View allAll Photos Tagged videoprojection,
The Cambridge 800 Lightshow - January 2010.
Projection onto the Gibbs Building and Kings College Chapel at Kings College, Cambridge. These images were created for the closing ceremony of the 80th anniversary celebrations of Cambridge University.
The images were sourced from the many departments and research streams of Cambridge. This event focuses on Cambridge's current areas of research and their impact on the future.
The images are PIGI slide projection and are in addition to the video projection installations at The Senate House and Old School.
Ross Ashton
Rockestra 2011
For the second time I was asked by the President of Malta, George Abela to work on this project to raise money for the Malta Community Chest Fund. Again, Musical Director, Sigmund Mifsud had chosen and orchestrated a series of rock classics pieces to be played by the Malta Philharmonic Orchestra. The Rockestra show took place on the 12th September at the MFCC. Again they sold out at 12,500 people. This is the largest indoor event ever held in Malta. It is also the event of the year were local artists can play to this size of incredibly enthusiastic crowd.
The evening included pieces by Coldplay, Pink Floyd, Deep Purple, Led Zeppelin, Bob Marley, The Eagles and John Miles, so had a strong 70’s leaning and I wanted to reflect that in the imagery.
The local artists were:
Kenneth + Ivan Filletti
Errol
Gloriana Arpa Belli
Gianni
Dorothy Bezzina
Mike spiteri
Daniel Cauchi
John Bundy
Chris
Gianluca Bezzina
Kenneth
Pawlu Borg Bonaci
Xirka rock & Mikaela
Daniel Cauchi & Cliff Zammit
Lello
Glen Vella
Ivan Filletti
Vittorio Gauci
Following a British Council/Connect ZA invitation to participate at the inaugural Alight Festival and the Fak’ugesi African Digital Arts Festival in Johannesburg, we planned to animate the streets of Braam with the use of video projections in public spaces.
The British Council/Connect ZA team gathered a group of aspiring digital artists to help create the work and arranged a shoot with the talented young dancers from Moving into Dance.
With only 2 days we created and installed the artworks, workshopping ideas and techniques for projection mapping and imaginative use of structures with our team of young international artists.
Together we devised 3 interventions: a huge 20m high projection onto an adjacent tower block; projections onto the entrance to the Tshimologong Innovation Precinct (where the Alight and Fak’ugesi festivals were held); and a number of roaming handheld projections.
Taking inspiration from the architecture of the buildings, after noticing a column of windows that ascended the tower and split our projection surface into 2 sides, we asked the dancers to improvise a short theatrical performance against a wall, imagining what or who would be on the other side. We then projected a dancer on each side of the tower, randomly mixing the performances so that they would interact through ‘the wall’. What emerged was a powerful artwork that engaged emotionally with the audience and appeared to address love, loneliness, gender and equality.
At the entrance of Tshimologong we used animations and film gathered from the workshops to create dynamic live video mapping that was operated by the workshop participants.
Three pico handheld projectors were loaded with short loops of the dancers and were operated by our ‘agents’, circulating through the audience. The images could be found on ceilings, walls, floors and often onto audience members themselves.
The Little Prince
The Child Alexandru China Birta
and Video appearences
The Pilot
Florin Zamfirescu
The Fox
Rodica Mandache
The Snake
Gelu Niţu
The Flower
Jeanine Stavarache
The King
Mugur Arvunescu
The Vain Man
Mircea Constantinescu
The Businessman
Ioan Batinaş
The Lamplighter
Mircea N. Creţu
The Geographer
Laurenţiu Lazăr
The Drunkard
Pavel Bartoş
Tudor Breazu (model)
Directed by
Carmen Lidia Vidu
Stage design
Constantin Ciubotariu
Cameraman
Neil Colțofeanu
Make-up
Ana Mihaela Marin
Videoprojection is to me a sort of a poem that I'm saying in each performance. I interpret through image the text which I'm staging. I sometimes set the story in a virtual space, like in “[a station...]”, other times I'm am setting the entire plot into the videoprojection, like in “Baby Smile”, and other times I am placing actors and their entire performance in a video space, like in “Fool for Love” and “The Little Prince”, or comment the condition of the characters in videoprojections, like in “Bitter Sauce”; other times I follow the writing, as in “I Hate Helen”... Videoprojection brings my spectacles close to contemporary art and distance them from classic theatre. It is enough to introduce a strong element in the spectacle, for all the other to have to change in their turn; and here I mean the actors' interpretation, light design and la sound-design. The spectacle is what calls me more than theatre and I'm trying to make performances out of videoprojections.
