View allAll Photos Tagged videoprojection,
The Little Prince
The Child Alexandru China Birta
and Video appearences
The Pilot
Florin Zamfirescu
The Fox
Rodica Mandache
The Snake
Gelu Niţu
The Flower
Jeanine Stavarache
The King
Mugur Arvunescu
The Vain Man
Mircea Constantinescu
The Businessman
Ioan Batinaş
The Lamplighter
Mircea N. Creţu
The Geographer
Laurenţiu Lazăr
The Drunkard
Pavel Bartoş
Tudor Breazu (model)
Directed by
Carmen Lidia Vidu
Stage design
Constantin Ciubotariu
Cameraman
Neil Colțofeanu
Make-up
Ana Mihaela Marin
Videoprojection is to me a sort of a poem that I'm saying in each performance. I interpret through image the text which I'm staging. I sometimes set the story in a virtual space, like in “[a station...]”, other times I'm am setting the entire plot into the videoprojection, like in “Baby Smile”, and other times I am placing actors and their entire performance in a video space, like in “Fool for Love” and “The Little Prince”, or comment the condition of the characters in videoprojections, like in “Bitter Sauce”; other times I follow the writing, as in “I Hate Helen”... Videoprojection brings my spectacles close to contemporary art and distance them from classic theatre. It is enough to introduce a strong element in the spectacle, for all the other to have to change in their turn; and here I mean the actors' interpretation, light design and la sound-design. The spectacle is what calls me more than theatre and I'm trying to make performances out of videoprojections.
MEET MUNICH @ Praterinsel - Slideprojection, Videoprojection, Pixelmapping & Videodocumentation by crushed eyes
ACCENDO: a projection artwork created for Illuminating York. Museum of York in the Museum Gardens was illuminated using 4 video projectors and Onlyvew software. This piece ran in sync with its companion piece that was projected onto the Abbey of St Mary's a few metres away.
The piece represents the gathering of knowledge and understanding; and its passing on to the next generation. The concept and image design were by Ross Ashton. Soundscape design by Karen Monid.
Accendo ran from the 24th October to the 2nd November 2008
Series of photographs made of two male and female models taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2016
Projection Artwork commissioned by Cambridge University as part of the opening ceremony for its 800th Anniversary celebrations. Projections onto The Senate House and Old School. The two buildings are used as one projection palette to create a semi-immersive experience. The images reflect the impact that the academic work of Cambridge has had on shaping our world and our ideas.
Original Image by Quentin Blake
Created by Ross Ashton.
High power video projection image onto the Shell Building as part of the Mayor of London's New Years Eve Celebrations.
The images are 110m tall by 55m wide. Projection Design Ross Ashton for Jack Morton. Graphics Kate MacKay. Video inserts BBH. Event Sponsor: LG
Fragment of the breathtaking video projection program of the formation and history of our beautiful planet with its beloved name Earth where we all live together during fascinating 2nd International Festival of Light in Moscow “Circle of Light 2012” with musical illustration showed at this time on Red Square. The main department store “GUM” painted with light is in the background of the stage with the globe.
Read more: goo.gl/S4X2NR
Photo #032 taken on October 01, 2012
©2012 www.Moscow-Driver.com by Arthur Lookyanov
#CircleOfLight #LightShow #LightFest #Moscow #RedSquare #FloweringPlants #EarthFormation #Russia #КругСвета #Москва #КраснаяПлощадь #СветовоеШоу #Россия
Borderline 2011 " Survive the Apocalypse."
Day 1 : Japan Apocalypse.
Performance "Black Rain"
Satomi Zpira
Night Lights of Keep Dreaming by Spectaculars at the National Museum of Singapore facade, Stamford Road during the Singapore Night Festival 2019.
Night Lights of Tropicana by the Electric Canvas at the Stamford Court Clock Tower during the Singapore Night Festival 2019.
Night Lights of Keep Dreaming by Spectaculars at the National Museum of Singapore facade, Stamford Road during the Singapore Night Festival 2019.
Prelighting Rihana Set
Location: Superdome at Essence Music festival 2008; TimeInc.
Production Design: Stefan Beese - beesign productions.
