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Steel era raw with clear coat
Frame set : Starfuckers bike Chimera Concept Steel Era.
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Steel era raw with clear coat
Frame set : Starfuckers bike Chimera Concept Steel Era.
Fork : Starfuckers bike Chimera Concept Steel Era.
Head set : Chrisking 1inch / Thread
Stem : Cinelli MASH 6066-T6
Handle bar : Sim Works / Misirlou Bar
Grip : Cinelli MASH / Cork handlebar tape
Saddle : selle Italia / Flite 1990 titanium
Seatpost : THOMSON
BB : SHIMANO 105
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Chain : SHIMANO 105
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Toeclips :
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Cog : SHIMANO 105 / 12-25T
Lockring :
Front Rim : MAVIC OPENPRO
Front Hub : SHIMANO 105
Spokes : SAPIM LEADER
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Front tire : Deda RS
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Steel era raw with clear coat
Frame set : Starfuckers bike Chimera Concept Steel Era.
Fork : Starfuckers bike Chimera Concept Steel Era.sample
Head set : Chrisking 1inch / Thread
Stem : Cinelli MASH 6066-T6
Handle bar : Sim Works / Misirlou Bar
Grip : Cinelli MASH / Cork handlebar tape
Saddle : selle Italia / Flite 1990 titanium
Seatpost : THOMSON
BB : SHIMANO 105
Crank set : SHIMANO 105
Chainring :
Chain : SHIMANO 105
Pedal :
Toeclips :
Straps :
Cog : SHIMANO 105 / 12-25T
Lockring :
Front Rim : MAVIC OPENPRO
Front Hub : SHIMANO 105
Spokes : SAPIM LEADER
Nipples : SAPIM LEADER
Front tire : Deda RS
Rear Rim : MAVIC OPENPRO
Rear Hub : SHIMANO 105
Spokes : SAPIM LEADER
Nipples : SAPIM LEADER
Rim tapes
Rear tire : Deda RS
Brake Lever : SHIMANO 105 STI
Front Brake : SHIMANO 105
Rear Brake : SHIMANO105
Cable & Casing Wire :
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TheDARKFIELd.Dwarf.SATYR.spasms savors solace.amplified.contrasts.Imaging ELYSIUM- engrossed.electron.diffraction-related.hunger. Intently.ravenous. devouring rapaciously for varacious.plunder Ravine-deep.narrowgorge.rapine.aromatic-fragrance.of.greed.for.gain E.lewd.&.connive to carry-off given-to-swoon.souls.saucy.pert.&.bold. Smart-trimmed.forward full.saturates.soaked.to.unite. with Until no.more.eclair be absorbed to charge the.minimum.quantity with early.Trombones.of.easy.refreshing.tropical.thighs the.IMP.Troubador with eager.munificence & thE.El.Dorado.e.lixers whose.Young.inflorescence is rumored to bE eaten.with.CHAGRIN--the.Cauliflower.Musk.of.the.MYSTIC muses as mushrooM.UMBO-JUMBO falls conscious to the.CONNUBIAL.CONQUISTADOR'S constant.consort.connections< the.MAGICAL.JUGGLER exhilarates lattice-image.ATOMIC.resolution & foils Relativistic.WAVELENGTHS while Hashimoto's. CHROMA- TIC.Abberrations.Of.the.lense Spells-out the.Prismatic."Disc.of.Confusion". C gives Ionization.damage with BRIGHTFIELD.imaging.electron.beams.voltage.Ionization.Incidents.beam.diffraction-ABERR ATION.Stressing. diffraction-Pattern.electrons.&.electromagnetic.WAVES emitted from an avalanche's.deposition.of.inelastic.en- ergy.collisions.radiation-damaged.waves Scattered by successive.paralleled.planes.of.atoms.of.interplanar. Spacing are welcoming US-into the.carpet.of Creation's.special.WEave to explore-&-you're.in.there,2...so,get. over.it.!.yonko.
Vinegars, dashi and other ingredients in Japanese food at Reiko Hashimoto's Japanese cookery school in South London.