The Statue of Germania - Das Niederwalddenkmal - Rüdesheim - Rhine Valley - Germany.
Germania is transformed into Europa. In her robes of blue and gold she stares out across the landscape of a united Europe whilst the flags of all the member states unfurl before her. The waters of all the rivers of Europe flow out from her, symbolizing a land without borders, and the uniting of the future aspirations of the peoples of Europe.
The I was asked by the Rheinpartie to create a site specific projection piece that would reinterpret the statue of Germania into one of international European unity.
I had always had in mind that the statue would stand in water. At the base of the statue is a representation of the River Rhine in a human form. I have taken the Rhine to represent all the great rivers of Europe. As the waters of the river flow past, so the peoples of Europe have moved across the land, creating the landscape forms that we see today. As the streams merge to form rivers and flow onward to the sea, so the histories of the separate nations of Europe though sometimes turbulent, have now come together in unity.
Germania herself is now dressed in the blue and gold robes of Europa. She looks out across a united Europe whilst the flags of all the nations of Europe unfurl before her. The waters of all the rivers of Europe flow out from her carrying the hopes and aspirations of all the united member states into the future.
I commissioned soundscape designer Karen Monid to create the accompanying sound piece based on these ideas. For this piece, she needed to combine Beethoven’s Ode To Joy with this site specific projection in the Rhine Valley that would represent the European Union. She chose to follow the life of a river as the journeying theme. All rivers form part of the Water Cycle, which is a never ending movement of water from ocean to cloud to rain to spring, stream, river and back to ocean again. This also seemed appropriate as water and land know no borders or boundaries and so retain a sense of union.
The sound is not synchronised with the images. I wanted the sound to carry a slightly different message to the images in its cyclic nature.
This piece was created for the 'rheipartie', a series of light and video installations in the Rhine Valley World Heritage Site. The event ran from the 2 to the 4th of October 2009.
Alice in Sunderland
In September 2009 we won the tender to produce the first two permanent outdoor projection artworks in the UK as part of Sunderland's ambitious Cultural Master-Plan.
Inspired by the discovery that Sunderland and it's environs had contributed to Lewis Carroll's vision of “Alice's Adventures in Wonderland”, the central theme of the two digital artworks on St Thomas Street is the inside of the White Rabbit's pocket watch. Local dancers appear amongst giant cogs and welders from industrial ship crane builders Liebherr to create the inner workings of the watch. The projection system, designed by us, works as a digital clock, triggered on the hour as part of an overall light and sound interactive installation spanning the entire street.
The installation was launched in September 2010 and is part of a complete face lift of St. Thomas Street that includes a commission by sound artist Bill Fontana, street lighting form Kapok, street furniture from Charlie Davidson. The project was initially curated by Ian Banks from Atoll. Supported by Sunniside Partnership, One NorthEast, Sunderland City Council, Sunderland arc and HCA.
http:www.sdna.tv
The Little Prince
The Child Alexandru China Birta
and Video appearences
The Pilot
Florin Zamfirescu
The Fox
Rodica Mandache
The Snake
Gelu Niţu
The Flower
Jeanine Stavarache
The King
Mugur Arvunescu
The Vain Man
Mircea Constantinescu
The Businessman
Ioan Batinaş
The Lamplighter
Mircea N. Creţu
The Geographer
Laurenţiu Lazăr
The Drunkard
Pavel Bartoş
Tudor Breazu (model)
Directed by
Carmen Lidia Vidu
Stage design
Constantin Ciubotariu
Cameraman
Neil Colțofeanu
Make-up
Ana Mihaela Marin
Videoprojection is to me a sort of a poem that I'm saying in each performance. I interpret through image the text which I'm staging. I sometimes set the story in a virtual space, like in “[a station...]”, other times I'm am setting the entire plot into the videoprojection, like in “Baby Smile”, and other times I am placing actors and their entire performance in a video space, like in “Fool for Love” and “The Little Prince”, or comment the condition of the characters in videoprojections, like in “Bitter Sauce”; other times I follow the writing, as in “I Hate Helen”... Videoprojection brings my spectacles close to contemporary art and distance them from classic theatre. It is enough to introduce a strong element in the spectacle, for all the other to have to change in their turn; and here I mean the actors' interpretation, light design and la sound-design. The spectacle is what calls me more than theatre and I'm trying to make performances out of videoprojections.
