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Clean Code by our dear Uncle Bob. We cannot say that we love him as much as we did before this video (An Ode to Floyd) :) ...but we will forgive him ... there is still a special place in our hearts for Uncle Bob ;)

Code Impressions: Workshop Processing/Sérigraphie. École supérieure d'art d'Aix-en-Provence. Atelier Hypermédia + Atelier Sérigraphie. 13-17 février 2012. Julien Gachadoat & Marc Webster with Douglas Edric Stanley, Fabien Bodet, Mathilde Dufour, Adeline Harmide, Gabriel Gutierrez, Marie Liebes, Maude Vien, Jacques Hémery.

Price code A. 12cm x 18cm (approx 5 inches x 7 inches)

 

There is approx 0.3cm of black frame showing around the page, and the frame is 3cm deep.

Historic Environment Record for H BUILDING, Malvern, UK

The building, having military purposes and designated locally as H building, sits on a former Government Research site in Malvern, Worcestershire at Grid Ref SO 786 447. This site was the home of the Telecommunications Research Establishment (TRE) from 1946. It has been owned by QinetiQ since 2001 and is in the process (October 2017 to February 2018) of being sold for redevelopment.

This unique building has at its heart a ‘Rotor’ bunker with attached buildings to house radar screens and operators as well as plant such as emergency generators. Twenty nine Rotor operational underground bunkers were built in great urgency around Britain to modernise the national air defence network, following the Soviet nuclear test in 1949. Two factors make H building’s construction and purpose unique; this prototype is the only Rotor bunker built above ground and it was the home to National Air Defence government research for 30 years.This example of a ROTOR bunker is unique instead of being buried, it was built above ground to save time and expense, as it was not required to be below ground for its research purpose.

H Building was the prototype version of the Rotor project R4 Sector Operations Centre air defence bunkers. Construction began in August 1952 with great urgency - work went on 24 hours a day under arc lights. The main bunker is constructed from cross bonded engineering bricks to

form walls more than 2 feet thick in a rectangle approximately 65ft x 50ft. The two internal floors are suspended from the ceiling. The original surrounding buildings comprise, two radar control and operator rooms, offices and machine plant.

 

The building was in generally good order and complete. The internal layout of the bunker remains as originally designed. The internal surfaces and services have been maintained and modernised over the 55 years since its construction (Figure 3). The first floor has been closed over.

There are some later external building additions around the periphery to provide additional accommodation.

In parts of the building the suspended floor remains, with 1950s vintage fittings beneath such as patch panels and ventilation ducts.

The building has been empty since the Defence Science & Technology Laboratories [Dstl] moved out in October 2008

 

As lead for radar research, RRE was responsible for the design of both the replacement radars for the Chain Home radars and the command and control systems for UK National Air Defence.

Project Rotor was based around the Type 80 radar and Type 13 height finder. The first prototype type 80 was built at Malvern in 1953 code named Green Garlic. Live radar feeds against aircraft sorties, were fed into the building to carry out trials of new methods plotting and reporting air activity

 

A major upgrade of the UK radar network was planned in the late 1950s – Project ‘Linesman’ (military) / ‘Mediator’ (civil) – based around Type 84 / 85 primary radars and the HF200 height finder. A prototype type 85 radar (Blue Yeoman) was built adjacent to H Building in 1959. live radar returns were piped into H Building.

Subsequently a scheme to combine the military and civil radar networks was proposed. The building supported the research for the fully computerised air defence scheme known as Linesman, developed in the 1960s, and a more integrated and flexible system (United Kingdom Air Defence Ground Environment or UKADGE) in the 1970s.

The building was then used for various research purposes until the government relinquished the main site to QinetiQ in 2001. Government scientists continued to use the building until 2008. Throughout its life access was strictly controlled by a dedicated pass sytem.

Notable civil spin-offs from the research in this building include the invention of touch screens and the whole UK Civil Air Traffic Control system which set the standard for Europe.

 

Chronology

 

1952 - Construction work is begun. The layout of the bunker area duplicates the underground version built at RAF Bawburgh.

 

1953 - Construction work is largely completed.

 

1954 - The building is equipped and ready for experiments.

 

1956-1958 - Addition of 2nd storey to offices

 

1957-1960 - Experiments of automatic tracking, novel plot projection systems and data management and communications systems tested.

 

1960-1970 - Project Linesman mediator experiments carried out including a novel display technique known as a Touch screen ( A World First)

 

TOUCHSCREEN

 

A team led by Eric Johnson in H building at Malvern. RRE Tech Note 721 states: This device, the Touch Sensitive Electronic Data Display, or more shortly the ‘Touch Display’, appears to have the potential to provide a very efficient coupling between man and machine. (E A Johnson 1966). See also patent GB 1172222.

 

Information From Hugh Williams/mraths

  

1980-1990 - During this period experiments are moved to another building and H building is underused.

 

1990-1993 - The building was re-purposed and the bunker (room H57) had the first floor closed over to add extra floor area.

 

2008- The bunker was used until late 2008 for classified research / Joint intelligence centre

 

2019 - Visual Recording of the buildings interior by MRATHS. Be means of a LIDAR scan and photographs being taken. The exterior was mapped with a drone to allow a 3D Image of the building to be created via Photogrammetry. This was created in Autodesk Photo Recap.

 

2020 - Building demolished as part of the redevelopment of the site.

 

Information sourced from MRATHS

This week's assignment had me trawling the city with a different pair of "glasses" on. Looking for patterns and repetitions, suddenly I saw them everywhere!

 

In my case, I found these two amazing buildings standing perpendicular to each other.