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Front Rim : H PLUS SON / ARCHETYPE
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Nipples : STARFUCKERS
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Why am I holding a sign with the number 11 on it? 11 is the number of pounds I've lost since January 3, 2013! What am I doing? Well, I took a step back at the end of last year and decided to refocus my weight loss efforts. I had put some weight back on without really trying (an unfortunate side effect of the autoimmune disease I have - Hashimoto's thyroiditis). I also discussed this all with my endocrinologist and learned that on top of the thyroid problem (which we are working on balancing), I also have hypoglycemia. The only way to really control this is to go on a low glycemic index diet. Around the same time that I was finding all of this out, a colleague of mine started talking about this book he read and diet that he was following. It was written by a cardiologist in Palm Springs (Dr. Gundry), who at one time was obese himself. It's all about how to eat to lose weight, get healthy, and avoid seeing him for heart problems. The basic premise of the diet is progressively going back to what humans ate thousands of years ago when we were still hunters/gatherers...before the bulk of our food became so processed. It's so much more than a diet book, though. Dr. Gundry talks about how we are genetically programmed to eat whatever has the most calories and can find the fastest (i.e. the fattiest, most sugar-laden foods), which isn't necessarily the best thing for our waistlines. There are even hidden sugars in many of the foods we eat - namely corn, which most processed foods contain some form of. Just by nature, this is a low glycemic index diet, and it doesn't make you count calories, points, fat grams, etc. My travel schedule is so amazingly hectic right now, I needed something easy, and this seemed like just the ticket. Dr. Gundry walks you through what to eat, what to avoid, and what to eat only in moderation. He gives tips on what to eat when you're in an airport or if the only thing available is McDonalds. I basically just eat lots of veggies, some meats, nuts (raw and unsalted), and some fruits. And you know what? I feel MUCH better eating this way. After a month, I'm finally getting to the point where I don't really crave sugar anymore...berries are PLENTY sweet on their own without any sweetener whatsoever. Here's hoping the number on my little sign keeps going up, and the pounds keep going down! If you are interested, the book can be found here:
Jacob Hashimoto (born Greeley, Colorado, 1973) is an American artist best known for wall works and installations comprised of hundreds or thousands of intricately collaged paper and bamboo “kites.” One of Hashimoto’s earliest room-size installations, Superabundant Atmosphere, was created in 2005 for Rice University Art Gallery, Houston, and later reprised at the Palazzo Fortuny, Venice, during the 2009 Venice Biennale. In 2010 he created a major installation for MACRO Contemporary Art Museum in Rome, Italy. For his 2014 Gas Giant installation at MoCA Pacific Design Center, Los Angeles, Hashimoto hung thousands of “kites” in blocks of color to reshape the architecture of the space.
Visit here: maryboonegallery.com/artist/jacob-hashimoto
ift.tt/1nnX5gE Years of Gluten Induced Damage Needs Help Healing The status of the body after being exposed to gluten for years and years prior a medical diagnosis is not ideal. Typically, a person will have developed 1 or more autoimmune diseases. The internal chemistry favors inflammation, and the nutritional status of vitamins and minerals is suppressed and deficient. These factors can work against the body's ability to heal, and in many cases, the body will not begin to heal until these factors are addressed. Autoimmune Disease ift.tt/1ijqGlT One of the primary detriments caused by gluten is autoimmune disease. Most patients will have developed at least one before they are diagnosed with gluten intolerance. Celiac disease, Hashimoto's, Lupus, Rheumatoid Arthritis, Migraine, Neuropathy, Psoriasis, and Asthma are a few common examples. Once an autoimmune disease develops, it can take 2-3 years to calm the immune system down. This process often times requires the investigation of other food and environmental allergens, as these can perpetuate autoimmune dysfunction. I recommend that you have your doctor investigate this possibility with you. Nutritional Deficiencies Through Mal-absorption, Mal-digestion, and Increased Need Gluten can damage the mouth, stomach, small intestines, large intestines liver (including the gallbladder), and the pancreas. All of these organs are necessary for proper digestion, absorption, and assimilation of nutrients from the food you eat. Damage to these organs can take time to repair, but also requires adequate nutrition. If a person is nutritionally compromised, the road to recovery is stopped or slowed dramatically. I recommend that you and your doctor perform functional lab testing to determine vitamin and mineral deficiencies. It is important to use functional lab tests, as serum measurements are very inaccurate. Infection - A Commonly Missed Factor in the Recovery Process Aside from damaging the organs of digestion, gluten has been shown to alter the normal bacterial flora in the gastrointestinal tract. The bacterial changes can predispose a person to secondary infections. It is very common for patients with gluten intolerance to develop bacterial, yeast, parasitic, and viral infections. These types of chronic infections can weaken the immune systems ability to perform its normal functions and subsequently lead to or contribute to the development of other disease. For example, yeast infections are common contributors to muscle pain and inflammation, fatigue, and memory loss. Gluten can also create microscopic holes in your intestine (leaky gut). These holes allow for whole proteins and micro-organisms to leak into your bloodstream. This process contributes to further immune dysfunction and perpetual systemic inflammation. Get with your doctor and have him or her order tests to assess for infections as well as to assess for intestinal permeability (leaky gut) and abnormal bacterial overgrowth. My Doctor Won't Help Me I started Gluten Free Society to help educate patients and doctors about gluten and the recovery process. One of the reasons I was compelled to do this is because 90% of my patients come to me because traditional medicine has failed them and their doctors refuse to look beyond the proverbial box. If you fall into the 90%, visit our doctor database and look for a doctor who has been certified and trained by Gluten Free Society. If you still can't find a doctor in your area, I have developed a protocol to help you address many of the above issues.