Series of photographs taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2022
For more information on the current exhibition and the exhibition's following events, please visit: www.somarts.org/manasobject/
The Little Prince
The Child Alexandru China Birta
and Video appearences
The Pilot
Florin Zamfirescu
The Fox
Rodica Mandache
The Snake
Gelu Niţu
The Flower
Jeanine Stavarache
The King
Mugur Arvunescu
The Vain Man
Mircea Constantinescu
The Businessman
Ioan Batinaş
The Lamplighter
Mircea N. Creţu
The Geographer
Laurenţiu Lazăr
The Drunkard
Pavel Bartoş
Tudor Breazu (model)
Directed by
Carmen Lidia Vidu
Stage design
Constantin Ciubotariu
Cameraman
Neil Colțofeanu
Make-up
Ana Mihaela Marin
Videoprojection is to me a sort of a poem that I'm saying in each performance. I interpret through image the text which I'm staging. I sometimes set the story in a virtual space, like in “[a station...]”, other times I'm am setting the entire plot into the videoprojection, like in “Baby Smile”, and other times I am placing actors and their entire performance in a video space, like in “Fool for Love” and “The Little Prince”, or comment the condition of the characters in videoprojections, like in “Bitter Sauce”; other times I follow the writing, as in “I Hate Helen”... Videoprojection brings my spectacles close to contemporary art and distance them from classic theatre. It is enough to introduce a strong element in the spectacle, for all the other to have to change in their turn; and here I mean the actors' interpretation, light design and la sound-design. The spectacle is what calls me more than theatre and I'm trying to make performances out of videoprojections.
L’ÊTRE HUMAIN AU CŒUR DES TECHNOLOGIES
13 ARTISTES, 8 ŒUVRES DANS LE QUARTIER DES SPECTACLES
Du 1 AU 18 OCTOBRE 2015
Espace Commun? est un parcours de 8 œuvres dans divers lieux publics du Quartier des spectacles de Montréal, présenté du 1 au 18 octobre 2015. Résultat d’un processus créatif ayant pour thématique l’être humain au cœur des technologies, il réunit les talents de 13 artistes en provenance de 7 pays. Montréal constitue la première étape de ce parcours interactif international. Espace commun?, une coproduction de l’Office national du film du Canada, du Partenariat du Quartier des spectacles et de MUTEK, s’inscrit dans le vaste projet Human Futures réalisé grâce au soutien du programme Culture de l’Union européenne.
www.quartierdesspectacles.com/fr/evenement/127/espace-commun
__________________________
HUMANS AT THE HEART OF TECHNOLOGY
13 ARTISTS, 8 WORKS IN THE QUARTIER DES SPECTACLES
Common Space? is a tour of eight new works displayed at various sites in Montreal’s Quartier des Spectacles from October 1 to 18, 2015. It is the outcome of a creative process that merges the talent of 13 artists from seven countries, as they explore the question of humans at the heart of technology. Common Space? is an NFB, Quartier des Spectacles Partnership and MUTEK co-production, and is part of the much larger Human Futures project, produced with the support of the European Union’s Culture Programme.
www.quartierdesspectacles.com/en/event/127/common-space
__________________________________________
LES ÎLES INVISIBLES
Sébastien Pierre et Daniel Canty (Canada)
Départ à la station de métro Saint-Laurent
Ce parcours interactif vous invite à redécouvrir Montréal. Avec votre téléphone intelligent comme boussole, décodez 72 fragments d’une histoire dissimulée en explorant 16 sites du Quartier des spectacles, et reconstituez le passé, le présent… et le futur. Consultez la carte du quartier et suivez les symboles pour vous rendre sur les sites et regardez autour de vous : les codes à numéro dessinés au sol vous dévoileront des fragments d’histoire. Pour débuter l’expérience, repérez les bornes de l’Île invisible dans le Quartier des spectacles et suivez le mode d’emploi.
__________________________________________
Sébastien Pierre and Daniel Canty (Canada)
Starts at Saint-Laurent metro station
Rediscover Montreal with this interactive tour. Using your smartphone as a compass, decode 72 fragments of a hidden history by exploring the 16 sites of the Quartier des Spectacles, and reconstruct the past, present and future. Consult the map of the area, follow the symbols to reach the different sites and look around: codes on the ground will reveal snippets of history. To begin the experience, locate the Îles invisibles terminals in the Quartier des Spectacles and follow the instructions.
__________________________________________
Photo : Martine Doyon
Alice in Sunderland
In September 2009 we won the tender to produce the first two permanent outdoor projection artworks in the UK as part of Sunderland's ambitious Cultural Master-Plan.
Inspired by the discovery that Sunderland and it's environs had contributed to Lewis Carroll's vision of “Alice's Adventures in Wonderland”, the central theme of the two digital artworks on St Thomas Street is the inside of the White Rabbit's pocket watch. Local dancers appear amongst giant cogs and welders from industrial ship crane builders Liebherr to create the inner workings of the watch. The projection system, designed by us, works as a digital clock, triggered on the hour as part of an overall light and sound interactive installation spanning the entire street.