The Statue of Germania - Das Niederwalddenkmal - Rüdesheim - Rhine Valley - Germany.
Germania is transformed into Europa. In her robes of blue and gold she stares out across the landscape of a united Europe whilst the flags of all the member states unfurl before her. The waters of all the rivers of Europe flow out from her, symbolizing a land without borders, and the uniting of the future aspirations of the peoples of Europe.
The I was asked by the Rheinpartie to create a site specific projection piece that would reinterpret the statue of Germania into one of international European unity.
I had always had in mind that the statue would stand in water. At the base of the statue is a representation of the River Rhine in a human form. I have taken the Rhine to represent all the great rivers of Europe. As the waters of the river flow past, so the peoples of Europe have moved across the land, creating the landscape forms that we see today. As the streams merge to form rivers and flow onward to the sea, so the histories of the separate nations of Europe though sometimes turbulent, have now come together in unity.
Germania herself is now dressed in the blue and gold robes of Europa. She looks out across a united Europe whilst the flags of all the nations of Europe unfurl before her. The waters of all the rivers of Europe flow out from her carrying the hopes and aspirations of all the united member states into the future.
I commissioned soundscape designer Karen Monid to create the accompanying sound piece based on these ideas. For this piece, she needed to combine Beethoven’s Ode To Joy with this site specific projection in the Rhine Valley that would represent the European Union. She chose to follow the life of a river as the journeying theme. All rivers form part of the Water Cycle, which is a never ending movement of water from ocean to cloud to rain to spring, stream, river and back to ocean again. This also seemed appropriate as water and land know no borders or boundaries and so retain a sense of union.
The sound is not synchronised with the images. I wanted the sound to carry a slightly different message to the images in its cyclic nature.
This piece was created for the 'rheipartie', a series of light and video installations in the Rhine Valley World Heritage Site. The event ran from the 2 to the 4th of October 2009.
MEET MUNICH @ Praterinsel - Slideprojection, Videoprojection, Pixelmapping & Videodocumentation by crushed eyes
High power video projection image onto the Shell Building as part of the Mayor of London's New Years Eve Celebrations.
The images are 110m tall by 55m wide. Projection Design Ross Ashton for Jack Morton. Graphics Kate MacKay. Video inserts BBH. Event Sponsor: LG
This is an installation of Elliott Earls "Elegy for the Collapse of the Empire, Detroit Craft and Disentegration." at Cranbrook Museum during the "no Object is an Island" exhibition.
The Little Prince
The Child Alexandru China Birta
and Video appearences
The Pilot
Florin Zamfirescu
The Fox
Rodica Mandache
The Snake
Gelu Niţu
The Flower
Jeanine Stavarache
The King
Mugur Arvunescu
The Vain Man
Mircea Constantinescu
The Businessman
Ioan Batinaş
The Lamplighter
Mircea N. Creţu
The Geographer
Laurenţiu Lazăr
The Drunkard
Pavel Bartoş
Tudor Breazu (model)
Directed by
Carmen Lidia Vidu
Stage design
Constantin Ciubotariu
Cameraman
Neil Colțofeanu
Make-up
Ana Mihaela Marin
Videoprojection is to me a sort of a poem that I'm saying in each performance. I interpret through image the text which I'm staging. I sometimes set the story in a virtual space, like in “[a station...]”, other times I'm am setting the entire plot into the videoprojection, like in “Baby Smile”, and other times I am placing actors and their entire performance in a video space, like in “Fool for Love” and “The Little Prince”, or comment the condition of the characters in videoprojections, like in “Bitter Sauce”; other times I follow the writing, as in “I Hate Helen”... Videoprojection brings my spectacles close to contemporary art and distance them from classic theatre. It is enough to introduce a strong element in the spectacle, for all the other to have to change in their turn; and here I mean the actors' interpretation, light design and la sound-design. The spectacle is what calls me more than theatre and I'm trying to make performances out of videoprojections.
The Cambridge 800 Lightshow - January 2010.
Projection onto the Gibbs Building and Kings College Chapel at Kings College, Cambridge. These images were created for the closing ceremony of the 80th anniversary celebrations of Cambridge University.
