This
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Los tres cabezos (colinas) aislados que se ven tras la balsa son Los 3 Hermanos; el del centro es El Hermano Pequeño, lógicamente.
Mi barrio tiene una bonita plaza rodeada de soportales y con el Chimeneon que le da nombre al barrio. Esta céntrico construido sobre una antigua fabrica de aceites y que con el soterramiento del AVE quedo un barrio muy abierto . La chimenea logicamente llena de hormigón y una placa es lo que queda de la fabrica.
As I mentioned in the last post Bell Rock depicted here resides next to Courthouse Butte so this shot logically follows my last, speaking of logic have a gander at the people high up on this monument. While the grey day made for a great photos it also was on the verge of rain and these intrepid climbers seem oblivious to the fact that water makes for a bad climbing buddy. This 500+ foot climb is easy going up, so much so that people find themselves in predicaments on the way down they never intended while making the climb up.
I took this on Dec 23rd, 2019 with my D750 and Tamron 24-70 f2.8 G2 Lens at 35mm, 1/40s, f10 ISO 100 processed in LR, PS +Lumenzia ,and DXO Nik
Disclaimer: My style is a study of romantic realism as well as a work in progress
..:CORAƵ♥Ɲ:.. X9 :.
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HAIR BONBON
POSE SAPA
Who thought it would be a good idea to place a chromed steel bench in a hot, sunny location?
Norman Y. Mineta San Jose International Airport, San José, California.
Even dead you remain the enemy and loser...................
The German militairy cemetry in Vladso (Belgium)
While the cemetries of the Allied troops have stark white colors, those of the German troops are gray- black and look dead and gloomy.
While the militairy cemetries are an example of discipline and structure, the German variants lack alignment and logic.
It was long be argued that this would be regulated in the Articles 225 and 226, from the Treaty of Versailles, but whoever reads these articles will find that this view is incorrect.
The real reason is that the French after the end of the insane war were ordered tot give the German dead their final resting place and collected the bodies in the sector of Ypres and burried them on free pieces of land, altough it was not obvious that they each received an individual tombstone.
So what we see here is in fact a mass grave, covered with granite slabs bearing their names.
Black evokes bad feelings and the Germans were in the eyes of the Allied the agressor, despite the fact that during investigations after the insane war it appeared that all warring parties had engaged in aggression and had committed atrocities. France, England and Italy had already secretly divided the territories of Germany and its colonies, the Habsburg Empire and the Ottoman Empire, in the heat of the battle!
It was of paramount legal importance that, according to the President of the United States Wilson's conviction, Germany should be held responsible but not blamed for the insane war breaking out. However they were incomprehensible responsible for the reparations!
The fact that the Germans and English soldiers at the front still had peaceful feelings towards eachother is evident from the inconceivable Christmas truce in 1914 that took place in the sector of Ypres.
This incomprehensible event of peace and fraternity during the heat of the battle took also place on field sites in many other sections at the front.
The German front soldiers started on Christmas eve 1914 by singing "Silent Night" and shouting "Merry Christmas".
When the British soldiers realized that this was well-meant, they came out of their trenches and even went to exchange their Christmas presents from home.
On Christmas Day, they played football together in the no-man's-land, the piece of land between the trenches of the warring armies; ordinairy soldiers who were tired of the war could momentarily throw of the yoke of the insane war.
When the army commanders, or rather the butchers, got wind of this, these fraternizing actions were officially stricktly forbidden from above and held out very severe punishments if the fightings were not resumed immedialy. The ensuing battles would claim millions of lives on the whole front.
OLYMPUS DIGITAL CAMERA
“ Deep in the human unconscious is a pervasive need for a logical universe that makes sense. But the real universe is always one step beyond logic.” - Frank Herbert, Dune.
Happy Sliders Sunday
Duisburg, Germany, 2017.
This is the first of a series of "leftovers"... photos I have meant to post for a long time but never got around to.