The installation was launched in September 2010 and is part of a complete face lift of St. Thomas Street that includes a commission by sound artist Bill Fontana, street lighting form Kapok, street furniture from Charlie Davidson. The project was initially curated by Ian Banks from Atoll. Supported by Sunniside Partnership, One NorthEast, Sunderland City Council, Sunderland arc and HCA.
http:www.sdna.tv
Rockestra 2011
For the second time I was asked by the President of Malta, George Abela to work on this project to raise money for the Malta Community Chest Fund. Again, Musical Director, Sigmund Mifsud had chosen and orchestrated a series of rock classics pieces to be played by the Malta Philharmonic Orchestra. The Rockestra show took place on the 12th September at the MFCC. Again they sold out at 12,500 people. This is the largest indoor event ever held in Malta. It is also the event of the year were local artists can play to this size of incredibly enthusiastic crowd.
The evening included pieces by Coldplay, Pink Floyd, Deep Purple, Led Zeppelin, Bob Marley, The Eagles and John Miles, so had a strong 70’s leaning and I wanted to reflect that in the imagery.
The local artists were:
Kenneth + Ivan Filletti
Errol
Gloriana Arpa Belli
Gianni
Dorothy Bezzina
Mike spiteri
Daniel Cauchi
John Bundy
Chris
Gianluca Bezzina
Kenneth
Pawlu Borg Bonaci
Xirka rock & Mikaela
Daniel Cauchi & Cliff Zammit
Lello
Glen Vella
Ivan Filletti
Vittorio Gauci
Rockestra 2011
For the second time I was asked by the President of Malta, George Abela to work on this project to raise money for the Malta Community Chest Fund. Again, Musical Director, Sigmund Mifsud had chosen and orchestrated a series of rock classics pieces to be played by the Malta Philharmonic Orchestra. The Rockestra show took place on the 12th September at the MFCC. Again they sold out at 12,500 people. This is the largest indoor event ever held in Malta. It is also the event of the year were local artists can play to this size of incredibly enthusiastic crowd.
The evening included pieces by Coldplay, Pink Floyd, Deep Purple, Led Zeppelin, Bob Marley, The Eagles and John Miles, so had a strong 70’s leaning and I wanted to reflect that in the imagery.
The local artists were:
Kenneth + Ivan Filletti
Errol
Gloriana Arpa Belli
Gianni
Dorothy Bezzina
Mike spiteri
Daniel Cauchi
John Bundy
Chris
Gianluca Bezzina
Kenneth
Pawlu Borg Bonaci
Xirka rock & Mikaela
Daniel Cauchi & Cliff Zammit
Lello
Glen Vella
Ivan Filletti
Vittorio Gauci
Myself and 2 friends went out to Midland and did a test run of the live projection of drawing against a building.
Art by Chris Lawrence.
[All photos (c) Gary Parris]
This Event created by Light Art now is being held for the 5th time.
The show consisits of two part, one lasershow and one videoprojection on the memorial itself.
This time it was extremely cold and a strong wind blowing. Everybody kept shivering and I could only shoot one full session.
The blus hour and its different shades gliding into dusk I found the most attractive in light. The show itself surprised by new video effects.
High power video projection image onto the Shell Building as part of the Mayor of London's New Years Eve Celebrations.
The images are 110m tall by 55m wide. Projection Design Ross Ashton for Jack Morton. Graphics Kate MacKay. Video inserts BBH. Event Sponsor: LG
Rockestra 2011
For the second time I was asked by the President of Malta, George Abela to work on this project to raise money for the Malta Community Chest Fund. Again, Musical Director, Sigmund Mifsud had chosen and orchestrated a series of rock classics pieces to be played by the Malta Philharmonic Orchestra. The Rockestra show took place on the 12th September at the MFCC. Again they sold out at 12,500 people. This is the largest indoor event ever held in Malta. It is also the event of the year were local artists can play to this size of incredibly enthusiastic crowd.
The evening included pieces by Coldplay, Pink Floyd, Deep Purple, Led Zeppelin, Bob Marley, The Eagles and John Miles, so had a strong 70’s leaning and I wanted to reflect that in the imagery.
The local artists were:
Kenneth + Ivan Filletti
Errol
Gloriana Arpa Belli
Gianni
Dorothy Bezzina
Mike spiteri
Daniel Cauchi
John Bundy
Chris
Gianluca Bezzina
Kenneth
Pawlu Borg Bonaci
Xirka rock & Mikaela
Daniel Cauchi & Cliff Zammit
Lello
Glen Vella
Ivan Filletti
Vittorio Gauci
The Cambridge 800 Lightshow - January 2010.
