Giles Watson's poetry and prose
Thanks for the Gloves
Thanks for the Gloves
Diolch am Fenig
Ifor’s generous with gold:
There’s no hand he does not gild
Ere it leaves his court. I dined
There yesterday, and was wined
Well enough to loose my tongue
In praise. Night leaves a lorn twinge
Of longing, for no wedding
Could coax a bride more willing
Than I am, though I travel
Afar. Praise is kind travail.
I came from his court with gloves
Money-filled to the gussets.
Ifor, patron of poets,
Gives his good gloves like a priest
Signing blessings, thick and fine,
Stuffed with coins, colour of fawn.
Oh, that I had penned a poem
Each time gold has crossed his palm,
Or coined cywyddau whenever
My finger touched his silver!
Fine girls always want – on loan –
My gloves. I’ve rehearsed my line:
“No.” I’m never letting go
Of Ifor’s gift, though they blow
Their pink cheeks out in disgust:
I am his devoted guest.
No ram-skin mitten will scour
My finger and leave a scar:
I wear deer-skin on each hand
From a benefactor’s herd:
Gentle leather. I’ll not let
Any weather get them wet.
By Rheged, I’ll give him praise:
Great Ifor, who dwarfs his peers.
A second Taliesin,
Dafydd hones his lord’s blessing
Out of words. I wish him health
As I stand before his hearth -
A place where men are brave, and maids
Chaste, possessed of noble minds,
Where even lords bend to bless
A mere bard with fond largesse,
Where every babe is well-borne,
Where hawks, hounds and wine abound,
Where garments are all scarlet
And no good poem stays secret.
In the Wennallt, not one tree
Has a head that is not green
In the wind alive and waving
With its neighbours interwoven.
So, a joyful throng is knit
At Basaleg: bard and knight
Bound to their Duke together -
And I shall serve no other.
No gloves for a Saxon fool -
No mere English gloves of wool:
Gloves of Ifor, perfect gift!
They fit my hand like a graft
Ingrowing. I wave: “All hail!”
In salute of Ifor Hael.
Poem by Dafydd ap Gwilym, paraphrased by Giles Watson, 2012. Like all mediaeval bards, Dafydd was not above unleashing a gush of fawning praise on a promising patron, but in the case of Ifor ap Llywelyn, who lived at Gwernyclepa, near to the village of Basaleg, the affection seems to have been quite genuine. It was Dafydd himself who gave Ifor his nickname: “Hael” (the Generous), and the poet was equally generous, composing no less than six poems in his praise. This is, in fact, the earliest surviving poem of thanks in the cywydd metre, and it seems likely that Dafydd’s slightly younger contemporary, Iolo Goch – a still more effusive flatterer – was influenced by it. The hall of Rheged was the place where the sixth century poet Taliesin – the archetypal bard – sang the praises of his master Urien, and Dafydd is, of course, being quite as flattering to himself as he is to his patron in making the comparison. Craig y Wennallt was a woodland three miles to the north-west of Ifor’s court.
The picture shows a pair of gloves from the mid-1500s, in the Ashmolean Museum, Oxford. Rumour has it that they were given to Elizabeth I on her first royal visit to Oxford in 1566, and that she left them behind because they were "unflatteringly large". Apologies for the anachronism.
Thanks for the Gloves
Thanks for the Gloves
Diolch am Fenig
Ifor’s generous with gold:
There’s no hand he does not gild
Ere it leaves his court. I dined
There yesterday, and was wined
Well enough to loose my tongue
In praise. Night leaves a lorn twinge
Of longing, for no wedding
Could coax a bride more willing
Than I am, though I travel
Afar. Praise is kind travail.
I came from his court with gloves
Money-filled to the gussets.
Ifor, patron of poets,
Gives his good gloves like a priest
Signing blessings, thick and fine,
Stuffed with coins, colour of fawn.
Oh, that I had penned a poem
Each time gold has crossed his palm,
Or coined cywyddau whenever
My finger touched his silver!
Fine girls always want – on loan –
My gloves. I’ve rehearsed my line:
“No.” I’m never letting go
Of Ifor’s gift, though they blow
Their pink cheeks out in disgust:
I am his devoted guest.
No ram-skin mitten will scour
My finger and leave a scar:
I wear deer-skin on each hand
From a benefactor’s herd:
Gentle leather. I’ll not let
Any weather get them wet.
By Rheged, I’ll give him praise:
Great Ifor, who dwarfs his peers.
A second Taliesin,
Dafydd hones his lord’s blessing
Out of words. I wish him health
As I stand before his hearth -
A place where men are brave, and maids
Chaste, possessed of noble minds,
Where even lords bend to bless
A mere bard with fond largesse,
Where every babe is well-borne,
Where hawks, hounds and wine abound,
Where garments are all scarlet
And no good poem stays secret.
In the Wennallt, not one tree
Has a head that is not green
In the wind alive and waving
With its neighbours interwoven.
So, a joyful throng is knit
At Basaleg: bard and knight
Bound to their Duke together -
And I shall serve no other.
No gloves for a Saxon fool -
No mere English gloves of wool:
Gloves of Ifor, perfect gift!
They fit my hand like a graft
Ingrowing. I wave: “All hail!”
In salute of Ifor Hael.
Poem by Dafydd ap Gwilym, paraphrased by Giles Watson, 2012. Like all mediaeval bards, Dafydd was not above unleashing a gush of fawning praise on a promising patron, but in the case of Ifor ap Llywelyn, who lived at Gwernyclepa, near to the village of Basaleg, the affection seems to have been quite genuine. It was Dafydd himself who gave Ifor his nickname: “Hael” (the Generous), and the poet was equally generous, composing no less than six poems in his praise. This is, in fact, the earliest surviving poem of thanks in the cywydd metre, and it seems likely that Dafydd’s slightly younger contemporary, Iolo Goch – a still more effusive flatterer – was influenced by it. The hall of Rheged was the place where the sixth century poet Taliesin – the archetypal bard – sang the praises of his master Urien, and Dafydd is, of course, being quite as flattering to himself as he is to his patron in making the comparison. Craig y Wennallt was a woodland three miles to the north-west of Ifor’s court.
The picture shows a pair of gloves from the mid-1500s, in the Ashmolean Museum, Oxford. Rumour has it that they were given to Elizabeth I on her first royal visit to Oxford in 1566, and that she left them behind because they were "unflatteringly large". Apologies for the anachronism.