Brad Visser
Desli in the Schiffbau
Model: Desli (@desliness)
While Portra is a much recommended emulsion for those wanting to get the "film look", I've often struggled to get the colours of my scans even close to right. This is at least partially due to my colour vision deficiency and I'm often quite reliant on automatic tools and the judgement of others to get things right.
For this set of images I'm testing out a new workflow using Negsets, a set of film profiles for colour negative film conversion in Lightroom. It is not a "one-click magic bullet", but a method that is quite intuitive and easy to use (for me). So far I'm really liking the results that I have been able to get with it.
Committed to Kodak Portra 160NC using a Hasselblad 503CX and 60 mm Zeiss lens. Developed using a C41 kit from Ars-Imago and digitised with a digital camera. Positive conversion and contrast done with Negsets, dust removal and sharpening in Photoshop.
Desli in the Schiffbau
Model: Desli (@desliness)
While Portra is a much recommended emulsion for those wanting to get the "film look", I've often struggled to get the colours of my scans even close to right. This is at least partially due to my colour vision deficiency and I'm often quite reliant on automatic tools and the judgement of others to get things right.
For this set of images I'm testing out a new workflow using Negsets, a set of film profiles for colour negative film conversion in Lightroom. It is not a "one-click magic bullet", but a method that is quite intuitive and easy to use (for me). So far I'm really liking the results that I have been able to get with it.
Committed to Kodak Portra 160NC using a Hasselblad 503CX and 60 mm Zeiss lens. Developed using a C41 kit from Ars-Imago and digitised with a digital camera. Positive conversion and contrast done with Negsets, dust removal and sharpening in Photoshop.