View allAll Photos Tagged videoprojection,
The Cambridge 800 Lightshow - January 2010.
Projection onto the Gibbs Building and Kings College Chapel at Kings College, Cambridge. These images were created for the closing ceremony of the 80th anniversary celebrations of Cambridge University.
The images were sourced from the many departments and research streams of Cambridge. This event focuses on Cambridge's current areas of research and their impact on the future.
The images are PIGI slide projection and are in addition to the video projection installations at The Senate House and Old School.
Ross Ashton
Series of photographs taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2022
The City of Light, 2-channel video projection installation by Lustre at Pershing Square. Autumn Lights Festival in downtown Los Angeles. Adjacent to the Biltmore Hotel, the projections displayed a visual poem of illuminated city in motion.
Series of photographs taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2022
Take a look at the following video featuring an artist's talk with the WALLPAPERS artist collective.
The Cambridge 800 Lightshow - January 2010.
Projection onto the Gibbs Building and Kings College Chapel at Kings College, Cambridge. These images were created for the closing ceremony of the 80th anniversary celebrations of Cambridge University.
The images were sourced from the many departments and research streams of Cambridge. This event focuses on Cambridge's current areas of research and their impact on the future.
The images are PIGI slide projection and are in addition to the video projection installations at The Senate House and Old School.
Ross Ashton
This is an installation of Elliott Earls "Elegy for the Collapse of the Empire, Detroit Craft and Disentegration." at Cranbrook Museum during the "no Object is an Island" exhibition.
Video Projections for Wet Sounds, an underwater sound art gallery - a deep listening experience
Touring swimming pools, it presents listening sessions to a floating and diving audience in the water. The participants are fully immersed in sound. Free to move weightlessly in the sound space.
Photos by NAT URAZMETOVA
Series of photographs taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2022
Take a look at the following video featuring an artist's talk with the WALLPAPERS artist collective.
October 2, 2010: Long Night of the Museums in Linz - Hotel Lentos*****
www.tinafrank.net/live/hotel-lentos/
This event played with the reinterpretation of a room, a play within the white cube of Kunstmusem Lentos. The architecture of Hotel LENTOS was only suggested by white markerlines at the floor. It created a walkable construction plan for visitors and hotel guests.
Tina Frank & Elvira Stein created a 40 m long videoprojection for the visual transformation of Lentos Kunstmuseum into Hotel LENTOS*****. It became an athmospheric backdrop that maneuvered between two positions: Stanley Kubricks »Shining« and Willi Forsts operetta-movie »Im weißen Rößl«
Take a look at the following video featuring an artist's talk with the WALLPAPERS artist collective.
October 2, 2010: Long Night of the Museums in Linz - Hotel Lentos*****
www.tinafrank.net/live/hotel-lentos/
This event played with the reinterpretation of a room, a play within the white cube of Kunstmusem Lentos. The architecture of Hotel LENTOS was only suggested by white markerlines at the floor. It created a walkable construction plan for visitors and hotel guests.
Tina Frank & Elvira Stein created a 40 m long videoprojection for the visual transformation of Lentos Kunstmuseum into Hotel LENTOS*****. It became an athmospheric backdrop that maneuvered between two positions: Stanley Kubricks »Shining« and Willi Forsts operetta-movie »Im weißen Rößl«
October 2, 2010: Long Night of the Museums in Linz - Hotel Lentos*****
www.tinafrank.net/live/hotel-lentos/
This event played with the reinterpretation of a room, a play within the white cube of Kunstmusem Lentos. The architecture of Hotel LENTOS was only suggested by white markerlines at the floor. It created a walkable construction plan for visitors and hotel guests.
Tina Frank & Elvira Stein created a 40 m long videoprojection for the visual transformation of Lentos Kunstmuseum into Hotel LENTOS*****. It became an athmospheric backdrop that maneuvered between two positions: Stanley Kubricks »Shining« and Willi Forsts operetta-movie »Im weißen Rößl«
For more information on the current exhibition and the exhibition's following events, please visit: www.somarts.org/manasobject/
Fault, Istanbul, 2000.
Looped video 6 minutes. Fireproof coverall with internal videoprojection and sound.
Shot from a boat on the Bosporus, above the faultline between Asia and Europe. Both shores were filmed simultaneously with mirrors at 90 degrees in front of the lens. The rocking of the boat makes the continents rub against each other, like in an earthquake. East and West struggle to form one horizon.
Following a British Council/Connect ZA invitation to participate at the inaugural Alight Festival and the Fak’ugesi African Digital Arts Festival in Johannesburg, we planned to animate the streets of Braam with the use of video projections in public spaces.
The British Council/Connect ZA team gathered a group of aspiring digital artists to help create the work and arranged a shoot with the talented young dancers from Moving into Dance.
With only 2 days we created and installed the artworks, workshopping ideas and techniques for projection mapping and imaginative use of structures with our team of young international artists.
