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Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Excerpt from the plaque:
‘Alam (Standard), Iran or India, 17th – 18th centuries. Iron, cast, welded, and riveted with cut-out decoration: The imposing size and sophisticated structure of this ‘alam (standard) make it unique. Decorated with dragon heads, it also contains four branches in the shape of emerging sequential almonds to create the overall appearance of a flame. The inscription in thuluth (a style in Islamic calligraphy) engraved over an elaborate openwork background suggests it was created in 17th-century Iran. Alternatively, it may have been produced in South India, as there was an extensive link between the artists and calligraphers of both empires during that era.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
La qibla, la pared de los rezos con el nicho o mihrab dorado, está orientada en dirección a la Meca. Constituye el corazón religioso de la mezquita y luce los 99 nombres de Alá con marqueterías de mármol retroiluminadas mediante un sistema de fibra óptica, cuyo extremo emisor ilumina una malla de oro que cubre los 99 nombres inscritos del profeta, mientras que los resplandores secundarios revelan las formas orgánicas de hojas de vid. En los salones columnarios revestidos de mármol alrededor de la sala de la cúpula central, los proyectistas luminotécnicos también apostaron por el confort visual y el efecto mágico de la iluminación vertical.
En la mezquita se utilizan tres estilos de caligrafía, Naskhi, Thuluth y Kufic, y fueron redactados por Mandi Mohammed Al Tamimi de los Emiratos Árabes, Farouk Haddad de Siria y Mohammed Allam de Jordania.
La sala de oración principal, abovedada con importantes cúpulas, tiene capacidad para más de 7.000 personas. En ella se encuentran la gran lámpara de araña, con tecnología LED y cristales Swarovski y la alfombra hecha a mano más grande el mundo, tejida en Irán por más de 1.200 mujeres. Las 96 columnas de la sala de oración principal están revestidas de mármol con incrustaciones de nácar. Hay dos salas más pequeñas de oración, con una capacidad de 1.500 personas cada una, una de ellas es la sala de oración femenina.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Grande Moschea del Sultano Qaboos.
Il cortile interno con i corridoi che lo circondano.
Lungo la parte superiore delle pareti del luogo di preghiera e del cortile interno corre un fregio decorato con incisioni in stile calligrafico “thuluth”, rappresentanti alcuni versetti coranici.
Sultan Qaboos Grand Mosque.
The inner courtyard with the corridors that surround it.
Along the upper part of the walls of the place of prayer and the internal courtyard runs a frieze decorated with engravings in the "thuluth" calligraphic style, representing some Koranic verses.
_MG_1730m
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
Sheikh Zayed Grand Mosque was initiated by HH Sheikh Zayed bin Sultan Al Nahyan, who wanted to establish a structure which unites the cultural diversity of Islamic world, the historical and modern values of architecture and art.
This beautiful Arabic calligraphy is one of many inside the court of the Blue Mosque in Istanbul, Turkey.
the interior of the Tuanku Mizan Zainal Abidin Mosque, also known as the Steel / Iron Mosque.
The interior is decorated with Al-Asmaul-Husna calligraphy of the Thuluth variation. The entrance to the main prayer hall is adorned with verse 80 of Sura Al-Isra from the Qur'an.
There is a mihrab wall made of 13-meter-high glass panel imported from Germany inscribed with two verses from Sura Al-Baqarah on the right and Sura Ibrahim on the left. The mihrab wall is designed so that no light will be reflected, creating an illusion that the verses are floating on air.
from wikipedia
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On the occasion of end of the blessed Month of Ramadan and the Festival of Eid Al Fitr I would like to wish all Muslim friends a Happy Eid! كل عام وانتم بخير
The above image is one of my early calligraphy works done in December 1989 and depicts a prayer meaning (O Lord, make it easy, and do not make it difficult. O Lord, make it end well). This style of calligraphy is called Thuluth (الثلث) and regarded as crown of Arabic Scripts by Arabic Calligraphers. Almost all master calligraphers wrote this prayer in different forms and composition and this is my composition.
thanks for visits and comments. Have a wonderful day every one!
