View allAll Photos Tagged splittoning
My entry for this week's Macro Mondays Challange, Eraser(s).
I found these lurking in my future in-laws' drawing stuff. The combination of hard and soft erasers and their unique shape caught my attention!
“Macro Mondays” and “Eraser(s)"
Rain clouds over Millington Pastures in the Yorkshire Wolds, England. Processed to mono and split toned in LR.
Wandering around the woods I spotted a number of bird houses high up in the Birches. Took a while to find number 3, but it had to be done
Number 332 of my 365 photo challenge - A cross-processed and split-toned, long exposure, landscape image of Black Spout Falls near Pitlochry in Perthshire, Scotland.
Babbacombe pier this evening.
For anyone interested, there are a few copies of my book "SEASCAPES" still available from here: www.kozubooks.com/product/landscape-editions-volume-eleve...
It was a bright day, but the stiff wind was bitterly cold as I held on to the tripod set up on the edge of the harbour wall. I used the ND1000 with a step up ring, but wanted to capture some smooth wave action, so had to increase the ISO and open the aperture more that usual to get the right shutter speed.
Crummock Water, one of the most photographed areas of Crummock Water, a little bit of processing in Lightroom
Sony Alpha A700, Sigma 10-20mm, F8, 15mm, ISO100, Exp 1/20 Second
Hitech Soft Grad 0.6
My Flickr Photostream Please View On FlickeFlu
Please do not use this image on websites, blogs or any other media without asking my written permission. All rights reserved.....© Brian Kerr Photography 2011
A split tone image I used with Silver Efex Pro 2. The split toning added a feel of an older image captured years and years ago and faded over time.
Snowing on bog with fall colored larches. Prince Albert National Park, Saskatchewan, Canada. 1 October 2018.
2022-23: Judge merit award out of 1000 entries in Photocrowd 'Forests' competition in June 2023
Number 310 of my 365 photo challenge - A split-toned, long exposure, landscape, astrophotography image of the Milky Way over a train line near Forgandenny in Perthshire, Scotland.
I know this is not the best image of the Milky Way out there but I am really keen to improve in this area of expertise. So, constructive criticism is most welcome with regard to exposure technique and editing.
A wee nod to the Transformers geeks out there too! ;-)
Clouds, summer 2015. Standing in the back yard I looked up...
Camera: Canon IVSB2 rangefinder
Lens: Cosina-Voigtlander Ultron 21mm f/4 Color-Skopar LTM
Film: Ilford HP5+
Developer: Kodak XTOL 1+1
Scan: Epson V700
Post processing: split tone and vignette in Lightroom 6
Please don't use this image on websites, blogs or other media without my explicit written permission. © copyright 2015 Lynn Burdekin. All Rights Reserved.
Number 340 of my 365 photo challenge - A cross-processed and split-toned, focus stacked, long exposure, macro image of a decoration on a Christmas Tree.
The old tree stump at Mossdale Bay. I thought the mood of the morning suited a mono conversion.
Mono Conversion in Silver Efex Pro 2, split toned in Lightroom
Used slit toning to highlight the owl - blue for the shadowsn and yellowish for the highlights. Went out looking for the owls on Saturday afternoon. They came out at about 4:30. Very challenging conditions with light levels dropping, they were also a little far away - so not the best shots. But an amazing sight anyway.
CC welcome
A popular new restaurant in Windhoek, my home town.
I was inspired by a preset called "Golden", fiddled quite a bit in general and finally decided to add a lighter vignette, mainly to mask the bright light coming through the window. :-)
Have a relaxing Sunday, everyone.
HSS!
An early morning walk around Broadstairs Harbour split-toned in Lightroom 6 and some medium detail enhancement in Topaz Adjust.
Little India, Singapore
2018
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The result of my deciding to play with split-tones, square formats, and umph-tyching. I even have a version with textures on top of all that. I guess I was thinking something like, "If I do everything at the same time, I'll learn it all faster."
Diptyches have fascinated me for the longest time; there's something about the marriage of two seemingly individual or distinct photographs that glimmers with a certain kind of magic. It resembles the wedding of a man with a woman in many ways.
Split toned photography tends to make me think more than other types, probably because it is the closest to Romanticism among the types of manipulation I am aware of. It brings a certain emotion out of photography (especially portraiture) which would be nearly impossible to do with any other processing.
Square formats seem to do all but scream simplistic beauty. If you run a search on "square format" you'll see some of the most simplistic, yet inviting images here on flickr.
I'm far from mastering any of these art forms (if mastering them is possible) and I don't claim to be even relatively good at any of them. I feel in some ways similar to how I think an archaeologist might feel, after uncovering some ancient artifact; though others may have discovered the same types of artifacts long before it in no way diminishes (in his own eyes) the pomp that accompanies his entrance into a world hitherto uncharted and still mysterious.
Open to May, when we were young and brave.
Took steps to remove me, I'll come in and out with the tides.
The lost and the loved, I admire.
You had every chance to close this,
and let it all in and out of sight.
Where there's nothing to find, and there's nothing to hide.
Your breath fills my skin.
All the way in.
In the event of an emergency,
I'll ask for your saving again.
- 36 Crazyfists
My first entry for the Weekly Alphabet Group and this week's letter.
Have a wonderful Saturday everyone!
[Pinhole Photograph] Taken with a ZeroImage 6x9 multi-format camera.
Port Clyde, Maine / Sept. 30, 2006
Artifacts of an Uncertain Origin
These have been scanned for awhile but work (gasp!) and other projects have kept me from sitting down and playing with them. Of the three images posted with the tea kettle, please let me know which one you like the best. Only one will make it into the final series. At the moment, I am liking this one the best, perhaps because the presence of the giant Sea Truk creates such a strange scene.
**Oh, and I should add that the tea kettle was there on the rock when I took the photo...it was not added via Photoshop.