View allAll Photos Tagged tomassaraceno
...des Museumsbesuchs - so könnten sie aussehen.
Wer nicht zusammen gehört, wahrt die erforderliche Distanz ... auch dank der flexiblen Abstandshalter ;-))
f 7,1
1/80 s
100 ISO
24 mm
This piece of art made by Tomás Saraceno is hanging in the height of around 25 Meter under the roof of the K21 Museum in Düsseldorf. The Art Installation is made as a 'spiderweb' with different levels you can climb inside. Four balls are here, one has the mirror effect and you can get an idea of the height were this installation is hanging
This Art installation is fascination pure. Here a young woman is discovering the Orbit. Which personal extensive experience will she take back home?
Artist Tomas Saraceno's "Museo Aero Solar" part of the exhibit "Particular Matter(s) at The Shed in Hudson Yards
Reused plastic bags, tape, ventilator, polyester rope. Approx. 39.4 x 52.5 x 19 feet
Artist: Tomas Saraceno at The Shed, Hudson Yards
From The Shed's website:
A Thermodynamic Imaginary, which includes two projected video works that are also described here. Its mystifying, suspended geometries of fantastic angles and curvatures cast their shadows in an ever-changing lightscape, where all is floating, revealing, enlarging, and fading away. In the dispersal of light, visitors confuse their shadows with their neighbors’ as gestures overlap, mirror, and intersect in a black-and-white scenography. Bodies and sculptures merge with the other entities in the room, be they human or nonhuman, organic or constructed.
Im K21 herrschte ein maskierter Minimalbetrieb, ganz im Gegensatz zu den Menschenmengen bei meinem letzten Besuch bei Ai Weiwei. Die Installation von Saraceno in der Kuppel war aus Coronagründen nicht begehbar und lässt sich so menschenleer photographieren.
the people on top are walking on a net
walkable Artwork Installation "in Orbit" bei Tomás Saraceno
Museum "K21"
Düsseldorf
Many thanks for your visits, faves and comments. Cheers.
Each of Tomás Saraceno’s Biosphere works demonstrate the artist’s signature technique of intertwining rope, in this case weaving it around transparent, inflated bubbles. Their architecture is similar to that of geodesic domes. In parallel with ideas of interconnected floating cities is the artist’s ongoing interest in the structure of spider webs and their flexibility in a changing environment. Biosphere resembles a spider’s web – each threaded and knotted piece of rope within it is equally important to the structural integrity of the whole form, acting as a metaphor for the interconnectedness of ecosystems.
Saraceno is influenced by ideas of networking and ecology, and by philosophers and social theorists who look to the systems in nature in order to provide new approaches to thinking about the world.
(Source: learning.qagoma.qld.gov.au/artworks/biosphere/)
__________________________________________
© Chris Burns 2020
All rights reserved.
This image may not be copied, reproduced, distributed, republished, downloaded, displayed, posted or transmitted in any form or by any means, including electronic, mechanical, photocopying and recording without my written consent.
Saraceno is an Argentinian artist working in Berlin. His major concerns are the ecological state of the world. These large spheres are to remind us of the fragile state of our atmosphere. Their reflective nature is also important. As we see ourselves in the spheres, we are implicated in what is happening to our earth.
Installation von Tomás Saraceno (gehört zur ständigen Ausstellung)
www.kunstsammlung.de/de/exhibitions/tomas-saraceno-in-orbit/