Sunlight Effect
Waterloo Bridge, Sunlight Effect, 1903
Oil on canvas
Included in Monet's 1904 exhibition Views of the Thames in London
Writing to his wife, Alice, from London in March 1900, Claude Monet described the day's astonishing weather: 'today's weather has been crazy, at times very fine with a delicious fog, then suddenly an extraordinary clarity and, with that, very cold with gusts of snow'. In this depiction of Waterloo Bridge, one feels the crisp air that accompanies the bright sunshine turning the grey of the granite bridge into a soft pink. The golden light seems more reminiscent of the south of France or Venice (other places painted by Monet) than of England. However, the incredible variety of light and the ever-changing weather effects were precisely what so fascinated Monet about London.*
Taken from the exhibition
Monet and London: Views of the Thames
(September 2024 - January 2025)
Claude Monet (1840—1926) is world renowned as the leading figure of French Impressionism, the movement that changed the course of modern art. Less known is the fact that some of Monet’s most remarkable Impressionist paintings were made not in France but in London. They depict extraordinary views of the Thames as it had never been seen before, full of evocative atmosphere, mysterious light and radiant colour.
Begun during three stays in the capital between 1899 and 1901, the series — depicting Charing Cross Bridge, Waterloo Bridge and the Houses of Parliament — was unveiled in Paris in 1904. Monet fervently wanted to show them in London the following year, but plans fell through. To this day, they have never been the subject of a UK exhibition.
The Griffin Catalyst Exhibition: Monet and London. Views of the Thames realises Monet’s unfulfilled ambition of showing this extraordinary group of paintings in London, and just 300 metres from the Savoy Hotel where many of them were painted. By presenting the paintings Monet himself selected for his public in Paris and London, it provides visitors with the unique experience of seeing the show Monet curated and the works he felt best represented his ambitious artistic enterprise — brought together for the first time 120 years after their inaugural exhibition.
[*Courtauld Gallery]
Taken in The Courtauld
Sunlight Effect
Waterloo Bridge, Sunlight Effect, 1903
Oil on canvas
Included in Monet's 1904 exhibition Views of the Thames in London
Writing to his wife, Alice, from London in March 1900, Claude Monet described the day's astonishing weather: 'today's weather has been crazy, at times very fine with a delicious fog, then suddenly an extraordinary clarity and, with that, very cold with gusts of snow'. In this depiction of Waterloo Bridge, one feels the crisp air that accompanies the bright sunshine turning the grey of the granite bridge into a soft pink. The golden light seems more reminiscent of the south of France or Venice (other places painted by Monet) than of England. However, the incredible variety of light and the ever-changing weather effects were precisely what so fascinated Monet about London.*
Taken from the exhibition
Monet and London: Views of the Thames
(September 2024 - January 2025)
Claude Monet (1840—1926) is world renowned as the leading figure of French Impressionism, the movement that changed the course of modern art. Less known is the fact that some of Monet’s most remarkable Impressionist paintings were made not in France but in London. They depict extraordinary views of the Thames as it had never been seen before, full of evocative atmosphere, mysterious light and radiant colour.
Begun during three stays in the capital between 1899 and 1901, the series — depicting Charing Cross Bridge, Waterloo Bridge and the Houses of Parliament — was unveiled in Paris in 1904. Monet fervently wanted to show them in London the following year, but plans fell through. To this day, they have never been the subject of a UK exhibition.
The Griffin Catalyst Exhibition: Monet and London. Views of the Thames realises Monet’s unfulfilled ambition of showing this extraordinary group of paintings in London, and just 300 metres from the Savoy Hotel where many of them were painted. By presenting the paintings Monet himself selected for his public in Paris and London, it provides visitors with the unique experience of seeing the show Monet curated and the works he felt best represented his ambitious artistic enterprise — brought together for the first time 120 years after their inaugural exhibition.
[*Courtauld Gallery]
Taken in The Courtauld