adlerblack.
Untitled (Hue-Shift)
Lomo Turquoise was always a film stock that I never planned on getting around to trying, but after hearing that a simple 180° hue shift of the positive makes it look almost like Aerochrome, I immediately bought a roll to see if that was really the case.
I have to say that I am very happy with the results. Sure, it isn't 1:1 Aerochrome, but I'm also not paying 8x10 sheet film prices for a roll of 35mm, so I'll take it.
The effect seems to work a lot better outdoors with a lot of light, where it gives much more vivid reds. Indoor shots end up leaning a lot more dark magenta instead, which is an interesting look in its own right.
I shot this roll at 400 iso, so maybe 100 or 200 would be better for anything indoors or generally low-light.
Longwood Gardens
Kennett Square, PA
-
Canon A1
FD 50mm F/1.8
Lomography Turquoise (@400 iso)
Scanned w/ Fujifilm X-T5
Untitled (Hue-Shift)
Lomo Turquoise was always a film stock that I never planned on getting around to trying, but after hearing that a simple 180° hue shift of the positive makes it look almost like Aerochrome, I immediately bought a roll to see if that was really the case.
I have to say that I am very happy with the results. Sure, it isn't 1:1 Aerochrome, but I'm also not paying 8x10 sheet film prices for a roll of 35mm, so I'll take it.
The effect seems to work a lot better outdoors with a lot of light, where it gives much more vivid reds. Indoor shots end up leaning a lot more dark magenta instead, which is an interesting look in its own right.
I shot this roll at 400 iso, so maybe 100 or 200 would be better for anything indoors or generally low-light.
Longwood Gardens
Kennett Square, PA
-
Canon A1
FD 50mm F/1.8
Lomography Turquoise (@400 iso)
Scanned w/ Fujifilm X-T5