The images were sourced from the many departments and research streams of Cambridge. This event focuses on Cambridge's current areas of research and their impact on the future.
The images are PIGI slide projection and are in addition to the video projection installations at The Senate House and Old School.
Ross Ashton
Preso alla lettera
Il Writing, alla lettera scrittura, è una disciplina codificata con tanto di storia alle spalle e di un rigido regolamento d’appartenenza. La pratica del writer si confronta costantemente con diverse tipologie di confini: la labile soglia tra legale e illegale, l’eterna diatriba tra arte e non arte, la frontiera concettuale della linea. Elemento fondante di un graffito è infatti l’outline, la sottile definizione di un contorno, che è parte intergrante dell’opera, ma che si frappone tra l’indagine ingegneristica del lettering da cui salpa e il contesto urbano in cui drasticamente approda. L’Aerosol art, come spesso viene chiamata, nel tempo ha subito un aggiornamento tecnologico che non si è limitato all’accrescimento della precisione tecnica o alla migliore performanza degli spray.
Plotterflux è la realizzazione concreta della deriva mediale del writing. La contaminazione con gli altri linguaggi del visivo - il fotografico, il cinematografico, l’audiovisivo in genere - consente alla crew dei Bergamasterz (Verbo, Font, Hemo, Loathin e Alfa) di esibirsi in un live media che fonde su di un’unica superficie la materialità del colore con l’immaterialità della proiezione. Il percorso di apprendimento di un writer passa attraverso l’assimilazione di principi basilari: velocità, precisione, stile. Verbo, superato il training iniziale, conduce una ricerca sul medium che lo porta a contagiare esperienze apparentemente inconciliabili come il writing e il vjing. L’utilizzo della luce in luogo del colore (proiettori al posto delle bombolette) consente di apparire e scomparire ancora più velocemente senza lasciare traccia, almeno sui muri. La pre-produzione (elaborazione digitale, Software engineering) si sposa alla post-produzione (live mix video) ingaggiando una guerriglia di simboli, icone e segni che alberga temporaneamente in disparati contesti urbani.
La parola d’ordine è free style: libere associazioni di idee, indiscriminate sovrapposizioni di concetti, improvvise accelerazioni linguistiche e brusche frenate sintattiche. Le Video Incursioni rappresentano la summa di un percorso che è iniziato in strada e non può far altro che ritornare in strada. Perché la strada è il veicolo di una comunicazione pubblica, veloce e illimitata. Perché la strada è capace di accogliere, di essere portatrice sana di una democrazia reale. Perché la strada è cultura, e viceversa. (Claudio Musso)
ProvocAzioni Festival @ Acrobax, Roma.
29-30/09/2012
www.facebook.com/media/set/?set=a.10151094109128932.43633...
www.facebook.com/media/set/?set=a.10151094249338932.43636...
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Preso alla lettera
Il Writing, alla lettera scrittura, è una disciplina codificata con tanto di storia alle spalle e di un rigido regolamento d’appartenenza. La pratica del writer si confronta costantemente con diverse tipologie di confini: la labile soglia tra legale e illegale, l’eterna diatriba tra arte e non arte, la frontiera concettuale della linea. Elemento fondante di un graffito è infatti l’outline, la sottile definizione di un contorno, che è parte intergrante dell’opera, ma che si frappone tra l’indagine ingegneristica del lettering da cui salpa e il contesto urbano in cui drasticamente approda. L’Aerosol art, come spesso viene chiamata, nel tempo ha subito un aggiornamento tecnologico che non si è limitato all’accrescimento della precisione tecnica o alla migliore performanza degli spray.