Our light blue awareness bracelet features a 6mm light blue fiber optic cat's eye bead and silver plated awareness charm (measures 1/2" from top to bottom). Silver plated double link chain, each link is 9x6mm. Adjustable clasp (silver lobster claw) can extend bracelet to 8".
Light Blue Causes: Addison's Disease, DiGeorge Syndrome, Graves' Disease, Hashimoto's Disease, Hyperaldosteronism, Lymphedema, Prostate Cancer, Scleroderma, Thyroid Disease, Trisomy 18
www.etsy.com/listing/65256192/thyroid-disease-scleroderma...
SoulRider.222 © December 20, 2025
6/12/19
Portland International Airport Commissions Artist for Permanent Installation on Concourse E Extension
Jacob Hashimoto’s art will celebrate PDX region and travel
For decades, the Portland International Airport has worked to bring the heart of Portland and best of Oregon to its travelers—from featuring local musicians and artists to offering Portland-based retail and restaurants. The Port of Portland is excited to announce a new permanent art exhibit coming to Concourse E in summer 2020 that further celebrates the region.
This new installation, approved today by the Port of Portland Commission, will be created by Jacob Hashimoto, a Pacific Northwest-raised artist who has exhibits across the U.S., Europe and the Middle East. The artist will draw on his love for this region to create a unique structure that celebrates Portland’s architecture, city landscape and natural beauty, along with elements found at PDX.
Jacob Hashimoto“PDX is an iconic space in my mind. It was the big city to me when I was a kid, and the opportunity to come make artwork in collaboration with PDX was really inspiring,” said Hashimoto. “I am interested in how I can design artwork that is a pleasure to discover as you travel through it visually.”
Drawing from his Japanese heritage, Hashimoto brings a unique style to his art. His interactive three-dimensional structures comprise thousands of miniature kites, which are made from bamboo and silk or paper and joined together in larger compositions.
Hashimoto’s path to this signature art medium was inspired by his family. In college, Hashimoto had plans to become a minimalist painter, but like many aspiring artists, he felt like he was running out of ideas. His father encouraged him to keep studying and to start doing something with his hands. Hashimoto chose to craft kites, something his grandfather started and his father continued to enjoy as an adult—flying them outside his office window. This small act of creative inspiration became the backbone of Hashimoto’s artistic approach. It also brought a new, youthful energy to his art, something that continues to drive him today.
“It’s important to me to create artwork that is generous on many different levels—parents can look at it as they’re playing with their kids, or 12-year-olds can dig it. I think that’s what you do in the West, you create possibility,” Hashimoto shared.
When completed on Concourse E next year, Hashimoto’s structure will be a nod to the neighborhoods and natural beauty that surrounds Portland—with kites tracing the paths of the Willamette and Columbia Rivers, while others feature roses and pearls, the city’s flags and seals, and even the PDX carpet pattern. Hashimoto also wants to invite travelers to draw their minds away from the city and into the broad, vast expanse of the West. His goal is to remind travelers of the terrific potential of nature and the adventure that’s just a flight away.
The art installation is made possible due to PDX Next, a program upgrading and updating the airport that includes extending Concourse E. When the extension opens in June 2020, in addition to Hashimoto’s artwork, the space will feature new gates for Southwest Airlines, more comfortable places to sit, new dining and shopping options and a great view of Mount Hood.
To find Hashimoto, the Port partnered with the Regional Arts & Culture Council (RACC) to oversee the selection process, which included an open call for artists combined with targeted outreach to artists from underrepresented communities. RACC received 283 applications and selected four finalists for interviews with a seven-person committee, where artists discussed their existing work and proposed approach for this project. Hashimoto’s deep artistic background and expertise, combined with his love for PDX, helped him rise to the top.
“It’s quite exciting to have Jacob’s work featured at PDX, which is often a person’s first and the last experience when visiting the region,” said Peggy Kendellen, public art manager at RACC. “Portland is a city filled with creatives, and what better way to be introduced to the city than with this amazing installation inspired by a sense of place through the lens of an artist.”
Hashimoto is based in New York. His work has been featured in MOCA Pacific Design Center in Los Angeles, MACRO - Museum of Contemporary Art in Rome, Fondazione Querini Stampalia in Venice, Schauwerk Sindlefingen in Germany, and the Wäinö Aaltonen Museum of Art in Finland. He had solo shows at Mary Boone Gallery in New York, Rhona Hoffman Gallery in Chicago, Galerie Forsblom in Helsinki and Leila Heller Gallery in Dubai, among others. He is a graduate of The School of Art Institute of Chicago.
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pdxart.portofportland.online/2020/09/02/jacob-hashimotos-...
