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Kokopelli Artwork on Patio Wall at Home in Tempe, Arizona
This is a closeup photo of a Kokopelli art piece on our patio wall.
INFORMATION OF KOKOPELLI:
Kokopelli is a fertility deity, usually depicted as a humpbacked flute player (often with a huge phallus and antenna-like protrusions on his head), who has been venerated by many Native American cultures in the Southwestern United States. Like most fertility deities, Kokopelli presides over both childbirth and agriculture. He is also a trickster god and represents the spirit of music.
Kokopelli also presides over the reproduction of game animals, and for this reason, he is often depicted with animal companions such as rams and deer. Other common creatures associated with him include sun-bathing animals such as snakes, or water-loving animals like lizards and insects.
In his domain over agriculture, Kokopelli's fluteplaying chases away the Winter and brings about Spring. Many tribes, such as the Zuni, also associate Kokopelli with the rains. He frequently appears with Paiyatamu, another flautist, in depictions of maize-grinding ceremonies. Some tribes say he carries seeds and babies on his back.
In recent years, the emasculated version of Kokopelli has been adopted as a broader symbol of the Southwestern United States as a whole. His image adorns countless items such as T-shirts, ball caps, and keychains. A bicycle trail between Grand Junction, Colorado, and Moab, Utah, is now known as the Kokopelli Trail.
Kokopelli has been worshipped since at least the time of the Ancient Pueblo Peoples. The first known images of him appear on Hohokam pottery dated to sometime between AD 750 and AD 850.
Kokopelli may have originally been a representation of ancient Aztec traders, known as pochtecas, who traveled to this region from northern Mesoamerica. These traders brought their goods in sacks slung across their backs, and this sack may have evolved into Kokopelli's familiar hump (in fact, many tribes make Kokopelli a trader in this way). These men also used flutes to announce themselves as friendly as they approached a settlement. This origin is still in doubt, however, since the first known images of Kokopelli predate the major era of Aztec-Anasazi trade by several hundred years.
Source: Wikipedia
Kokopelli Artwork on Patio Wall at Home in Tempe, Arizona
This is a closeup photo of a Kokopelli art piece on our patio wall.
INFORMATION OF KOKOPELLI:
Kokopelli is a fertility deity, usually depicted as a humpbacked flute player (often with a huge phallus and antenna-like protrusions on his head), who has been venerated by many Native American cultures in the Southwestern United States. Like most fertility deities, Kokopelli presides over both childbirth and agriculture. He is also a trickster god and represents the spirit of music.
Kokopelli also presides over the reproduction of game animals, and for this reason, he is often depicted with animal companions such as rams and deer. Other common creatures associated with him include sun-bathing animals such as snakes, or water-loving animals like lizards and insects.
In his domain over agriculture, Kokopelli's fluteplaying chases away the Winter and brings about Spring. Many tribes, such as the Zuni, also associate Kokopelli with the rains. He frequently appears with Paiyatamu, another flautist, in depictions of maize-grinding ceremonies. Some tribes say he carries seeds and babies on his back.
In recent years, the emasculated version of Kokopelli has been adopted as a broader symbol of the Southwestern United States as a whole. His image adorns countless items such as T-shirts, ball caps, and keychains. A bicycle trail between Grand Junction, Colorado, and Moab, Utah, is now known as the Kokopelli Trail.
Kokopelli has been worshipped since at least the time of the Ancient Pueblo Peoples. The first known images of him appear on Hohokam pottery dated to sometime between AD 750 and AD 850.
Kokopelli may have originally been a representation of ancient Aztec traders, known as pochtecas, who traveled to this region from northern Mesoamerica. These traders brought their goods in sacks slung across their backs, and this sack may have evolved into Kokopelli's familiar hump (in fact, many tribes make Kokopelli a trader in this way). These men also used flutes to announce themselves as friendly as they approached a settlement. This origin is still in doubt, however, since the first known images of Kokopelli predate the major era of Aztec-Anasazi trade by several hundred years.
Source: Wikipedia