Plotterflux è la realizzazione concreta della deriva mediale del writing. La contaminazione con gli altri linguaggi del visivo - il fotografico, il cinematografico, l’audiovisivo in genere - consente alla crew dei Bergamasterz (Verbo, Font, Hemo, Loathin e Alfa) di esibirsi in un live media che fonde su di un’unica superficie la materialità del colore con l’immaterialità della proiezione. Il percorso di apprendimento di un writer passa attraverso l’assimilazione di principi basilari: velocità, precisione, stile. Verbo, superato il training iniziale, conduce una ricerca sul medium che lo porta a contagiare esperienze apparentemente inconciliabili come il writing e il vjing. L’utilizzo della luce in luogo del colore (proiettori al posto delle bombolette) consente di apparire e scomparire ancora più velocemente senza lasciare traccia, almeno sui muri. La pre-produzione (elaborazione digitale, Software engineering) si sposa alla post-produzione (live mix video) ingaggiando una guerriglia di simboli, icone e segni che alberga temporaneamente in disparati contesti urbani.
La parola d’ordine è free style: libere associazioni di idee, indiscriminate sovrapposizioni di concetti, improvvise accelerazioni linguistiche e brusche frenate sintattiche. Le Video Incursioni rappresentano la summa di un percorso che è iniziato in strada e non può far altro che ritornare in strada. Perché la strada è il veicolo di una comunicazione pubblica, veloce e illimitata. Perché la strada è capace di accogliere, di essere portatrice sana di una democrazia reale. Perché la strada è cultura, e viceversa. (Claudio Musso)
Projection Artwork commissioned by Cambridge University as part of the opening ceremony for its 800th Anniversary celebrations. Projections onto The Senate House and Old School. The two buildings are used as one projection palette to create a semi-immersive experience. The images reflect the impact that the academic work of Cambridge has had on shaping our world and our ideas.
Original Image by Quentin Blake
Created by Ross Ashton.
Video projection of Arts Skins on Monuments at the facade of Asian Civilisations Museum during iLigh Singapore Bicentennial Edition.
Chris Doyle, Ecstatic City, Melbourne International Arts Festival, video projection, 2008. photo by Charlie Samuels. www.chrisdoylestudio.com
High power video projection image onto the Shell Building as part of the Mayor of London's New Years Eve Celebrations.
The images are 110m tall by 55m wide. Projection Design Ross Ashton for Jack Morton. Graphics Kate MacKay. Video inserts BBH. Event Sponsor: LG
This is the Cambridge 800 event organised by 'Cambridge In America'. It was held at the Gotham Ballroom and was hosted by Sir David Frost. The main speaker was Stephen Fry. Music was supplied by the Choir of Clare College. As you can imagine it was a great evening. As I could not get the entire room into one photograph you will have to imagine that you are surrounded by video imagery on both walls of the room. Each projection was 20m x 6m.
The Statue of Germania - Das Niederwalddenkmal - Rüdesheim - Rhine Valley - Germany.
Germania is transformed into Europa. In her robes of blue and gold she stares out across the landscape of a united Europe whilst the flags of all the member states unfurl before her. The waters of all the rivers of Europe flow out from her, symbolizing a land without borders, and the uniting of the future aspirations of the peoples of Europe.
The I was asked by the Rheinpartie to create a site specific projection piece that would reinterpret the statue of Germania into one of international European unity.
I had always had in mind that the statue would stand in water. At the base of the statue is a representation of the River Rhine in a human form. I have taken the Rhine to represent all the great rivers of Europe. As the waters of the river flow past, so the peoples of Europe have moved across the land, creating the landscape forms that we see today. As the streams merge to form rivers and flow onward to the sea, so the histories of the separate nations of Europe though sometimes turbulent, have now come together in unity.
Germania herself is now dressed in the blue and gold robes of Europa. She looks out across a united Europe whilst the flags of all the nations of Europe unfurl before her. The waters of all the rivers of Europe flow out from her carrying the hopes and aspirations of all the united member states into the future.
I commissioned soundscape designer Karen Monid to create the accompanying sound piece based on these ideas. For this piece, she needed to combine Beethoven’s Ode To Joy with this site specific projection in the Rhine Valley that would represent the European Union. She chose to follow the life of a river as the journeying theme. All rivers form part of the Water Cycle, which is a never ending movement of water from ocean to cloud to rain to spring, stream, river and back to ocean again. This also seemed appropriate as water and land know no borders or boundaries and so retain a sense of union.
The sound is not synchronised with the images. I wanted the sound to carry a slightly different message to the images in its cyclic nature.