Utilizing sculpture, painting, and installation, internationally renowned contemporary artist Jacob Hashimoto creates complex worlds from a range of modular components: bamboo-and-paper kites, model boats, even astroturf-covered blocks. His accretive, layered compositions reference video games, virtual environments, and cosmology, while also remaining deeply rooted in art-historical traditions notably, landscape-based abstraction, modernism, and handcraft.
“PDX is an iconic space in my mind. It was the big city to me when I was a kid, and the opportunity to come and make artwork in collaboration with PDX was really inspiring,” said Hashimoto. “I am interested in how I can design artwork that is a pleasure to discover as you travel through it visually.”
Hashimoto’s family inspired his artistic path and the signature mediums utilized in his work. In college, he had plans to become a minimalist painter, but like many aspiring artists, he felt like he was running out of ideas. Hashimoto’s father encouraged him to keep studying and to start doing something with his hands. He chose to craft kites, something his grandfather started and his father continued to enjoy as an adult—flying them outside of his office window. This small act of creative inspiration became the backbone of Hashimoto’s overarching artistic approach. It also brought new, youthful energy to his art, something that continues to drive him today.
“It’s important to me to create artwork that is generous on many different levels—parents can look at it as they’re playing with their kids, or 12-year-olds can dig it. I think that’s what you do in the West, you create possibility,” Hashimoto shared. Hashimoto’s authentic love for Portland, PDX, and the region, his professional background, artistic expertise, and clear vision were seamlessly integrated in order for him to obtain and realize this stellar new permanent artwork commission.
The Port of Portland and the PDX Art Program partnered with the Regional Arts & Culture Council (RACC) to select Jacob Hashimoto for this stunning project. To oversee the selection process and identify an artist, RACC published an open call to artists combined with targeted efforts and outreach to artists from underrepresented communities. The open call generated a total of 283 qualified applications.
With RACC’s help and the combined expertise of the Port’s Permanent Art Jury Committee, a total of four artists were selected as finalists for the formal interview process. In the interviews, the individual artists/artist teams discussed their existing work and practices and then proposed new approaches and diverse solutions for a permanent large-scale suspended installation project at PDX.
The City, located in the larger of the two nodes, is composed of two interacting formal languages: grids of square kites that form lines, planes, and volumes, all surrounded by an undulating cloud of elliptical kites. The grids and cubes cluster and collect throughout the composition to create what feels like architectonic neighborhoods: floating cities of complex graphics and color.
As the white cloud-like ellipses flow in-between the grids, the composition begins to resemble a collection of buildings moving in and out of a broken cloud bank. Graphics of waves and water weave around the perimeter of the piece, tracing the paths of the Willamette and Columbia rivers through the city.
While many of the graphic kites reflect the essential language of Hashimoto’s work over the last 20 years, he has taken this opportunity to expand his visual library by preparing a selection of Portland-specific graphics to visually link the abstract forms with real places in the city: roses and pearls; the city’s flags and seals; the occasional teal carpet pattern; etc. These pockets of symbols will be subtle, but for those who look closely, or who know the city intimately, the images will certainly be familiar.
The Sky also employs the footprint of the city as its outline, but its formal and narrative character is substantially different. As The City seeks to capture the vibrant urbanity at the confluence of two rivers, The Sky will draw our minds out and away from the city, across the borders of the neighborhoods and into the broad, vast expanse of the West. A cloud of landscape caught within the building should, in the darker days of winter, remind travelers of the terrific potential of nature, the healing rhythms of spring, and the adventure not so far away. With lightness and calm, it will feel like watching clouds float by distant mountains while lying in the grass.
Each kite is handmade from bamboo and resin, many with graphics printed on their front. The kites vary in size and shape, including 7 x 9-inch ellipses and 8 x 8-inch squares. The kites hang from rod and fitting assemblies which connect to the ceiling panels’ surface above. By subtly shifting the rods’ lengths and adjusting the kites’ locations on the rods, the kites appear to flow, cluster, and undulate through the space.
The majority of the individual pieces are composed of white and translucent-white kites. Many graphics are printed with UV cured ink on Asuka paper. Some are screen-printed with acrylic onto that same paper. The paper is embedded into a resin, creating a stained glass-like disc that allows light to filter through. The installations are comprised of approximately 11,000 kites total.
Jacob Hashimoto’s The City and The Sky was made possible by PDXNext, a Port of Portland program tasked with updating and upgrading Portland International Airport through 2025—which includes the brand new beautiful Concourse E Extension.
Hashimoto’s permanent sculptural installations at PDX, titled The City and The Sky, is a nod to the neighborhoods and natural beauty that surrounds Portland—with kites tracing the paths of the Willamette and Columbia Rivers, while others feature roses and pearls, the city’s flags and seals, and even the PDX carpet pattern. Hashimoto invites travelers to draw their minds away from the city and into the broad, vast expanse of the West. His goal is to remind travelers of the terrific potential of nature and the adventure that’s just a flight away.
