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Uma versão minha do Wolverine inspirada em uma revista que gosto muito: Sérgio Aragonés - Massacra a Marvel.
Look at the paws on this guy! Last summer, a visitor reported to our Butterfly Monitoring Crew Lead, Michelle Toshack, that they had seen a wolverine chasing a marmot while hiking just to the west of the Park boundary in the Skagit watershed. Michelle told our wildlife biologists, and Roger Christophersen set up a scent lure to attempt to attract the wolverine to a hair snare and motion camera. The remote camera captured these photos of a male wolverine and the snare caught a useful hair sample.
Keith Aubry, Wildlife Biologist with the US Forest Service had the hair sample analyzed and recently reported that the DNA analysis confirmed this report as the westernmost verifiable record of a wolverine in the last 15 years! In addition, the hair sample identified this wolverine as "Special K", a previously captured wild study animal. Special K was caught in a trap near Bridge Creek back in February of 2012, but would not go down during immobilization and had to be released without a radio-collar intended to track movements across its home range. Luckily, biologists had taken a hair sample that allowed this identification that gives researchers another example of how wide-ranging these animals are - the two sites are separated by more than 45 miles and a mountain range!
I guess he didn't like the cut of my jib. :) He turned around and headed for the hills. Quiet literally.
Jean-Christophe Lemaire (vocals, guitar), Joël Stoudmann (vocals, harmonica).
Wolverine @ Festiverbant, festival rock Compesières (Geneva), Switzerland, 27.08.2021.
(c) Christophe Losberger
1965 Wolverine driven by Mogens Christensen and Ole Vejlund racing the 1963 Elva Mk7 driven by Martin Eyears and Andrew Hall during the Masters Sports-Cars Race on Sunday at the 2012 Spa Six Hours.
If you are interested in this, or any of my other photos from this event, please visit my website. prints.swankmotorarts.com/f910918478
Written by JEPH LOEB
Pencils and Cover by SIMONE BIANCHI
Evolution Part 6 (of 6)
It's time for the final round in Wolverine's decades-long grudge match with Sabretooth, courtesy of superstars Jeph Loeb (Batman: Hush) and Young Guns reloaded artist Simone Bianchi -- and this time only one of them is walking away. Get ready for one of the most eye-popping endings in recent Marvel history, True Believer!
My sister found this guy at this year's ComiCon. Although just a tad shorter than Hugh Jackman, he really hits the mark --- down to the muscles!
Is he real or not? That's the question. :-)
No, he was a statue, but everyone did a double take as they walked by. People there said he looked so real.
I can't believe how this turned out, it's almost like Logan has a swagger about him!
Although one wouldn't argue with the raging feral beast, not with his temper.
Wolverine was released in Series3.
Comikaze
November 5-6, 2011
Los Angeles Convention Center
Cutting Edge Pop Culture Expo With Strong Focus on Comics, Horror, Sci-Fi, Anime and
Gaming Enables Fans to Unleash Their Inner Geek
Comikaze Expo is the largest multimedia pop culture convention in Los Angeles. The brainchild of Southern California siblings, Regina and Mario Carpinelli, this unique event brings together the best in comics, gaming, horror, sci-fi, fantasy, anime and all other cult programming. Comikaze takes place November 5-6 at the Los Angeles Convention Center, and offers a slate of innovative programming, panels, contests and other activities that provide fans access to their favorite artists and creators in this adventure-packed weekend.
For more information, visit comikazeexpo.com
#megacon18 #megacon #marvel #marvelcosplay #Wolverine @thehughjackman #cosplay #Logan #MEGAmoments #wolverinecosplay #XMen #megacon2018
#megacon18 #megacon #marvel #marvelcosplay #Wolverine @thehughjackman #cosplay #Logan #MEGAmoments #wolverinecosplay #XMen #megacon2018
Suspended Animation Classic #74
Originally published May 27, 1990 (#21)
Wolverine #29
By Michael Vance
“If you can’t write anything nice, don’t write anything at all” is a hard mandate to follow when reviewing “Wolverine”. The nice news is that it isn’t the worst comic book ever published. Elaborating further on this title does require a peculiar editorial slant, however.
Wolverine is not visually boring. His hair is cut like the crown of an owl and his knuckles sport a vicious set of slashing blades much like Freddie Kruger in the horror movies. If he isn’t a standout among his hundreds of superhero peers, at least he’s a little different.
The writing on this comic is only slightly below average. It’s basically another character-centered title full of jumping bodies, pumping fists, or power blasts, and angst. Half of the twenty-ninth issue is a plot summary from past issues, but it’s beneficial to occasionally be bored to tears. Eyes do need cleaning every once in a while, and this helps.
The artwork on this burly, grouchy, side-burned superhero isn’t terribly flawed. It’s average for comics, filled with visual clichés, crazy anatomy that frequently bares little resemblance to human limbs and joints, and poor composition, it looks like the artist was in a hurry.
And all of these nice things – a character not visually boring, writing that’s slightly below mundane, and artwork that is average – have earned Wolverine a bi-monthly publishing schedule and a niche in the best-seller list of comics shops.
So, why is this book one of the top-selling titles? Well, it could be because Wolverine is also a character in the country’s best seller – “X-Men” – and has developed a fan-following that ignores quality just to read anything about this character.
Surely not.
Did I forget to mention everyone in this series is searching for an incredible source of power that looks like the base of a table lamp?
“Wolverine” #29: The Lazarus Project/Marvel Comics, $1.75/newsstands and comics shops/Jo Duffy, writer; Barry Kitson, penciler.