Giles Watson's poetry and prose
Echo
Echo
I could only speak in the sweet ironies of repetition,
so when he said, “Do not touch me,” I replied:
“Touch me, touch me, touch me, touch me,” and
after a while again, “touch me”, till he turned
tail on me and made towards the pool. I would
have cried out some new and original thought
had it not eluded me – but I could think only
of the touching that wasn’t to be – the caress
he would ever forbear to offer. There was a cold
shrinking inside me. Most parts of me became
superfluous. I ghosted about the flesh-white
stalagmites. Bats flew through me. When you
whisper in the cave, I take your last syllables,
shape them into the line of my jaw, the curve
of my breasts, a suggestion of lips and hair –
come close to embodiment, then fade. Say it
one more time. I’ll try it all again. “Touch me.”
Poem by Giles Watson, 2012. The picture is based on a two-minute life-drawing sketch, 7th December, 2012.
Echo
Echo
I could only speak in the sweet ironies of repetition,
so when he said, “Do not touch me,” I replied:
“Touch me, touch me, touch me, touch me,” and
after a while again, “touch me”, till he turned
tail on me and made towards the pool. I would
have cried out some new and original thought
had it not eluded me – but I could think only
of the touching that wasn’t to be – the caress
he would ever forbear to offer. There was a cold
shrinking inside me. Most parts of me became
superfluous. I ghosted about the flesh-white
stalagmites. Bats flew through me. When you
whisper in the cave, I take your last syllables,
shape them into the line of my jaw, the curve
of my breasts, a suggestion of lips and hair –
come close to embodiment, then fade. Say it
one more time. I’ll try it all again. “Touch me.”
Poem by Giles Watson, 2012. The picture is based on a two-minute life-drawing sketch, 7th December, 2012.