橋本大輔 Daisuke Hashimoto
「nagori」攝影展
2 0 1 0 年 1 2 月 2 4 日 ( f r i ) - 0 1 月 1 6日 ( s u n )
開幕晚會 Opening Party：2010年12月24日（fri） 藝術家出席
Text by Mark Pearson, Zen Foto Gallery
橋本自身の言葉がとても明確で上品に表現されているので、私が付け加えることはほとんどありませんが…。
無慈悲な時間というものに初めて思いを馳せたとき、もしかすると悲しい気持ちになるかもしれません。
この地球上での私たちの命は確かに非常に短いです。
たとえ愛が生きる上で最も重要なものだとしても、結局いつかは色褪せ、忘れられるでしょう。
それでも、常に流れ続け、カメラのシャッターでさえ捕らえきることができないこの”瞬間”というものは、まさに生きているかのようで心を奪われます。
私が橋本の写真に感じるのは悲しさではなく、常にそこにある（はずの）、でも今にも消えてしまいそうな危うい存在の美しさです。
ラフマニノフの『交響曲第2番』やリヒャルト・シュトラウスの『ナクソス島のアリアドネ』を聞いた時の感動に似た美しさ。
なによりも至福の瞬間です。
Nagori
I have little to add to Hashimoto`s own words that he has expressed so clearly and elegantly.
At first the thought of time`s relentless march may seem sad. Our time on earth is so short. If love is the most important part of our existence, yet all loves will fade in time and be forgotten. Yet these moments of now that are continually being destroyed, that can never be captured even by the camera`s shutter, can be truly alive and thrilling.
Looking at Hashimoto`s photographs does not make me feel sad. What I feel is the beauty that is always present, ethereal, thrilling. The beauty that brings a lump to my throat like those moments from Rachmaninov`s Second Symphony or Richard Strauss` Ariadne auf Naxos. Moments that contain enough joy to fill all time.
Mark Pearson
“Nagori”: remains; traces; vestiges; relics (Japanese)
I was diagnosed recently with Hashimoto's Thyroiditis meaning that my immune system attacks my thyroid. It makes me tired and forgetful and fat.
What's your excuse?
I am hoping within a month my meds will be in effect and that I will start to feel better.
*crosses fingers*
Tomorrow, GAMBA Osaka will match the game with Shimizu S-Pulse in Shizuoka to get the J-League championship.
And its game is Hideo Hashimoto's last game in GAMBA Osaka.
Silver plated double link bracelet features a baby blue fiber optic cat's eye bead and Tibetan silver hope charm (measures 7/8"). Each link is 12mm wide. Adjustable clasp can extend bracelet to 8".
*If you would like more than I have listed, please contact me and I will make the adjustment!*
*Light Blue Causes: Addison's Disease, DiGeorge Syndrome, Graves' Disease, Hashimoto's Disease, Hyperaldosteronism, Lymphedema, Prostate Cancer, Scleroderma, Thyroid Disease, Trisomy 18
www.etsy.com/listing/63017534/thyroid-disease-scleroderma...
Pond at a Japanese painter Kansetsu Hashimoto's garden near the Silver pavillion(Ginkaku-ji) in Kyoto.
Never Comes Tomorrow (2015-2018) by Hacib Gasguniti
Adapted to fill the Liggett Hall archway, Jacob Hashimoto;s Never Comes Tomorrow contains hundreds of wooden cubes and two masive, steel funnels. Connecting the Island's Historic District and newly designed park to the south, the work emphasizes the vortex-like nature of the passageway while referencing the artist's interest in architecture, history and cosmology. It also serves as a counterpoint to Hashimoto's immersive installation in the nearby Chapel of St. Cornelius.
It was very bright and sunny on Tuesday, June 6, 2019. Took a photo walk in Governors Island. Governors Island was originally an island that the Lenape called Paggank ("nut island"). The name was transliterated into the Dutch Noten Eylandt. then Anglicized into Nutten Island, before being renamed Governor's Island by the late 18th century. The island's use as a military installation dates to 1776, during the American Revolutionary War, when Continental Army troops raised defensive works on the island. From 1783 to 1966, the island was a United States Army post, serving mainly as a training ground for troops, though it also served as a strategic defense point during wartime. The island then served as a major United States Coast Guard installation until 1996. Following its decommissioning as a military base, there were several plans for redeveloping Governors Island; it was sold to the public for a nominal sum in 2003, and opened for public use in 2005.
Governors Island has become a popular seasonal destination open to the public between May and September, attracting more than 800,000 visitors per year as of 2018. It contains a 43-acre (17 ha) public park, free arts and cultural events, and recreational activities. The island is accessed by ferries from Brooklyn and Manhattan.
This is a photo I've had the rough idea for since roughly the middle-ish of January. This week I decided it was time to go for it.
