Poster Study
101 Oil Studies, No. 29
Objective: Test hue, chroma, values for major elements of subsequent painting.
Painted in 3 sessions: 26-29 June 2024
Pigments (all Winsor & Newton Artists' oil colour): Indigo, ivory black, Winsor violet, sap green, yellow ochre, cadmium lemon, cadmium yellow, Naples yellow, naples yellow light, burnt umber, transparent earth red (Gamblin artist), cadmium red, warm grey (Rembrandt artist), permalba white (Weber), unbleached titanium (Richeson Shiva). Medium: Linseed oil.
Jack Richeson & Company premium gesso panel
22.9 x 30.5 (9 x 12 inches)
Process: This tries out a poster study concept introduced to me in a workshop by M. Tobias Hall at the New Mexico Art League studio. It tests out the look of broad areas of hue, chroma, and values.
After Action Evaluation: (1) If anything, I was too detailed and took two painting sessions (after application of wash to the panel), instead of one short session. (2) This is as much a paint mixing process as a painting process. (3) Specifically, this identifiec a sun color that really didn't work.
Poster Study
101 Oil Studies, No. 29
Objective: Test hue, chroma, values for major elements of subsequent painting.
Painted in 3 sessions: 26-29 June 2024
Pigments (all Winsor & Newton Artists' oil colour): Indigo, ivory black, Winsor violet, sap green, yellow ochre, cadmium lemon, cadmium yellow, Naples yellow, naples yellow light, burnt umber, transparent earth red (Gamblin artist), cadmium red, warm grey (Rembrandt artist), permalba white (Weber), unbleached titanium (Richeson Shiva). Medium: Linseed oil.
Jack Richeson & Company premium gesso panel
22.9 x 30.5 (9 x 12 inches)
Process: This tries out a poster study concept introduced to me in a workshop by M. Tobias Hall at the New Mexico Art League studio. It tests out the look of broad areas of hue, chroma, and values.
After Action Evaluation: (1) If anything, I was too detailed and took two painting sessions (after application of wash to the panel), instead of one short session. (2) This is as much a paint mixing process as a painting process. (3) Specifically, this identifiec a sun color that really didn't work.