Projection onto the Old School and Senate House, Cambridge University. These images were created for the closing ceremony of the 800th anniversary celebrations of Cambridge University.
The images were sourced from the many departments and research streams of Cambridge. This event focuses on Cambridge's current areas of research and their impact on the future.
The images are video projection.
Ross Ashton
The Cambridge 800 Lightshow - January 2010.
Projection onto the Gibbs Building and Kings College Chapel at Kings College, Cambridge. These images were created for the closing ceremony of the 80th anniversary celebrations of Cambridge University.
The images were sourced from the many departments and research streams of Cambridge. This event focuses on Cambridge's current areas of research and their impact on the future.
The images are PIGI slide projection and are in addition to the video projection installations at The Senate House and Old School.
Ross Ashton
The Cambridge 800 Lightshow - January 2010.
Projection onto the Gibbs Building and Kings College Chapel at Kings College, Cambridge. These images were created for the closing ceremony of the 80th anniversary celebrations of Cambridge University.
The images were sourced from the many departments and research streams of Cambridge. This event focuses on Cambridge's current areas of research and their impact on the future.
The images are PIGI slide projection and are in addition to the video projection installations at The Senate House and Old School.
Ross Ashton
Take a look at the following video featuring an artist's talk with the WALLPAPERS artist collective.
By Brandon Tay x Safuan Johari on the facade of the Asian Civilisations Museum of 30 artists visuals on loop throughout the night during the Light to Night Festival 2018 at the Civic District.
A celebration of our heritage at The Fullerton Hotel's facade. The spectacular light show with video projection and music by Hexagon Solution.
Series of photographs made of two male and female models taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2016
Series of photographs made of two male and female models taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2016
Flayer - Flayer - Terry Poison Double Party -
LIVE Visuals by Ray-V
Levontin7 tel aviv 31.5+1.6/2007
Series of photographs taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2022
Series of photographs taken on the fly. Video projection of generative audio-reactive visuals created by Max Msp jitter, on an experimental electronic musical background recorded just before by myself.
Created in 2022
Lincoln Center Festival presents David Michalek's
"Portraits in Dramatic Time"
Concept and direction David Michalek, on the
Façade of the David H. Koch Theater, on July 5, 2011.
Credit: Stephanie Berger
Michelle Ellsworth / Clytigation: Procedures Accorded To The Accused
September 18, 2015, The Works at The Redd
2015 Time--Based Art Festival, PICA
Photo by Chelsea Petrakis
Courtesy of Portland Institute for Contemporary Art
ACCENDO: a projection artwork created for Illuminating York. Museum of York in the Museum Gardens was illuminated using 4 video projectors and Onlyvew software. This piece ran in sync with its companion piece that was projected onto the Abbey of St Mary's a few metres away.
The piece represents the gathering of knowledge and understanding; and its passing on to the next generation. The concept and image design were by Ross Ashton. Soundscape design by Karen Monid.
Accendo ran from the 24th October to the 2nd November 2008
The Little Prince
The Child Alexandru China Birta
and Video appearences
The Pilot
Florin Zamfirescu
The Fox
Rodica Mandache
The Snake
Gelu Niţu
The Flower
Jeanine Stavarache
The King
Mugur Arvunescu
The Vain Man
Mircea Constantinescu
The Businessman
Ioan Batinaş
The Lamplighter
Mircea N. Creţu
The Geographer
Laurenţiu Lazăr
The Drunkard
Pavel Bartoş
Tudor Breazu (model)
Directed by
Carmen Lidia Vidu
Stage design
Constantin Ciubotariu
Cameraman
Neil Colțofeanu
Make-up
Ana Mihaela Marin
Videoprojection is to me a sort of a poem that I'm saying in each performance. I interpret through image the text which I'm staging. I sometimes set the story in a virtual space, like in “[a station...]”, other times I'm am setting the entire plot into the videoprojection, like in “Baby Smile”, and other times I am placing actors and their entire performance in a video space, like in “Fool for Love” and “The Little Prince”, or comment the condition of the characters in videoprojections, like in “Bitter Sauce”; other times I follow the writing, as in “I Hate Helen”... Videoprojection brings my spectacles close to contemporary art and distance them from classic theatre. It is enough to introduce a strong element in the spectacle, for all the other to have to change in their turn; and here I mean the actors' interpretation, light design and la sound-design. The spectacle is what calls me more than theatre and I'm trying to make performances out of videoprojections.