There's more on www.chm-photography.com.
The confusion of all nonhuman living creatures within the general and common category of the animal is not simply a sin against rigorous thinking, vigilance, lucidity, or empirical authority; it is also a crime. Not against animality precisely, but a crime of the first order against the animals, against animals.
Jacques Derrida
7DWF Wednesdays: Macro or close-up
The way I feel when I seem to understand a thing - but not quite... ;-)
en.wikipedia.org/wiki/Fuzzy_logic
And guys, please note: It's a *kitchen* brush ;-)
Wie ich mich fühle, wenn ich eine Sache verstehe, aber eben doch nicht so ganz ;-)
de.wikipedia.org/wiki/Fuzzylogik
Und nur zur Kenntnisnahme: Es handelt sich um eine Küchenbürste ;-) .
Lieben Dank für Eure Kommentare und Favs ;-)
Thank you very much for your comments and faves, I highly appreciate them ;-)
Europe, The Netherlands, Zuid Holland, Rotterdam Zuid, Katendrecht, Migratiemuseum, Tornado, People (uncut)
Back to the Rotterdam MigratieMuseum (and the Tornado). It is situated in what was once a part of the giant San Francisco veem (harbour storage facility). It has been thru a lot. It was built for the HAL transatlantic shipping company in 1898, and its middle part was destroyed during WW2. The left part of the building (Fenix 1), among other things, served as a temporary art exposition space and now functions as the basis for the FenixLofts luxury apartment building. Ah, the story of gentrification.
The Migration Museum is in the right part of the former Veem, also known as Fenix 2. It once housed a Van Gend & Loos logistics hub, the Pinball Museum, the ‘Circuscentrum op De Kaap’ (Codarts Circus Arts school), and, last but not least, the Posse Brasserie.
It was spectacularly transformed (design Bureau Polderman & the Chinese MAD Architects) into the Fenix-Migration museum, with the ‘Tornado’ staircase (on display here) as its centre (designed by Ma Yansong, the founder of MAD).
And don’t think the museum is all about form and less about content. The way it commemorates the millions of emigrants who left Europe and Rotterdam in the nineteenth and twentieth centuries is fascinating. The portrayal of the more recent migration to Europe is also documented excellently. For instance, there’s a dusty Peugeot 404 pick-up on display that was used to transport migrants through the Sahara to Libya on their way to the risky Mediterranean crossing.
Pretzel logic is a Steely Dan song from the eponymous album.
Bims+Rems
= BEMS
Inspired by my homie Rudi Zygadlo
check this ya
soundcloud.com/rudizygadlo/filthy-logic
Pour Loïc.
and special shout to Epok!
bigger wall soon.
The cemetery gates, threshold between life and death, something on my mind after the terrorist atrocities of yesterday. We never know when Death will come for us, be ready my friends. For some it cannot come too soon, whether because of old age or long term illness, for others they have so much more life they want to live yet are snatched away too soon.
Governments have no answers to the infection of terror threats, there is a sense in which it is already too late, yet we must live in hope, we must offer people hope. Where does your hope lie?
This gate to the old cemetery on Southampton Common had been closed for years, something to do with discouraging unwanted after dark activities. I never did understand the logic when there are other gates such people can use, but for some reason it is now opened again and in this light even looks like an inviting path.
115 in 2015 # 1 Threshold
Sorry for absence, busy time here, will comment when I can.....
: ) It defies logic, so it makes no sense at all.
Kraft Hall -- School of Social Sciences. Rice University. Houston, Texas.
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Who thought it would be a good idea to place a chromed steel bench in a hot, sunny location?
Norman Y. Mineta San Jose International Airport, San José, California.
“sometimes between sin and truth are only separated by a thin mist, and we don't realize it, human logic is not the equal as God's logic”
I don't know how else to phrase this.
It would stand to reason that the build is a build. But clowns are sometimes the stuff of nightmares, and sometimes that calls for a reversal of logic.
