komplott
maginot10 - Mats Björk - Sound of the Sun
A solar cell driven composition packaged in a standard CD-jewel case. This
release is focusing on the research for a way to actually hear the sun, the
exploration of the borders between instrument and phonogram, and the role as
a musician or a listener. For the transformation of sunlight into sound Mats
Björk have constructed a solar cell powered and controlled tone generator.
This is packaged in a standard CD-jewel case to give it the feel and the
attributes of a phonogram.
Connected to a pair of headphones, one can choose to listen to one of the
two parts this composition basically consists of. With the lid open, the
circuit (that also makes out the musical score) with its oscillators, is
carefully tuned for broad daylight to capture the intense piercing and
powerful energy, here manifested in the mantra of a clear but uncertain six
tone chord. Slowly shifting in pitch as the sun wanders the sky and
occasionally hides behind a small cloud, this part of the composition lets
you sink in to the relations between the tones themselves and between light
and tone.
By more actively interacting with the sun, or exploring the sounds of
artificial light, the piece moves into its more chaotic experimental phase
and you as a listener approach the role of the musician. Like zooming in on
the exploding fire bursts of the solar surface, the experience of minimal
noise clusters related to all kinds of light is revealed.
Sound of the sun will be made in 24 copies
maginot10 - Mats Björk - Sound of the Sun
A solar cell driven composition packaged in a standard CD-jewel case. This
release is focusing on the research for a way to actually hear the sun, the
exploration of the borders between instrument and phonogram, and the role as
a musician or a listener. For the transformation of sunlight into sound Mats
Björk have constructed a solar cell powered and controlled tone generator.
This is packaged in a standard CD-jewel case to give it the feel and the
attributes of a phonogram.
Connected to a pair of headphones, one can choose to listen to one of the
two parts this composition basically consists of. With the lid open, the
circuit (that also makes out the musical score) with its oscillators, is
carefully tuned for broad daylight to capture the intense piercing and
powerful energy, here manifested in the mantra of a clear but uncertain six
tone chord. Slowly shifting in pitch as the sun wanders the sky and
occasionally hides behind a small cloud, this part of the composition lets
you sink in to the relations between the tones themselves and between light
and tone.
By more actively interacting with the sun, or exploring the sounds of
artificial light, the piece moves into its more chaotic experimental phase
and you as a listener approach the role of the musician. Like zooming in on
the exploding fire bursts of the solar surface, the experience of minimal
noise clusters related to all kinds of light is revealed.
Sound of the sun will be made in 24 copies