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Explored Feb 4, 2009 #199

 

Camera: Canon EOS 400D Digital

Exposure: 0.004 sec (1/250)

Aperture: f/11.0

Focal Length: 35 mm

ISO Speed: 400

Exposure Bias: 0 EV

Flash: Off

MIME Type: image/jpeg

posure Program: Program AE

Date and Time : 2007:10:14 16:11:15

Metering Mode: Multi-segment

User Comment: Photography By : Khalid Almasoud

Color Space: sRGB

Custom Rendered: Normal

Exposure Mode: Auto

White Balance: Auto

Scene Capture Type: Standard

Compression: JPEG (old-style)

 

Changes:

 

-Completely new coat

-New face

-Painted shotgun

-Touched up arm paint

 

OLYMPUS DIGITAL CAMERA

Lowther gardens, Lytham, Lancashire, England

For my 100 Flowers Project - 2020.

 

My project wouldn't be complete without a Grevillea (or two)

Jupiter8 @ OM-D

Canon 6D

Canon 50mm 1.4 EF

I was just sitting there. Breathing. Nothing more and nothing less. You could hardly call it living.

It makes me sad.

I thought I returned from all this. I thought I made a comeback. Sadly, this wasn't the case.

Everything is temporary.

I'm so indecisive and picky. Slowly, my mood began to lighten. For some reason, I wasn't yet ready for it to do so.

Ungrateful, ungrateful, ungrateful.

 

As if I'm the absolute center of the universe and nothing will ever live up to my expectations.

 

I've secluded myself and pushed a dear friend away. I feel it's my fault entirely.

I'm merely a body and seem to have lost all feeling.

This isn't right. This isn't what's meant for me.

I'm going to do this for myself. I'm going to get up and live.

Take 2.

   

Take 2. Breathing. Living. Feeling. Mission complete.

    

For the first time, I now feel free and real.

I'm moving forward.

     

"sometimes a silence seems

so loud to me

and i'm thinking out loud

and i'm trying to keep

 

too much reflection

isn't healthy for me

present and future

is where i need to be

 

but i'm stalling this story

i'm gonna fill it with glory

cause theres no place to go but up

and i'm changing my outlook

cause looking inwards

isn't always a good place to go"

 

This is the most perfect song.

 

www.youtube.com/watch?v=ssdqm66sqp0&feature=related

   

©All rights reserved. Use without permission is illegal.

_

 

Pentax K-5

SMC Pentax-M 50mm F1.7 (all shots with this lens till 95% with aperture at 2.0)

_

 

© 2016 stefanorugolo | All rights reserved.

Here is an other photo from our Retro Rockstar shooting, last week. It was made at the Multimedia Center in Halle, with a driving tram in the background. So you guess right, it was a difficult long term exposure, because it was necessary for Sebastian to standing 100% still, for 1/3 second.

 

Follow me on Facebook

  

Press L to view in large.

 

Strobist info:

 

1x YN460 Speedlight left, @ 1/1 power, handheld by TJ

Triggered by Yongnuo RF-602

Camera was on tripod

 

Nikon D5000 with Tamron SP AF90mm F/2.8 Di Macro 1:1

Nikon D5000 | ISO 100 | 90mm | ƒ/32 | 1/3s

 

Dressed for Christmas. This is as festive as I get.

 

Photography & Postproduction: Mitsus www

 

Model: Krzysztof [Agencja MF Models]

Make up Artist: Rzoana

Cast Thy Bread On The Water. J. L. Roeckel. TTBB. pg. 2

St George's Circus

  

Thanks for all the views, please check out my other photos and albums.

Nikon 105mm f/2.5 ais

28mm Wide Angle 5x Optical Zoom PL70(SL720) offers 720p HD Movie & HDMI Connectivity

 

Offering 12.2 mega-pixels, 5x optical zooms and eye-catching style, the new PL70(SL720) and PL55(SL502) are

 

the perfect cameras for consumers looking to capture all those important memories with easy and simple use.

 

Number 2 is more in an Oriental style, following the techniques of the great contemporary artist, Gao Xingjian, whom I admire greatly.

Original is 8x11 inches.

Kowloon, Hong Kong

The Queen Mary 2 prepares to dock at the Kai Tak Cruise Terminal, Hong Kong. Tough shot this one. We knew she was scheduled to dock at 0700 but with first light at 0645 and a deceptively fast moving subject we knew that getting any kind of shot with decent brightness and sharpness was going to be a challenge. She was a bit ahead of schedule and we arrived on the scene just as QM2 was being turned to be pulled into the pier. The sun was just starting to rise, casting some much needed light on the port side facing. We literally had a couple of fleeting minutes to get these shots, so we felt pretty lucky. But after taking all things into account, sometimes you make your own luck.

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