A calligraphic copy of the well-known prayer called Ḥizb al-baḥr ('Litany of the sea’) by Abū al-Ḥasan al-Shādhilī (d. 656 AH / 1258 CE), the founder of the Shādhilīyah sufi order. Executed in the 11th AH / 17th century this anonymous codex uses a number of traditional large size scripts such as thuluth, muḥaqqaq, rayḥān, and tawqīʿ.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Coran écrit en écriture "thuluth" de la sourate 4, verset 174 et de la sourate 5, verset 1.
Le thuluth (ou soulouci) est l'un des six styles canoniques de la calligraphie arabe, Inventé par Ibn Muqla. Il se caractérise par de hautes hampes (les lettres sont plus hautes que larges) avec sérif, et des diacritiques fins et très allongés.
C'est historiquement la troisième forme d'écriture monumentale, venant après le Kufi primitif et le Muhaqqaq médiéval.
Wikipedia
Arabic calligraphy is a part of islamic art parts. There are alot of fonts types such as Riqa, Naskhi, Nastaliq, Thuluth, Muhaqqaq and Square Kufic.
I found it in my archive , it's not very clear because my scanner is not good for this type of papers , i tried to clear it and put some shadow using adobe photoshop
it was very light .
Author : Ammar aldurazi
Pub.Date 8 / 18 / 1999
Sultan Hassan is named on this lamp.
Hassan (Al-Nasir Badr al-Din Hasan ibn Muhammad ibn Qalawun, or al-Nasir Hasan) 1334/35-1361, Bahri Mamluk Sultan of Egypt (r.1347–1351 & 1354-61).
Cairo International Airport Museum, Terminal 3
This decorated finispiece contains a colophon inscribed in Mashriqī (also known as thuluth Maghribī) script stating that this is the end of volume 9 of the Qur'an (al-juzʾ al-tāsiʿ min al-rabʿah) and offering a prayer for the Prophet Muhammad and his family. The text is framed by an inner band of blue and gold and two outer bands of interlace design in gold, blue, and white in reserve. At right is a marginal medallion palmette.
This square-format manuscript on parchment is volume 9 (al-juzʾ al-tāsiʿ) of the Qur'an, covering chapter 29 (Sūrat ʿankabūt), verse 46, to the end of chapter 37 (Sūrat al-ṣaffat). It dates to the sixth century AH / twelfth CE and was produced in the Maghreb. The text is written in Maghribī script in dark brown ink and vocalized with polychrome dots. The manuscript opens with a double-page illuminated frontispiece (fols. 3b-4a) and incipit (fol. 4b). Verse markers in the shape of trefoils indicate the end of each verse, and the letter hāʾ in the form of a teardrop and discs with rosettes indicate groups of five and ten verses. The illuminated finispiece with colophon (fol. 133b) states that it is the end of volume 9 of the Qur'an (al-juzʾ al-tāsiʿ min al-rabʿah) and offers a prayer for the Prophet Muhammad and his family. The dark red goatskin binding dates to the tenth century AH / sixteenth CE.
To explore fully digitized manuscripts with a virtual page-turning application, please visit Walters Ex Libris.
Lampe de mosquée
avec inscriptions en écriture thuluth
début XIVè siècle, époque mamelouke
Egypte ou Syrie
verre avec décor émaillé et peinture d'or
34 cm de haut
Ce type de lampe a été produit en de nombreux exemplaires
Objet présenté dans le musée d'art islamique de Berlin / Museum für Islamische Kunst
www.smb.museum/museen-und-einrichtungen/museum-fuer-islam...
Fiche sur la lampe (Découverte de l'art islamique / musée sans frontières)
www.discoverislamicart.org/database_item.php?id=object;IS...