Together we devised 3 interventions: a huge 20m high projection onto an adjacent tower block; projections onto the entrance to the Tshimologong Innovation Precinct (where the Alight and Fak’ugesi festivals were held); and a number of roaming handheld projections.
Taking inspiration from the architecture of the buildings, after noticing a column of windows that ascended the tower and split our projection surface into 2 sides, we asked the dancers to improvise a short theatrical performance against a wall, imagining what or who would be on the other side. We then projected a dancer on each side of the tower, randomly mixing the performances so that they would interact through ‘the wall’. What emerged was a powerful artwork that engaged emotionally with the audience and appeared to address love, loneliness, gender and equality.
At the entrance of Tshimologong we used animations and film gathered from the workshops to create dynamic live video mapping that was operated by the workshop participants.
Three pico handheld projectors were loaded with short loops of the dancers and were operated by our ‘agents’, circulating through the audience. The images could be found on ceilings, walls, floors and often onto audience members themselves.
A few more shots from the Swedish Style "Nudie Cafe" event at Cafe Pause, mostly showcasing the video projection by NIM. The video is programmed to create "visual beats" that play along with the tracks from all our compilations. There is also an MTV-style info bumper that appears at the bottom left whenever a new track starts. NIM will be doing some live VJing at the Nudie Party, on November 11 (18:00-23:00).
Following a British Council/Connect ZA invitation to participate at the inaugural Alight Festival and the Fak’ugesi African Digital Arts Festival in Johannesburg, we planned to animate the streets of Braam with the use of video projections in public spaces.
The British Council/Connect ZA team gathered a group of aspiring digital artists to help create the work and arranged a shoot with the talented young dancers from Moving into Dance.
With only 2 days we created and installed the artworks, workshopping ideas and techniques for projection mapping and imaginative use of structures with our team of young international artists.
Together we devised 3 interventions: a huge 20m high projection onto an adjacent tower block; projections onto the entrance to the Tshimologong Innovation Precinct (where the Alight and Fak’ugesi festivals were held); and a number of roaming handheld projections.
Taking inspiration from the architecture of the buildings, after noticing a column of windows that ascended the tower and split our projection surface into 2 sides, we asked the dancers to improvise a short theatrical performance against a wall, imagining what or who would be on the other side. We then projected a dancer on each side of the tower, randomly mixing the performances so that they would interact through ‘the wall’. What emerged was a powerful artwork that engaged emotionally with the audience and appeared to address love, loneliness, gender and equality.
At the entrance of Tshimologong we used animations and film gathered from the workshops to create dynamic live video mapping that was operated by the workshop participants.
Three pico handheld projectors were loaded with short loops of the dancers and were operated by our ‘agents’, circulating through the audience. The images could be found on ceilings, walls, floors and often onto audience members themselves.
A duet with videoprojections presented as part of the 5th Athens Video Dance Project at the School of Fine Arts (Januray 2015)
Choreography: Giorgos Sioras-Deligiannis , Maria Papadopoulou
Performers: Maria Papadopoulou , Periklis Skordilis
Video Projections for Wet Sounds, an underwater sound art gallery - a deep listening experience
Touring swimming pools, it presents listening sessions to a floating and diving audience in the water. The participants are fully immersed in sound. Free to move weightlessly in the sound space.
Photos by NAT URAZMETOVA
Videoart performance at Piazza Cavour (Rimini, Italy). Monumental projections on the façades of Palazzo Garampi and Palazzo dell'Arengo (Dec. 31, 2013), by DIGIALTA.
Following a British Council/Connect ZA invitation to participate at the inaugural Alight Festival and the Fak’ugesi African Digital Arts Festival in Johannesburg, we planned to animate the streets of Braam with the use of video projections in public spaces.
The British Council/Connect ZA team gathered a group of aspiring digital artists to help create the work and arranged a shoot with the talented young dancers from Moving into Dance.
With only 2 days we created and installed the artworks, workshopping ideas and techniques for projection mapping and imaginative use of structures with our team of young international artists.
Together we devised 3 interventions: a huge 20m high projection onto an adjacent tower block; projections onto the entrance to the Tshimologong Innovation Precinct (where the Alight and Fak’ugesi festivals were held); and a number of roaming handheld projections.
Taking inspiration from the architecture of the buildings, after noticing a column of windows that ascended the tower and split our projection surface into 2 sides, we asked the dancers to improvise a short theatrical performance against a wall, imagining what or who would be on the other side. We then projected a dancer on each side of the tower, randomly mixing the performances so that they would interact through ‘the wall’. What emerged was a powerful artwork that engaged emotionally with the audience and appeared to address love, loneliness, gender and equality.
At the entrance of Tshimologong we used animations and film gathered from the workshops to create dynamic live video mapping that was operated by the workshop participants.
Three pico handheld projectors were loaded with short loops of the dancers and were operated by our ‘agents’, circulating through the audience. The images could be found on ceilings, walls, floors and often onto audience members themselves.