If you follow me on Facebook, you may have seen me posting about the resizing process for that build. It's too awesome to not feature in its entirety.
Sponsored:
Skin: Clown Makeup by BeSpoke Caravan, available at Dark Style Fair, and afterwards at the BeSpoke Caravan Mainstore. Thepack includes the base skin layers for the face/body, as well as individual makeup and blood-stain layers. This comes in EvoX and SLUV compatible versions. Everything you see is the skin and makeup!
Outfit: Nightmare Klown - Pyro by Dreadmorne at Engine Room, and afterwards at the Dreadmorne MP Store. The outfit comes in male and female sizes in multiple color options, and includes the shirt, vest, and pants. Delightfully bloody, if you ask me.
Fun House: Funhouse by What's Lost Spirits, available at Engine Room, afterwards at the What's Lost Spirits Mainstore. The Funhouse is a full-size, three-story building with various rooms and parts, including media-enabled rooms. You know what else it is? Fully modifiable. I selected the shell for resizing for the purpose of this image, and the surrounding lightbulbs are a copy of the bulbs within the structure facade.
Gloves: Killer Gloves x Bloody Addon by The DeadBoy, available at the The DeadBoy Mainstore.
Other Deets:
Head: Lelutka - Eon
Body: Legacy - Male
Hair: Dura - B98
Cleaver: Insomnia Angel - Killing Butcher Knife @ Wasteland
As usual, if you're curious about the raw shot, you can find it on my blog. Check it out!
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Created in Bryce a 3D program - no post manipulation or camera,
View my recent images on Flickriver www.flickriver.com/photos/33235233@N05/
Time Machine
Photographs are powerful memory triggers. Certain images are literally like a time machine, propelling mind beyond the usual filters for logic to reach the emotional heart of your brain. This image was a black and white photo I shot on June 4, 1972. With a few commands using Google Gemini, and some work with Photoshop to clean up a few details that came out “wrong,” I found myself standing at this spot again---only with color film in my Yashica 35mm camera.
I was released from active duty in the Army on April 24th, and Wil and I left Sierra Vista, Arizona at noon that day. Freedom! We made the long trip back to Virginia, where our parents and other family members were there to greet us. Together, we had lived in both New Jersey and Arizona as I served my military obligation brought on by the draft. It wasn’t something I sought, but I was a good soldier, and now a veteran. The Vietnam War was winding down, but it had literally torn the country apart. With the draft now being considered again, and hostilities raging in the Middle East and other places, it’s too sad, and too familiar. “The more things change, the more they stay the same” is a classic proverb coined by French writer Jean-Baptiste Alphonse Karr. It suggests that despite major transformations or apparent progress, the fundamental nature of a situation—or of human behavior—remains constant. The play continues year in, year out, but the actors always change over time. We never really learn from history, so we’re almost in a “Groundhog Day” loop.
This Sunday afternoon, I had just finished a memorable meal with my grandmother, Bessie Yonce. This was a genuine homecoming to the roots of who I was as a young man. I had almost given up photography, but the purchase of the Yashica a few months earlier at the Ft. Huachuca PX brought back the urge to capture the images of railroading on film. I was still shooting mostly black and white film, so when I scanned this negative, the memories of that moment didn’t immediately hit me. Why not try AI to bring it back to the colors that were visible through my viewfinder at that instant? When the first AI image attempt appeared on my screen, I was stunned. It wasn’t perfect, but the minor imperfections didn’t matter. I was at the L&N engine terminal in Loyall again, and they evening light illuminated a stunning Appalachian scene of everything I ever loved about my home. I spent more time correcting and improving the image, but the effect was already riveting.
You’ll just have to forgive me for using digital technology to recreate this image as it might have looked with Kodachrome film. To me, at least, it’s a keeper. We can complain all we want about the “evils” of AI, but in such a limited and personal situation as my old black and white photo in 1972, it’s a winner.