That would by my neck-- more specifically, if you look closely you can see a slight lump sticking out of it (right above the crease). The overlay is an ultrasound of said lump, which is actually a lymph node, taken a week ago.
For those who didn't know, there's a lot of background story with this. At the very end of last year, I noticed that I had a random lump on the right side of my neck. It didn't really hurt to touch, but it was pronounced enough that even in regular photos you could see it sticking out. I figured it was my lymph node, but other than feeling extremely tired (which I attributed to the time of year, with so much going on) and a cough (which felt like a tickle in my throat, not a cold), I felt fine. After a couple weeks it still seemed to be growing, so I scheduled an appointment and didn't think much of it (I figured it was probably some bug or something).
By the time I was able to get in and see my doctor, it had been about a month and the lump didn't seem to be going down at all. The doctor took one look at it, felt my neck, found not only one random huge lymph node but also a very swollen thyroid (which I didn't know was in your neck, but it is!) and began to fire off all sorts of questions about lymphoma history in my family (none), asking if I had lost weight (the opposite, I had gained weight), asking about night sweats, fevers, etc. She ended up ordering labs on my blood work and thyroid testing, and ordered an ultrasound to check both the lymph node in question, as well as my strangely swollen thyroid.
Obviously at the age of 23, this was not how I expected to be starting off the year. But there I was, barely a week into January and already beating out the amount of medical appointments I had in all of 2015.
Fast forward a few days to my follow up appointment, where instead of "everything looks good," I was told that my thyroid levels are extremely low, there were some nodules (small non-threatening [as of now] masses) on my thyroid, and the radiologist recommended that we do a CT scan on the lymph node because it's 5 cm long (a healthy lymph node should be less than 1 cm). In addition to the CT scan, I ended up doing a chest x-ray that day to make sure there was nothing there causing the cough. The good news was my lungs looked awesome, and I learned that you can see gas bubbles trapped in your stomach in an x-ray (which was rather amusing, all things considered). The bad news was I still exhausted, I still had this weird swelling in my lymph node and thyroid and we had no idea why.
So we go through another round of poking and prodding (contrast-enhanced CT scans involve IV's and dye that makes you feel weird when it's pumped through you), and a few days I ended up back in the doctor's office with some good news: the CT scan indicated my lymph node seemed to have gone down a very slight amount, and the tissue inside it didn't look abnormal. So we could move away from the "hm this mass is growing on and trying to kill me" train of thought, but now the challenge was to figure out what the hell my body was doing.
After some discussion, digging into family history, reviewing all of the scans, and another round of blood work, we figured out that I was a)dealing with hypothyroidism (which would explain the weight gain and the fatigue), b) my lymph node was pressing on a nerve in my throat that was triggering the "tickle in my throat" type of cough, and c) that my lymph node and thyroid freaking out were most likely connected.
Turns out, the most common cause of hypothyroidism is Hashimoto's disease, which is an autoimmune disorder where your immune system goes haywire and starts attacking your thyroid. It's not something that ever truly goes away, but it's something that can (relatively) easily be managed and monitored, and as long as I'm on top of it I should have a relatively normal rest of my life (as far as autoimmune disorders go, I'll take it). So instead of my once a year physical, I'm now in for check-ups every month or two to make sure both the lymph node and my thyroid go down in size, my TSH levels (how they measure thyroid function) are good, and I am now the proud owner of one of those daily pill organizers to make sure I don't mess anything up.
Last week I had my first followup ultrasound on my neck to make sure my swelling wasn't going down, and yesterday I had my followup to go over the results and check my TSH levels. Fortunately both are improving, and while my lymph node will probably never be down to it's original size I no longer look like I'm missing a chin on one half of my face (there's still a lump, but I have to crane my neck a specific way to see it). But more importantly, I'm pretty much back to feeling like myself.
Our light blue awareness bracelet features a caged 6mm periwinkle blue fiber optic cat's eye bead and silver plated charm (measures 12x23mm). The charm is stamped with your choice of 'Hope', 'Faith', or 'Believe' on both sides. Silver plated double link chain, each link is 9x6mm. Adjustable clasp (silver lobster claw) can extend bracelet to 8". Please specify which charm you would like at checkout, 'Hope', 'Faith', or 'Believe'.
*If you would like more than I have listed, please contact me and I will make the adjustment!*
*Light Blue Causes: Addison's Disease, DiGeorge Syndrome, Graves' Disease, Hashimoto's Disease, Hyperaldosteronism, Lymphedema, Prostate Cancer, Scleroderma, Thyroid Disease, Trisomy 18
www.etsy.com/listing/73000397/faith-hope-believe-thyroid-...
Removal of my whole thyroid due to years of undetected Hashimoto's disease which turned into a 4 inch by 5 and a half inch goiter, seven tumors on thyroid and two parathyroid glands (with tumors) removed.