 

DPS Assignment: Composition: Manmade Repetitions and Patterns

 

Exif:

Date: 10 February 2012

Camera: Nikon D700

ISO: 200

Lens: 24mm

Shutter speed: 1/400

Aperture: f/11

Flash: Did not fire

By request, another preference / feature I just finished implementing allows you to specify a time period that you'd like Anxiety to pop up after. The logic behind this is that after you've been working for a while, the list window will fade in to remind you of your pending tasks – thus keeping you on target. Note that this is a completely optional behavior; if you think you'd find such reminders irritating, you can simply leave them disabled.

 

This functionality will become available in the next update of Anxiety, which you can check for using the Check For Updates menu item under the application menu. Otherwise, Anxiety will automatically check for updates upon launching.

Guts of the Studio Electronics Code

Size:

(i) 800mm x 350mm

(ii) 1000mm x 440mm

 

Contact us for a customised size too.

I would presume the number of people who know the code to enter will be a minimal number!

 

We have very strong winds, today, and I was getting blown about when taking this shot!

 

Flickr Lounge ~ Weekend Theme (Week 41) ~ Safe and Secure ...

 

Stay Safe and Healthy Everyone!

 

Thanks to everyone who views this photo, adds a note, leaves a comment and of course BIG thanks to anyone who chooses to favourite my photo .... Thanks to you all!

QR Coders at the Houston Twestival. Contact me if you want to buy the t-shirt!

but its got Code Geass anime characters in front -___-

 

but sill happy about this lil symbol on it <3

Never judge a book by its vardo

Sudut Kali Code Kampung Jagalan Jogja

Code Impressions: Workshop Processing/Sérigraphie. École supérieure d'art d'Aix-en-Provence. Atelier Hypermédia + Atelier Sérigraphie. 13-17 février 2012. Julien Gachadoat & Marc Webster with Douglas Edric Stanley, Fabien Bodet, Mathilde Dufour, Adeline Harmide, Gabriel Gutierrez, Marie Liebes, Maude Vien, Jacques Hémery.

N6306T NA P-51D Mustang wearing amusing fuselage code HI-G (G-HI on the other side).

 

Ex USAAF 44-74878 and RCAF 9259.

Performing At Nothing Changes 5.15.13 Photos By NS

Lucca Comics & Games 2009

Code Name: Harlequin

Full Legal NameJoy Toyalington (Stage name: Joy Toy)

Height5' 6"

Weight120 lbs.

EyesGreen

HairBlack

Legal Status: US Citizen with no criminal record

Profession: Entertainer (clown/acrobat), adventurer

  

Personality: An optimistic, upbeat girl that's quick to befriend and stand up for her friends once she makes them. Growing up in the cosmopolitan atmosphere of a traveling show has made her extremely open minded. Perhaps too open minfrf as she doesn't judge on appearances even when it might be wise. Joy loves to make people laugh and tries to defuse tense situations with humour, even if its gallows humour. Sometimes she doesn't know when to get serious and commits practical jokes habitually, but never aims to hurt her targets. Unlike most jokers, Joy is just as quick to laugh at herself and enjoys a good prank even when she's the target. Being a performer has made her somewhat of an exhibitionist. She loves attention and really has little sense of modesty or personal privacy though she does get emotional boundaries. Her "family" of carnies was close and no one was judge on their background before joining the group. Growing up in a world where "freaks" and "normal" people lived in harmony has given her a unique insight on the conflict between humans and mutants and she doesn't see why it can't work on a larger scale.

 

History: Being born with obvious physical mutations (Pure white skin and harlequin like facial markings) wasn't such a big problem for Joy. Considering she born into a traveling carnival and side show. Her powers manifested early, but she found accepted among the carnie folk as one of their own. In fact her rubbery and nearly indestructible body combined her extroverted nature made her a natural for the show as a clown and acrobat extraordinaire. When she intervened and successfully prevented a hold up of the carnival ticket booth, Joy realized her abilities might be useful for something besides making people laugh and, with the blessing of her "family" set off to discover her destiny.

CC BY 3.0 Jugend hackt, Foto: Eva-Maria Kühling/Peter Wozniak

Nice platform shoes you have there Lelouch

Size:

(i) 600mm x 900mm

(ii) 850mm x 1275mm

 

Contact us for a customised size too.

‘NODE15 – Forum for Digital Arts’ is gathering designers, creative coders and digital artists for creative explorations of technologies. With the Leitmotif ‘Wrapped in Code – the Future of the Informed Body’, NODE15 is devoted to the negotiation of the body and its fusion with technology. It’s a week long rush with hands-on vvvv workshops, exhibition, symposium, performances and artist talks.

 

Photo: Nemanja Knežević

OLYMPUS DIGITAL CAMERA

"code barre" par Pascal Brateau,

Eglise des Trinitaires, Metz.

This is my first attempt at such a code wheel in a long time. I printed one on a 3D printer four years ago or so, but paper is in many ways far more convenient. The seventh grade is learning programming, and I'm using the work of Al Sweigart to teach Caesar Cipher — which is simple letter substitution. This came out of that work.

www.all-coupon-codes.com provides online coupons and coupon codes for people to save when they shop online. Use online coupons and coupon codes and enjoy huge savings.

you can still see the old "CODE" and "BLER" bombs, even though some fuckhead decided to buff it with a roller

Live @Fluff Fest 2013, Rokycany, CZ

 

© All rights reserved. Do not use my photos without my written permission. If you would like to buy or use this photo PLEASE message me or email me at stefan.marotta@gmail.com

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