of Toronto
Photo by Sara Collaton
A few quick snaps of some of my Collodion process Victorian Negatives. A few people have asked to see what the texture looks like. Most of the negatives I have have the gum on both sides whihc makes it a little tricky to know which way round the negative it meant to be.
On this one it looks like the photographer wiped it when it was still a little wet.
Do take a look at my other photographs! www.etsy.com/uk/shop/TallyHoOxford?ref=si_shop
Thanks x
Original Collection: Experiment Station Publications Photographic Collection (P 132)
Item Number: P132:129
Image Description: Processing blue lake beans at Blue Lake Packers in Corvallis.
You can find this image by searching for the item number by clicking here.
Want more? You can find more digital resources online.
We're happy for you to share this digital image within the spirit of The Commons; however, certain restrictions on high quality reproductions of the original physical version may apply. To read more about what “no known restrictions” means, please visit the Special Collections & Archives website, or contact staff at the OSU Special Collections & Archives Research Center for details.
This is my edited version of Belle âme.'s photo.
I did this for the Process my photo (not better, just different) Group (Week 12))
The Case of the Found Slide Film
We went to New Jersey for Halloween. This is were we were given an Argus camera that was recently found in a garage cleaning. It is a very solid camera, more boxy than my Kodak Signet 40. They were certainly built to last back in the day.
When we popped it open, we found a used roll of film.
“Whoa, do you think we could develop this?”
After a little research, (reading the canister, mostly), the film is ANSCOCHROME and yes, it sounds more interesting if it is in all capital letters. What we know is that it was slide film (I’m actually not sure how we figured that out). It is probably 30 years old. And that it is probably color (chrome gives it away). It has 12 photos from the past and I want them.
I brought it into Freestyle where they in turn sent it to Swan Photo Lab, who I was confident could at least diagnose what it is. If they couldn’t handle it, I knew we’d be one step closer to figuring this out.
Yesterday, I got the film back.
This is what we found out: it does not use E6 but E4 processing and they do not do it. Fair enough. It’s tungsten type film (says on the canister) and that does mean that it is color. Also on the canister: ”Only open in total darkness. Process in 80 F chemistry.” That means little of anything to me, but this may be the key to deciphering the processing/developing type.
It also caused a good laugh in the store about warming up chemicals and putting it in. ”Do you guys have any bleach? Let’s put it in that!”
A google search in store said that one of the differences between E6 and E4 processing is that a hardener is added to the process. Nowadays, slide film has a hardener added to it in manufacturing, according to Freestyle peeps. I expect that this information will be corroborated once I…
TO BE CONTINUED!
Made during the Spring Semester of 2008 for my Typography II class. This is a preliminary sketch of the typography that I would sew into the sheets.
-Megan Baxter
Reworking the Tentacles piece (aka Nebulae). Should have a realtime version working soon. This one does a bunch with the pixel array for the entire frame so it runs at about 1fps.
I watched the Lion King in Spanish yesterday, so from now on my cat will be called "Seem-ba!" XD
Cross-process FTW. Or so I hear. :)
curves and desaturated a little bit in GIMP (the red was very in your face) then a "San Carmen" effect in Aviary... (the Flickr built-in editing app)
Example my post-processing work.
Basically I used Vintage wash preset from Rebecca Lily, but here is a lot of other post-production work. The jeans are re-colored, I laboured a lot with the sky structure (RAW+underexposition to get a clouds up) and colored them. I had also make face lighter, I colored the sky and the background. There are detailed exposure (darking, burn) work by brush partly on the picture. Finally I add a texture (amazing Florabella textures).
Processing chickens at Serenity Hill Farm in Staunton on Thursday, July 28, 2011. (photo by Pat Jarrett)
First the image was converted into a set data vectors in format (x,y,r,g,b), one for each pixel in image.
Then this 5D-data was projected to 2D-space using principal component analysis, The resulting image was rebuilt based on that reduced information.
Proyecto: Tienda OFFCORSS 2012.
Ubicación: Centro Comercial El Tesoro (Medellín, Colombia).
Concepto: OFFCORSS + PLASMA DISEÑO
Diseño: FFCORSS + PLASMA DISEÑO
Directores de proyecto: Ana I. Saldarriaga (Jefe de Marca OFFCORSS) + Carlos García (Director de proyectos)
Diseñadores industriales: Andrea Uribe (OFFCORSS) +David Patiño y Juan E. Ballesteros (Plasma)
Diseñador gráfico: Javier Gómez (Plasma).
Arquitecta: Alexandra Sánchez (Plasma).
Producción: Construcivil GC, Mueble Ideas, D-mension Studio, Wizard 3d, Isotipo, Eso es Queso, Plasma Diseño.
Fotógrafo: Tato Gómez.
Cliente: C.I. Hermeco S.A.
Medellín, 2012.