A rough stay at the hospital 24 hours.
Severe allergic reaction to the tube drain made of silicone.
Two weeks of feeling as if the world is falling and needing to hurl every two minutes.
Having swelled up like a toad (gaining 40 pounds in three months).
Over $12,000 worth of bills (not including the surgeon and future investigation of pituitary gland.)
Knowing it is NOT cancer
Priceless. Priceless.
As were/are your kind prayers and thoughts. Priceless.
Thank you! Thank you!
By all the means, the doctor said, he would have bet his practice that it was cancer. Good thing it wasn't and that he didn't.
:)
ox
Our purple awareness bracelet features a caged 6mm purple fiber optic cat's eye bead and silver plated charm (measures 12x23mm). The charm is stamped with your choice of 'Hope', 'Faith', or 'Believe' on both sides. Silver plated double link chain, each link is 9x6mm. Adjustable clasp (silver lobster claw) can extend bracelet to 8". Please specify which charm you would like at checkout, 'Hope', 'Faith', or 'Believe'.
*If you would like more than I have listed, please contact me and I will make the adjustment!*
*Purple Causes: ADD, ADHD, Alzheimer's Disease, Anti-Violence, Chronic Pancreatitis, Cystic Fibrosis, Dravet's Syndrome, Domestic Violence, Epilepsy, Fibromyalgia, Hashimoto's Disease, Homelessness, Lupus, Macular Degeneration, Pancreatic Cancer, Sjogren's Syndrome, Thyroid Cancer
www.etsy.com/listing/72987627/faith-hope-believe-fibromya...
To investigate the rates of thyroid nodules and cancer in pediatric cases of Hashimoto’s Thyroiditis (HT) in our institution.
symbiosisonlinepublishing.com/thyroid-disorders-therapy/t...
Reminiscing about last Summer and looking forward to this Summer!
Plein air painting at North Cascades Institute's during Molly Hashimoto's watercolor class. I'll be taking another class wtih her at the Sitka Center for Ecology and Art on the Oregon coast this July 2011!
Our light blue awareness earrings feature a 6mm light blue fiber optic cat's eye bead, which dangles below two 4mm Swarovski bicone crystals in light blue. Approx 1 1/2" from the base of the sterling silver earwires.
Light Blue Causes: Addison's Disease, DiGeorge Syndrome, Graves' Disease, Hashimoto's Disease, Hyperaldosteronism, Lymphedema, Prostate Cancer, Scleroderma, Thyroid Disease, Trisomy 18
www.etsy.com/listing/65010968/sale-25-off-thyroid-disease...
Our light blue awareness bracelet features 3 enchanting strands of faceted aquamarine nuggets, polished mother of pearl, aquamarine chips, freshwater pearls, and silver plated beads. Bracelet measures approx 7" and has an adjustable clasp. Silver plated awareness charm measures 1/2" from top to bottom.
*Light Blue Causes: Addison's Disease, DiGeorge Syndrome, Graves' Disease, Hashimoto's Disease, Hyperaldosteronism, Lymphedema, Prostate Cancer, Scleroderma, Thyroid Disease, Trisomy 18
Never Comes Tomorrow (2015-2018) by Hacib Gasguniti
Adapted to fill the Liggett Hall archway, Jacob Hashimoto;s Never Comes Tomorrow contains hundreds of wooden cubes and two masive, steel funnels. Connecting the Island's Historic District and newly designed park to the south, the work emphasizes the vortex-like nature of the passageway while referencing the artist's interest in architecture, history and cosmology. It also serves as a counterpoint to Hashimoto's immersive installation in the nearby Chapel of St. Cornelius.
It was very bright and sunny on Tuesday, June 6, 2019. Took a photo walk in Governors Island. Governors Island was originally an island that the Lenape called Paggank ("nut island"). The name was transliterated into the Dutch Noten Eylandt. then Anglicized into Nutten Island, before being renamed Governor's Island by the late 18th century. The island's use as a military installation dates to 1776, during the American Revolutionary War, when Continental Army troops raised defensive works on the island. From 1783 to 1966, the island was a United States Army post, serving mainly as a training ground for troops, though it also served as a strategic defense point during wartime. The island then served as a major United States Coast Guard installation until 1996. Following its decommissioning as a military base, there were several plans for redeveloping Governors Island; it was sold to the public for a nominal sum in 2003, and opened for public use in 2005.
Governors Island has become a popular seasonal destination open to the public between May and September, attracting more than 800,000 visitors per year as of 2018. It contains a 43-acre (17 ha) public park, free arts and cultural events, and recreational activities. The island is accessed by ferries from Brooklyn and Manhattan.
