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SONY NEX5

A giant cloud - emission from a power station - overshadows the landscape. I took this at Fairburn Ings RSPB reserve, South Yorkshire, from where it was visible

Split Tone is an editing technique where the shadows are toned one color, and the highlights a second color. Split toning is often used with color grading in the media to give a scene a desired look and feel.

Peak District,Derbyshire,UK

Black-headed gulls in flight at Studley Royal near Ripon, North Yorkshire.

Shack, Arrowtown, Otago, New Zealand

Picture taken in Catania - Project 52 - 2016_21

taken along the Burlington waterfront.

Yesterday - Skiing on Wildcat Mountain

After snow melt, a late snow storm covers branches with snow. Wascana, Regina, Saskatchewan, Canada. 17 March 2021

Picture taken in Catania - Le Ciminiere - EtnaComics 2016 - Project 52 - 2016_23

Parked in Front of Water Street Bar and Grill.

www.tmorphewimages.co.uk

Fitzbillies Bakery after closedown, Bridge Street, Cambridge.

This Great Blue Heron didn't want to stick around for a second shot.

The coastal scenics of Seward.

Donauturm looking out of the fog. If you look closely you can see what's happening below.

Colored picture with splittoned overlay...

Weekend Camping getaway.

 

Smoky Mountain Christian Camp

Tellico Plains, Tennessee

Saturday, June 6th, 2020

 

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I hate simple. Simple is boring. But with this picture/project I got so frustrated with its complexity, I nearly gave up.

 

Let's start with the bed: Shooting covers is hard, especially if all you want them to do is 'ripple' in relation to a large gust of wind. It's amazing how even a small move on a cover will appear ott as soon as you really scrutinize on your monitor, looking as if someone is actually in the bed. As a result, the first lot of cover shots were rubbish. All hopelessly dominating the frame and making the bed look scruffy. I reshot the covers the next day. And because it was at dusk, I resorted to a 30 second exposure at F5, ISO 500. To be honest, I wouldn't even be surprised if the corner of the bed which is turned up (due to a gust of wind obviously!) suddenly disappeared overnight either as I'm not entirely happy with it.

 

The curtains were shot with only natural light from outside. F13, and 0.5 exposure. A fan at the base provided the movement.

 

Agnes was lit with two strobes, one large octogon housing a Bowens GM200 at the lowest power setting, touching the ceiling. Another Bowens GM200 with grided snoot was pointing back at her head and situated behind her. This is where it gets interesting. I couldn't have got the two lights into the far left corner of the room (camera left), but they did fit neatly into the right corner. This image of Agnes is therefore horizontally flipped so that she appears with her head towards the pillow end of the bed. Settings for that shot: ISO 250, F4, 1/40th. We did try some shots of Agnes positioned the 'right way' round, and although they were fine, this was my winner for expression.

 

I mounted a small long step ladder on the slats under the mattress for her to rest on, and the image you see is just two shots, the secondary one, providing her hands. We used the same fan for Agnes' hair that was also used for the curtains..

 

I've been fortunate to have an article printed in Advanced Photographer this month in which I trumpeted the fact that you should try and keep all your settings the same for levitation pictures. I thought about that afterwards, and a little demon popped in and said 'you should try and mix strobe with natural light, it'll be fun!'. The frustration I referred to was the differing colour temperatures and lighting being all over the place. But, it can be done.

 

For the final image, I imported the composite back into Lightroom and used some split toning and vignetting.

 

Why the title? Edware 6222, extension 7 is the original number on the phone.

 

This is my third image with the Bakelite phone, and originally I was going to have the phone, shot many times with the 'base' on the ceiling and the receiver dropping down and turned to face her, like attacking snakes, but I decided that might clutter the frame and appear messy, so I just went for the single phone by the bed. I have another bakelite phone shot coming up. Your comments are always appreciated.

Tolman Creek Road, Ashland, OR; Spring, 2010

Number 35 of my 365 photo challenge - An split toned negative macro image of smoke swirling in front of an LED light.

The new foot bridge at Lagan Weir.

Happy Gorgeous Green Thursday

Split Tone is an editing technique where the shadows are toned one colour, and the highlights a second colour. Split toning is often used with colour grading in the media to give a scene a desired look and feel.

plit-tone five day challenge: Day Five

Sky and Skyscrapers

 

#SplitToneFiveDayChallenge

 

It's the fifth (and last) day of the Split Tone Challenge and here is another Street photo from the Windy City. There is something about this image that I like very much... not sure what it is .... but maybe it is something that will make you like it very much too.

Guys Alan, Maki and Paul here Ieave you with: Sky and Skysrapers

 

This image was previously converted to HDR with Photomatix, then almost fully desaturated (almost) and later it was split toned using the following specifications in Lightroom

 

Highlight hue of 61/Saturation 52

Shadow hue of 197/Saturation 18

Balanced at +33

 

This was really a fun challenge, thanks for inviting me to participate.

 

#photography #Streetphotography #monochromeworld #monochromephotography #hqspmonochrome #btpmonochromepro #googleplusphotographers #RicardoWilliamsPhotography #RicardoWilliamsBlog

It only seems a few short weeks since we've come into springtime but the lack of rain has already taken its toll on the land. This is a track in Lenham, Kent which leads to a style over the railway line and you would be forgiven if you thought it might be shot from a hot country. We are currently going through the warmest, driest spring since records began.

Please get yourself a glass of water and view on black. Thankyou.

Race Street Pier, Philadelphia, PA.

Hasselblad 500c/m - Zeiss Planar 80mm - Kodak Panatomic-X exp1989 - Redfilter

 

Develop in rodinal 1:50 for 10min @ 20deg.

 

f/4 at 1sec. Split-toned in P.S

 

Småland 2015.10.16

 

If you like the analog work, please take a look at my

other albums: www.flickr.com/photos/mjoensson/albums

I've try to keep them to a minimum for easier find out what your interested in.

 

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