This piece was created for the 'rheipartie', a series of light and video installations in the Rhine Valley World Heritage Site. The event ran from the 2 to the 4th of October 2009.
Milano Loves Fashion
year: 2009
location: Piazza Duomo, Milano
description: sound reactive architectural videoprojections on Duomo facade by Claudio Sinatti
production: Marco Balich / K Events
video service: Giochi di Luce
coordination: Elisa Rho
compositing and 3D: 3DVISION, Francesco Capone, Valerio Miorandi
programming: Andrea Buono
with: CNC, The Kills, Eleonora Abbagnato, Ulik and the Snob, Kruder & Dorfmeister
footage: Gabriele Giussani
editing: Alessandro Zorio
Watch this video on Vimeo. Video created by Claudio Sinatti.
Projection Artwork commissioned by Cambridge University as part of the opening ceremony for its 800th Anniversary celebrations. Projections onto The Senate House and Old School. The two buildings are used as one projection palette to create a semi-immersive experience. The images reflect the impact that the academic work of Cambridge has had on shaping our world and our ideas.
Created by Ross Ashton.
Series of photographs taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2022
The Statue of Germania - Das Niederwalddenkmal - Rüdesheim - Rhine Valley - Germany.
Germania is transformed into Europa. In her robes of blue and gold she stares out across the landscape of a united Europe whilst the flags of all the member states unfurl before her. The waters of all the rivers of Europe flow out from her, symbolizing a land without borders, and the uniting of the future aspirations of the peoples of Europe.
The I was asked by the Rheinpartie to create a site specific projection piece that would reinterpret the statue of Germania into one of international European unity.
I had always had in mind that the statue would stand in water. At the base of the statue is a representation of the River Rhine in a human form. I have taken the Rhine to represent all the great rivers of Europe. As the waters of the river flow past, so the peoples of Europe have moved across the land, creating the landscape forms that we see today. As the streams merge to form rivers and flow onward to the sea, so the histories of the separate nations of Europe though sometimes turbulent, have now come together in unity.
Germania herself is now dressed in the blue and gold robes of Europa. She looks out across a united Europe whilst the flags of all the nations of Europe unfurl before her. The waters of all the rivers of Europe flow out from her carrying the hopes and aspirations of all the united member states into the future.
I commissioned soundscape designer Karen Monid to create the accompanying sound piece based on these ideas. For this piece, she needed to combine Beethoven’s Ode To Joy with this site specific projection in the Rhine Valley that would represent the European Union. She chose to follow the life of a river as the journeying theme. All rivers form part of the Water Cycle, which is a never ending movement of water from ocean to cloud to rain to spring, stream, river and back to ocean again. This also seemed appropriate as water and land know no borders or boundaries and so retain a sense of union.
The sound is not synchronised with the images. I wanted the sound to carry a slightly different message to the images in its cyclic nature.
This piece was created for the 'rheipartie', a series of light and video installations in the Rhine Valley World Heritage Site. The event ran from the 2 to the 4th of October 2009.
Series of photographs made of two male and female models taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2016
Video projection of Arts Skins on Monuments at the facade of Asian Civilisations Museum during iLigh Singapore Bicentennial Edition.
Artwork by Jon Brunberg, as part of "Data Deluge" at Ballroom Marfa
Jon Brunberg
19 Years, 2008
Flash animation video
60-second loop
Courtesy of the artist
Using data collected from the Web, 19 Years compresses almost two decades of popular mass protests held in more than 500 places around the world, in chronological order from 1989 to 2007, into 30 seconds. Serving as a temporospatial distillation of organized public discontent, Brunberg’s chronology begins with the year that saw the fall of the Berlin Wall and the eruption of protests in several countries in response to the publication of Salman Rushdie's 1988 book The Satanic Verses. 19 Years presents over 1,800 single-day demonstrations or rallies in which thousands of people joined together to express dissatisfaction, leading in some cases to dramatic social change.
Data Deluge, March 3 – July 8, 2012
Curated by Rachel Gugelberger & Reynard Loki
Photograph(s) by Fredrik Nilsen
Courtesy of Ballroom Marfa