Never Comes Tomorrow (2015-2018) by Hacib Gasguniti
Adapted to fill the Liggett Hall archway, Jacob Hashimoto;s Never Comes Tomorrow contains hundreds of wooden cubes and two masive, steel funnels. Connecting the Island's Historic District and newly designed park to the south, the work emphasizes the vortex-like nature of the passageway while referencing the artist's interest in architecture, history and cosmology. It also serves as a counterpoint to Hashimoto's immersive installation in the nearby Chapel of St. Cornelius.
It was very bright and sunny on Tuesday, June 6, 2019. Took a photo walk in Governors Island. Governors Island was originally an island that the Lenape called Paggank ("nut island"). The name was transliterated into the Dutch Noten Eylandt. then Anglicized into Nutten Island, before being renamed Governor's Island by the late 18th century. The island's use as a military installation dates to 1776, during the American Revolutionary War, when Continental Army troops raised defensive works on the island. From 1783 to 1966, the island was a United States Army post, serving mainly as a training ground for troops, though it also served as a strategic defense point during wartime. The island then served as a major United States Coast Guard installation until 1996. Following its decommissioning as a military base, there were several plans for redeveloping Governors Island; it was sold to the public for a nominal sum in 2003, and opened for public use in 2005.
Governors Island has become a popular seasonal destination open to the public between May and September, attracting more than 800,000 visitors per year as of 2018. It contains a 43-acre (17 ha) public park, free arts and cultural events, and recreational activities. The island is accessed by ferries from Brooklyn and Manhattan.
Never Comes Tomorrow (2015-2018) by Hacib Gasguniti
Adapted to fill the Liggett Hall archway, Jacob Hashimoto;s Never Comes Tomorrow contains hundreds of wooden cubes and two masive, steel funnels. Connecting the Island's Historic District and newly designed park to the south, the work emphasizes the vortex-like nature of the passageway while referencing the artist's interest in architecture, history and cosmology. It also serves as a counterpoint to Hashimoto's immersive installation in the nearby Chapel of St. Cornelius.
It was very bright and sunny on Tuesday, June 6, 2019. Took a photo walk in Governors Island. Governors Island was originally an island that the Lenape called Paggank ("nut island"). The name was transliterated into the Dutch Noten Eylandt. then Anglicized into Nutten Island, before being renamed Governor's Island by the late 18th century. The island's use as a military installation dates to 1776, during the American Revolutionary War, when Continental Army troops raised defensive works on the island. From 1783 to 1966, the island was a United States Army post, serving mainly as a training ground for troops, though it also served as a strategic defense point during wartime. The island then served as a major United States Coast Guard installation until 1996. Following its decommissioning as a military base, there were several plans for redeveloping Governors Island; it was sold to the public for a nominal sum in 2003, and opened for public use in 2005.
Governors Island has become a popular seasonal destination open to the public between May and September, attracting more than 800,000 visitors per year as of 2018. It contains a 43-acre (17 ha) public park, free arts and cultural events, and recreational activities. The island is accessed by ferries from Brooklyn and Manhattan.
for more info:
www.barbarahashimoto.com/projects_jm_index.html
Part of Pilsen East Artist's Open House weekend.
Pilsen is home to:
within(Reason): a contemporary art and photo space
for more info:
www.barbarahashimoto.com/projects_jm_index.html
Part of Pilsen East Artist's Open House weekend.
Pilsen is home to:
within(Reason): a contemporary art and photo space
Never Comes Tomorrow (2015-2018) by Hacib Gasguniti
Adapted to fill the Liggett Hall archway, Jacob Hashimoto;s Never Comes Tomorrow contains hundreds of wooden cubes and two masive, steel funnels. Connecting the Island's Historic District and newly designed park to the south, the work emphasizes the vortex-like nature of the passageway while referencing the artist's interest in architecture, history and cosmology. It also serves as a counterpoint to Hashimoto's immersive installation in the nearby Chapel of St. Cornelius.
It was very bright and sunny on Tuesday, June 6, 2019. Took a photo walk in Governors Island. Governors Island was originally an island that the Lenape called Paggank ("nut island"). The name was transliterated into the Dutch Noten Eylandt. then Anglicized into Nutten Island, before being renamed Governor's Island by the late 18th century. The island's use as a military installation dates to 1776, during the American Revolutionary War, when Continental Army troops raised defensive works on the island. From 1783 to 1966, the island was a United States Army post, serving mainly as a training ground for troops, though it also served as a strategic defense point during wartime. The island then served as a major United States Coast Guard installation until 1996. Following its decommissioning as a military base, there were several plans for redeveloping Governors Island; it was sold to the public for a nominal sum in 2003, and opened for public use in 2005.
Governors Island has become a popular seasonal destination open to the public between May and September, attracting more than 800,000 visitors per year as of 2018. It contains a 43-acre (17 ha) public park, free arts and cultural events, and recreational activities. The island is accessed by ferries from Brooklyn and Manhattan.